{"10564":{"id":10564,"label":"Contact Information For Luke Copping Photography","caption":"The biography of Buffalo NY based commercial and editorial photographer Luke Copping","type":"html","content":"

Luke Copping


Office Address: 344 Hoyt St. Buffalo NY 14213

Studio Address: 700 Main St. 4th Floor Buffalo NY 14202


P / 716.480.4688

luke@lukecopping.com


You can stay up to date with my latest work and receive occasional print promos by subscribing to my mailing list


My stock collection is represented by Gallery Stock


You can find me at Found Artists and Wonderful Machine


Proud member of ASMP


Co-creator of Project Prescription


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THE ONE EYELAND AWARDS - DAVID BRUGH



I just found out that my portrait of David Brugh of Crockett and Co. was named a finalist in the 2020 One Eyeland Awards. This portrait was taken as part of an eyewear feature in Buffalo Spree Magazine which featured David among other local figures like Dr. Jaquelyn Malcolm, Harper Bishop, Alexa Wajed, Linda Mesi, Michael Poczkalski, and Deb Habes.





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WAXLIGHT BAR A VIN



Waxlight Bar à Vin is a wine-focused restaurant in Buffalo, NY’s Black Rock Neighborhood. Owned and operated by a supergroup of some of the city’s most daring and forward-thinking culinary, wine, and cocktail minds. If this team were a band – they’d fall somewhere between Mad Season and the Traveling Wilburys. Each of the members brings a strong following of their own, having worked in various storied establishments across the US and globally. Edward Forster, Joseph Fenush, Jess Railey, Tony Rials, and Jeff Yannuzzi have created a space where people can both enjoy themselves and explore the unique aspects of taste and experience that this team crafts with a total lack of pretension. I don’t know many places where the staff, let alone the owners (one and the same here), will gladly nerd out with you about the finer details of the food and drink they’re serving. 


Just reading over some of their menu items has me drooling right now. I should never write about restaurants I’ve photographed when I’m hungry.




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TWO OF MY IMAGES WERE FEATURED IN THE BEST OF ASMP 2019 PHOTOGRAPHY AWARDS



I’m so happy to announce that two images I created over the past year are featured in the American Society Of Media Photographers Best of 2019 Photography Awards!


The first image, above, is one from my recent trip to Vietnam. Taken during an early morning walk through the public markets in Bac Ha, features a man overseeing the water buffalo in the market’s public livestock area where people buy and sell the animals each week. The image was awarded an honorable mention in the personal work category. I’ll be sharing a lot more imagery from this trip in an upcoming post.


My portrait of Tom Moriarty of Moriarty Meats was awarded 2nd place in the editorial category!


Thanks so much to ASMP, I’m honored to have my images featured in this year’s collection. You can see these and other winning images here. 





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STITCH BUFFALO

Buffalo has a large refugee population, especially those who have come from countries like Burma, Bhutan, and Somalia. And over the years, several organizations have dedicated themselves to providing entrepreneurial opportunities to these refugees – including the West Side Bazaar, which I’ve covered on this blog before, as well as The Refugee Women’s Workshop at Stitch Buffalo.

Stitch Buffalo provides a means for women from diverse countries, including Bhutan, Nepal, Burma, Thailand, Angola, and more, to create and sell handcrafted goods and apparel to the local community. The products are often created by the women at home, as well as during the several times a week workshop sessions at Stitch’s central retail location where they can socialize, collaborate on projects, and learn new techniques and skills from each other.

Over 200 women have participated in the program since its founding, with 40-50 artists being active at any given time. The community that has sprung up around the workshop is vibrant and caring, with women often swapping stories, assistance, and advice with each other and those volunteers who help to operate the program and retail store. 

I was incredibly lucky to get to meet and photograph some of these women and learn more about how they came to Buffalo. Most of them first learned their intricate embroidery skills while living in refugee camps prior to making their way to America, and continue to refine their skills under the direction of the program’s founder Dawn Hoeg. You can read about a few of these women’s journeys on Buffalo Rising.




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INDIA WALTON - BUFFALO NY MAYORAL CANDIDATE



In June 2021, India Walton scored a major upset victory over four-term incumbent Byron Brown in the Buffalo NY Democratic mayoral primary. And the recent endorsement of the Erie Country Democratic committee has cemented her as the party’s official candidate as she prepares for the upcoming November election. Her most visible opponent will again be Byron Brown — as he attempts to promote a write-in campaign to retain his current post.


I’ve been lucky enough to photograph India on two separate occasions. The first was before her I’ve been lucky enough to photograph India on two separate occasions. The first was before her mayoral campaign kicked off – when she was serving as the executive director of the Fruit Belt Community Land Trust and working as a NICU Nurse (while also serving as a union rep). I was tasked by Buffalo Spree to photograph India as part of an issue focused on community organizers and influencers.


The second time I got to photograph her (which resulted in the above image) was during the early months of the Pandemic when Spree again featured her — this time in a series of portraits of social justice activists in Buffalo. Soon after this, India announced her intention to run against Brown for mayor and later left her positions in nursing and with the land trust to focus on policy development and campaigning. India’s victory over a candidate who outspent and out-fundraised her and who ultimately refused to debate her made national headlines. My images of her have since appeared in several national publications – including the New York Times. India also got some well-deserved shout-outs from important progressive political figures, including Senator Bernie Sanders and Representative Alexandria Ocasio-Cortez, who have given India their support. 


If she wins in November, India will become a lot of firsts for this city — the first woman mayor, the youngest mayor since the 19th century, and the city’s first Democratic Socialist Mayor (not to mention the first democratic socialist mayor of any major city since the 1960s). She is running unopposed on the ballot – facing only a potential write-in challenge from Brown.




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ROBERT TRAYNHAM COLES - A BUFFALO ARCHITECT



I had a rare opportunity to photograph architect Robert Traynham Coles this year. Now in his late 80s, Coles had a 50+ year career in the world of architecture, and his innovative and eponymous modernist home and studio in Buffalo’s Hamlin Park is listed on the National Registry of Historic Places.


Robert T. Coles, for lack of a better word, is a legend in Buffalo. An African-American architect who battled racial discrimination through his career and who left an indelible mark on a city already heralded for its historic and preservation-worthy architecture. His visions for the JFK Recreation Center, the Merriweather Library, and myriad other private homes and public buildings that he designed are indicative of his commitment to an “An architecture of social conscience” a goal to create and advocate for public spaces that were more humane, civilized, and inspiring to those that occupied them while still being aspirational examples of mid-century modern architecture that emphasized light and openness. His designs for private homes often blur the boundaries between residences and the outdoors.


Coles is also noted for his passion for social advocacy and efforts in the civil rights movement as he fought against housing discrimination, segregation, and the poor state of schools throughout his career. He also put great effort into attracting more minority students to the study of architecture.


Coles studied under and worked with luminaries of the architecture world like R. Buckminster Fuller, Eero Saarinen, Minoru Yamasaki, and Carl Koch of Techbuilt. And when he did eventually close Robert Traynham Coles, Architect P.C. in 2012 it was the oldest African-American-owned architectural firm in New York.


“I believe that because architects have the ability to see things as they can be, they have a special task, which goes beyond simply designing the physical environment. They must be activists involved in the social and political life of the community. They must address their efforts to change in these areas as well so that people can make the needed adjustments to an increasingly challenging and rich urban world. They must, in their works, build the demonstrative alternative to the way we live today. They must be initiators as well as implementors – leaders, more than followers. They must truly be revolutionaries who see their architecture as a broad movement to enhance the quality of life of urban people.”

Robert T Coles – 2004 


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GUEST JUDGE — 2019 PINK LADY FOOD PHOTOGRAPHER OF THE YEAR



I was recently very humbled to be asked to serve as a judge for the 2019 Pink Lady Food Photographer of the Year contest alongside legendary food and photography figures like Alice Waters and David Loftus. The contest has been promoting the best in food photography and food photojournalism since 2011. It was a tough assignment to be critical of so much amazing imagery from around the globe and I strongly suggest you drop by their site to see the gallery of this year’s winners in a number of categories.


You can read an interview that ASMP conducted with me here about my experience as a judge.



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WAR OF 1812 REENACTORS AT OLD FORT NIAGARA



Over the summer I returned to Youngstown NY (where I lived when I was a teenager who had just moved to the United States from Canada) to photograph the reenactors and historical interpreters of Old Fort Niagara. The fort, first built in the 1600’s, played roles in a number of conflicts such as the Seven Years War The American Revolution, and the War of 1812. Every summer there would be an influx of reenactors who would descend on Youngstown for various encampments and events at the Fort, spilling out from the usually contained historical bubble of the Fort itself into the streets of the town. People in period dress would cram restaurants, and traffic would slow as drives watched the fife and drum corps march by — giving a feeling both anachronistic and otherworldly that stuck with me long after I moved away. 




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GARRY BLACKCHILD



I’ve loved traveling to New Mexico the past few summers to photograph the musicians, artists, and characters of Santa Fe and Albuquerque — its a world apart from the cold and snow people so often associate with Buffalo. The landscape itself is living art.


Garry Blackchild is a folk musician I met first in Albuquerque, and upon meeting him I immediately felt that I was in the presence of a real-deal wandering performer and road-tested musician. I photographed Garry at the Albuquerque Rail Yards on a long, hot, and dirty shoot day that thankfully ended with one of the craziest desert storms I’ve ever seen to wash away the grime and sweat. I was also lucky enough to hear Garry perform a few impromptu songs as he wandered the interior of the rail yards with his guitar during the shoot. Check out some of Garry’s music here (this live video also features Freddy Lopez, another new Mexico performer I’ve had the pleasure of photographing on a past trip to Santa Fe)


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INTERVIEWING ANNE GEDDES




\n

Clay Patrick McBride told me on the day we recorded this episode that Anne Geddes has sold more books than Beyoncé has sold albums — and I’m inclined to believe it because Anne Geddes is as close as you can get to a household name in modern photography. Tom and I were thrilled to get to speak with Anne about her best-known work photographing babies, children, and pregnant women — but perhaps more so we were excited to speak to her about her decades of philanthropic work and her experiences navigating an ever-changing publishing industry that has had a radical effect on the photographic world.


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INTERVIEWING CLAY PATRICK MCBRIDE


Tom Kennedy and I talk with Clay Patrick McBride live at Adorama in New York about both his career creating portraits of the biggest names in music and sports, as well as his new role in teaching the next generation of up and coming photographers at the Rochester Institute of Technology.

I’ve been lucky enough to visit Clay’s classes and hang out with him a few times. Aside from being an incredible photographer I find him to be one of the most compelling and realist educators I’ve ever met.

Clay’s portraits of top athletes and musicians such as LeBron James, Allen Iverson, Metallica, Norah Jones, Jay Z, and Kanye West have appeared in countless magazines, among them Rolling Stone, Sports Illustrated and NY Magazine. His commercial work includes dozens of album covers for Sony, Blue Note and Atlantic Records, as well as print campaigns for Pontiac, Boost Mobile and Nike




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INTERVIEWING DOUG MENUEZ




I’m so happy to announce that the first episode of my new live stream show is now available to watch!


Co-hosted by Tom Kennedy (the former director of photography for National Geographic and the executive director of The American Society of Media Photographers) and myself — ASMP Experts and Masters is a new discussion series brought to you by The Photo Brigade and Adorama.

In this first episode, Tom and I sit down with photographer and director Doug Menuez to discuss his book Fearless Genius: The Digital Revolution In Silicon Valley 1985-2000 and the many years he spent documenting the life and career of Steve Jobs. We talk about the intersection of art and commerce, what photographers can learn from tech entrepreneurs, the importance of saying no, and building your business around the work you really care about rather than what you think will be accepted commercially.

Enjoy!



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ROCK PROMOTER BRUCE MOSER



Have you ever heard The Cars, The Tragically Hip, or U2? 


There’s a good chance that you’ve heard of them because of the behind-the-scenes efforts of legendary rock promoter Bruce Moser – who is responsible for helping break these acts and others in the U.S. through his relentless work promoting them live and on the radio all along the thruway chain that runs between Boston and Cleveland – and hits cities like Erie, Buffalo, and Syracuse on the way. 


I was traveling back from Santa Fe over the summer when I found out that I would be photographing Bruce the very next day when I got back into Buffalo. I knew a bit about his history in the rock world because I had actually worked with his daughter Erin Moser in the past, but I was not at all prepared for what an animated and engaging storyteller Bruce is, nor was I prepared for the mind-blowing tales he told me about some of the biggest acts in music. I normally talk a lot on set – it’s important to me to engage with my subjects and draw them out a bit, but this was probably the least I ever spoke on a shoot because once Bruce started I knew it was better to just listen to the incredible behind-the-scenes stories he was telling me. 


He told me about having to convince park police not to arrest the at the time, eighteen-year-old members of U2, at Niagara Falls when they decided to hop over the security barrier to get a better look at the Falls.


He told me about seeing The Beatles for $5.50 before they were famous and when you could still hear them play over all the women screaming. 


He told me about one of his earliest successes working with an unknown at the time band from Boston named The Cars.


He told me about the first few concerts he ever went to – which just happened to be The Animals, The Dave Clark Five, The Byrds, and Bob Dylan.


He told me about his efforts to help acts from Canada like Rush, The Tragically Hip, and Bryan Adams find early success in the US. 


He told me about meeting Robert Frank and talking with him about his rarely seen documentary about the Rolling Stones.


He told me about the time he and his wife played Pong with Bono in a bar in Buffalo on the night that John Lennon was murdered (Bono thought it was a sick joke someone was playing on him.) 


That’s pretty epic stuff, and it doesn't even start to touch on the innumerable other acts he’s worked with that Bruce and I didn’t get a chance to discuss – like Tom Petty, Melissa Etheridge The Goo Goo Dolls, Tom Cochrane, Johnny “Guitar” Watson, Steven Van Zandt, and many more. Getting to sit down with Bruce and learn about his life and career was so much fun, especially because Bruce still comes across as someone who just loves music – listening to it and seeing it played live. He’s a fan, a fan who turned his passion for music into his career – although I don’t know many other fans that own the only copy of a song that was written and performed by Bono for their 50th birthday.




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CHEA HAWK



Why aren’t you listening to Chae Hawk right now? This Buffalo NY based rap cinema artist and founder of hip hop collective TeamRadio has been producing some of the best progressive hip hop to ever come out of WNY. Be sure to check out Dance Party for The Heavy Hearted on his website (especially his track Chin Ups featuring another past subject of mine – Keith Buckley of Every Time I Die.)


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THE LIFE AND TIMES OF GROVEY CLEVES





Most people know Grover Cleveland as America’s only President to serve two non-consecutive terms. Fewer know him as the former Mayor of my hometown of Buffalo NY, and later as a Governor of New York State who was praised for his honesty and constant opposition of political corruption.


But now a new story is being told about Grover Cleveland, one that takes a “mostly accurate” look at the life of this “near great’ President and mustache enthusiast who continues to fly under the historical radar. The Life and Times of Grovey Cleves is a collaboration between outspoken illustrator Mickey Thoren Harmon and writer Scott Mancuso that tells the story of Cleveland’s days as a young bachelor and foodie in Buffalo during the city’s rise to prominence; to his rapid and reckless political ascent from Mayor to Governor to 22nd (and later 24th!) President of the United States in just three years.


Originally envisioned as a small exhibition Harmon’s drawings revolved around his fascination with the political figure, the concept later grew into a more fully fleshed out publishing project with the involvement of Mancuso and the fabulous Western New York Book Arts Center who helped produce the limited edition work.


While you may no longer be able to get your hands on a print copy of this unique examination of the history of one of America’s more interesting but lesser-known Presidents, you can still learn a little bit more about the man himself by checking out a digital version of The Life and Times of Grovey Cleves here.

 


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GIMME! COFFEE FOR EATING WELL MAGAZINE


\"A


A look at my work in a recent issue of EatingWell Magazine – featuring Liz Clark of Ithaca, NY’s Gimme! Coffee.




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THE 2018 ONE EYELAND AWARDS



Thrilled to announce today that four of my portraits were named as finalists in the 2018 One Eyeland Photography Awardsin the Professional Portraits — People category. My images of Michael Polczkalski, Edreys Wajed, Philip Brunner, and one of my War of 1812 Reenactor portraits were all recognized this year. 



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MORIARTY MEATS



Tom Moriarty had recently finished studying butchery in France when he returned to Buffalo. He soon met his future wife, Caitlin, who had recently relocated here to work as an architectural historian (and Buffalo is a city with a deep architectural history.) Over the next few years, they regularly spoke about Tom’s dream of opening a butcher shop. While it didn’t immediately get off the ground, an opportunity eventually materialized when the owners of the long-standing Zarconi’s meats announced that they were retiring. Tom and Caitlin quickly found themselves moving into the historic butcher shop on Grant Street. Opening their doors to customers who were looking for something different than what the big grocery chains offered.



Whole animals are brought in from local farms that Moriarty partners with early each week. Tom breaks these animals down by hand into the various cuts, chops, sausages, offal, and prepared meals that stock the shop’s display cases. As the weekend nears, the case gets emptier and emptier, and when it’s gone, it’s gone until the shop restocks the next week. Beef, pork, and chicken are stocked weekly, while lamb, goat, rabbit, turkey, and seafood offerings vary from week to week.



A cow coming into Moriarty’s will be turned into a multitude of the nearly one hundred cuts of meat available from the animal.—Both the widely popular ones many of us know from the grocery store likes ribeyes and strip steak, as well as others like the bavette and onglet. Some of Tom’s favorite cuts include the tongue, oxtail, and the surprise (or crescent) steak, unique cuts that all pack an unbelievable amount of beefy flavor for those that try them.


I’ve become a regular customer of the shop since this shoot. It is close to my neighborhood, the product is fantastic, and Tom and Caitlin are always happy to make suggestions and share recipes. On one of my family’s earliest visits, Erin was looking for something to make slow-braised tacos with — she usually would use chuck or brisket for this. Still, Tom suggested that we try beef heel. While I’m a somewhat adventurous eater, my wife is a little less so. – she’s notorious for eliminating anything from the pot that could be considered “a weird piece.”



Nevertheless, she put her trust in her friendly neighborhood butcher and since become a convert to using this and other less popular cuts. I’m a fan of many of the prepared meals they use their locally sourced meat in — I am not exaggerating when I say that they make hands down the best beef pie I have ever eaten. It has quickly become a staple at my house for quick dinners that still taste amazing and nourishing.



This shoot is a fantastic example of what can happen when you’re genuinely passionate about your subject matter. Not only did I create images I love, but I dove deep into the subject matter and stretched myself creatively. I’m also happy to share aspects of my work that you don’t usually see, like reportage and directing. I learned so much from Tom about what he did and how he and Caitlin build relationships with their customers. Moriarty Meats will soon be moving to a new, more expansive location, but that can only mean good things for the city as this emerging and vital business continues to grow.





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MESSY FOOD




Ribs, blueberries, and chocolate...


Just a few of the items I have utterly destroyed my wardrobe with over the years - despite my best efforts and intentions. These meals carry a certain amount of risk to eat if you are wearing white.


In this project, I asked my subjects to throw caution to the wind and get as messy as they wanted while enjoying some of their favorite foods. We all had a blast shooting these, even if the cleanup took longer than the actual shoot in most cases, and I'll definitely be adding to this collection in the future.






","thumb":"messy-0224thumb.jpg","size":{"content":{"width":0,"height":0},"thumb":{"width":1140,"height":1140},"pageImages":[{"src":"messy-0100.jpg","width":1140,"height":1140},{"src":"messy-0201.jpg","width":1140,"height":1140},{"src":"messy-0224.jpg","width":1140,"height":1140},{"src":"messy-0422.jpg","width":1140,"height":1140},{"src":"messy-0052.jpg","width":1140,"height":1140},{"src":"messy-0269.jpg","width":1140,"height":1140},{"src":"messy-0128.jpg","width":1140,"height":1140}],"featuredImage":{"width":0,"height":0},"bytes":0},"overrides":{},"dateAdded":"2021-12-13T18:32:27.095Z","linkTarget":"","filters":["Blog Posts"],"key":"11867"},"11868":{"id":11868,"label":"Things I Liked - Winter 2022","caption":"","type":"html","content":"

THINGS I LIKED - WINTER 2022



What I Watched


In Praise of Shadows

This youtube channel features thoughtful, in-depth criticism and analysis of various media in the horror genre — from deep dives into franchises like Hellraiser, to an introduction to Zdzislaw Beksinski's surreal art, to a two-part history of the golden age of horror comics. I've unwittingly lost many evenings the past couple of weeks as these videos have inspired numerous side-quests down various spooky internet rabbit holes. In Praise of Shadows is a great jumping-off point for those who want to explore the cultural context of the horror genre in depth. 


Abroad in Japan

With my travel options currently limited by another Covid-19 wave, I've been doing a lot of vicarious travel through youtube. My current obsession is Chris Broad's Abroad in Japan. My wife turned me on to this irreverent and fun series that features a British expat's experiences living in Japan - she is currently planning a trip there herself for 2023. As she has been making her way through the series - I've inevitably been sucked in too. One of my favorites of the series is this video in which Chris rates various Japanese convenience store foods. 


The Great

Very few shows have left me as exhausted from laughter as much as this comical and fictionalized retelling of Catherine the Great's rule over Russia. Only What We Do in the Shadows and Stath Lets Flats have come close lately (Stath's Jamie Demetriou even appears here as Dr. Chekhov). Nicholas Hoult is somehow both repulsive and charming as Peter III and has quickly become my favorite television villain.


What I Read


The Hike

The Hike is one of those rare books I started reading and didn't put down for a full day. It's likely the closest I've ever come to reading a book in a single sitting. I recommend this novel by Drew Magary cautiously because I feel like it is so polarizing that there will be no middle ground — you will either love or hate it. Out of fear of spoiling it, I will leave the book's description at this - a man goes for a walk and meets a crab. Past that, the rest is up to you to discover, though I will say that this book subverted every expectation I had and constantly surprised me. 


Piranesi 

I'm a big fan of Susanna Clarke's Jonathan Strange And Mr. Norrell, and I was expecting something thematically and stylistically similar when I started reading Piranesi. But her first novel in sixteen years turned that notion on its head. Piranesi is shorter, far more mysterious, and infinitely more introspective. Where Strange created an expansive world of magic and myth, Piranesi aims to compress just as much richness and experience into the worldview of a single character trapped in a series of seemingly endless but repetitive rooms.


What I Listened To


Survival Spheres

Too many underappreciate video game music. Some striking atmospheric and ambient tracks are composed for games that go far beyond the frenetic chiptune pieces that many people associate with the medium. Some even rival the best movie scores I can recall. Survival Spheres create music in this mode - and it feels like the soundtrack to a game that never existed. These are haunting but engrossing ambient tracks. Survival Spheres has quickly made its way into my top artists — as it has become my go-to music for journaling and writing. 


Dated

I first discovered Dated when a video titled Halloween Lo-Fi Mix 1 showed up in my recommended feed on Youtube. I found myself listening to it repeatedly around Haloween — both because it fit the atmosphere of the season and because I found that I loved working and retouching to the down-tempo spooky vibes this mix was bringing. It took me a few days to realize that Dated had a Spotify page with many more moody Lo-Fi compilations (including a Junji Ito-inspired one). Halloween is long gone, but this Canadian producer's work has been a constant on my workday playlist since then. 


Miscellaneous Things I Liked


Toroko Enigma Journal

I just finished filling one of these up and am about to start on my second Enigma - which has become my go-to diary of choice for personal journaling. Comprised of 384 pages of A5 68 gsm dot-grid Tomoe River Paper, this book packs a lot of luxurious, fountain pen-friendly pages into a well-built and relatively thin profile. I keep this in a leather cover from Galen Leather alongside a few smaller single-topic notebooks. 


Opus 88 Jazz 

You can't have a journal like the Enigma without a great pen to accompany it. I've a growing obsession with this Taiwanese brand of bulk-fill fountain pens. They hold a staggering amount of ink, have easily swappable nibs (I took a queue from The Gentleman Stationer and fitted mine with a broad Franklin-Christoph S.I.G. nib), are comfortable, and solidly built for travel and long writing sessions. There's also something pretty about watching all of the ink sloshing around freely in the pen's body. This pen may have supplanted the PenBBS 355 as my favorite everyday carry. 


Pepin Press Letter Writing Sets

If you can't tell — I'm a sucker for lovely stationery. These quirky and bold sets have become a favorite of mine. Each includes paper, envelopes, and labels across various genres ranging from Bauhaus design to Art Nouveau to Gustav Klimt. I love keeping these handy for firing off short letters and thank you notes in a memorable fashion. They also have some great notecards and a ton of other great paper products to check out.









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PLAYLIST - WINTER 2022

My winter playlist for 2022 is here! This collection of tracks has been perfect for a cold Buffalo winter as I'm spending many days alone in my studio wrapping up a few stray projects from last year and doing a deep dive into rethinking strategy and direction for the year ahead. Mostly atmospheric and ambient stuff this time around as I've found music with lyrics to be really distracting when I'm writing or focusing on generating new ideas and concepts - which has been the majority of my workload the past few weeks.


Listen to the whole playlist here.



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THE 2022 AAF BUFFALO AWARDS

\"2022


Sometimes it only takes the seed of a great idea to get me interested in a project. And I think that deep down, the team at Mower knew that when they asked me to create a series of portraits to promote the 2022 AAF Buffalo Awards show.


All it took to convince me was one word — Whodunnit?


\"2022

\"AAF


My head filled with memories of Jonathan Lynn's film version of Clue, the great parlor scenes in classic detective novels, and modern interpretations of the genre like Rian Johnson's Knives Out — there was a lot to sink my teeth into here. Beyond all the fabulous inspiration media I would get to dive into, I was excited to create some entertaining character-driven portraits of some of my local advertising community colleagues.


We based the characters in this series on various tropes from the ad world. For example, the writer became the intimidating Ms. Whitepaper, the agency intern became the murderous Anna Prentice, and the video producer became the perhaps too volatile auteur Rolland Cut. We got to play with several ideas pulled from sources like Murder On The Orient Express, Seven, and the aforementioned Clue.


\"Ms.

\"A


We shot all the portraits, a large group composite, and several other ancillary images in a single day at the Buffalo Club. This sizeable private club has been operating in the city for over one hundred and fifty years. The building is gorgeous and was the perfect setting for the little mystery we were producing.


You can see the whole awards program book here. And be sure to check out all of the winners (I may be named in there once or twice... but we'll talk about that in a future post!)


\"A








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AL LEWIS


\"Running


I've been trying to catch up with some work from last year that I never got a chance to share!


This is a portrait of Al Lewis that I shot for a story in Buffalo Spree Magazine. Al is a trainer at the JCC and has been organizing a weekly local running group that has been going strong for nearly two decades. We shot at Hoyt Lake in Delaware Park last summer on one of those perfect summer mornings that really has me missing the warm weather as the last chilling dregs of winter start to fade.


\"Bufflo



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AP38 WINNER


\"Announcing


I just got word that my portrait of my daughter Vivienne — from my Delicious Disasters series — was selected to be part of American Photography 38! I'm so excited to have this image be a part of such an incredible collection of photographs and be recognized alongside so many photographers I have such profound respect for.


Thank you so much to the staff and jury for American Photography 38! You can see all the winners here.


","thumb":"LC20211205__0224thumb.jpg","size":{"content":{"width":0,"height":0},"thumb":{"width":1800,"height":1800},"featuredImage":{"width":0,"height":0},"pageImages":[{"src":"LC20211205__0224.jpg","width":1800,"height":1800}],"bytes":0},"overrides":{},"key":"11883","filters":["Blog Posts","Blog Posts"],"postDate":"2024-11-06T02:08:17.023Z","linkTarget":"","dateAdded":"2022-03-31T17:23:18.477Z"},"11884":{"id":11884,"label":"2021 ONE EYELAND PHOTOGRAPHY AWARDS - DELICIOUS DISASTERS","caption":"","type":"html","content":"

2021 ONE EYELAND PHOTOGRAPHY AWARDS - DELICIOUS DISASTERS


\"One


Really happy to announce that my messy food portraits have taken bronze in the Best Portraits Series category in the 2021 One Eyelid Photography Awards! The image of Vivienne eating spaghetti was also awarded bronze in both the Best Single Portrait and Best Children's portrait categories.


I could not be happier that this series has received so much recognition in the past year, and I'll be adding new images to the collection soon!









","thumb":"LC20211205__0224Montagethumb.jpg","size":{"content":{"width":0,"height":0},"thumb":{"width":1860,"height":1240},"featuredImage":{"width":0,"height":0},"bytes":0,"pageImages":[{"src":"LC20211205__0224Montage.jpg","width":1860,"height":1240}]},"overrides":{},"postDate":"2024-11-06T02:06:39.910Z","linkTarget":"","key":"11884","dateAdded":"2022-06-15T16:14:31.681Z","filters":["Blog Posts","Blog Posts"]},"11885":{"id":11885,"label":"LC20211205__0224Montage","caption":"","type":"image","content":"LC20211205__0224Montage.jpg","size":{"content":{"width":1860,"height":1240},"thumb":{"width":0,"height":0},"bytes":562878,"featuredImage":{"width":0,"height":0}},"dateAdded":"2022-06-15T16:29:36.451Z","keywords":[],"filters":["Blog Posts"],"linkTarget":"","overrides":{}},"11886":{"id":11886,"label":"ART OF THE PERSONAL PROJECT","caption":"","type":"html","content":"

ART OF THE PERSONAL PROJECT



A huge thank you to the team at APhotoEditor.com for featuring my series of war of 1812 Reenactor Portraits on this week's Art of The Personal Project. Read the whole story here.







","thumb":"OFG201805050201_thumb.jpg","size":{"content":{"width":0,"height":0},"thumb":{"width":880,"height":1100},"pageImages":[{"src":"reenactors1006.jpg","width":1360,"height":1700}],"featuredImage":{"width":0,"height":0},"bytes":0},"linkTarget":"","overrides":{},"filters":["Blog Posts"],"dateAdded":"2022-06-16T15:36:13.988Z","key":"11886"},"11887":{"id":11887,"label":"lukecopping-finalist-people-portrait","caption":"","type":"image","content":"lukecopping-finalist-people-portrait.jpg","size":{"content":{"width":1738,"height":1152},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":451442},"linkTarget":"","dateAdded":"2022-06-20T13:27:49.924Z","overrides":{},"filters":["Blog Posts"],"keywords":[]},"11888":{"id":11888,"label":"2021 ONE EYELAND PHOTOGRAPHY AWARDS - MICHAEL MARARIAN","caption":"","type":"html","content":"

2021 ONE EYELAND PHOTOGRAPHY AWARDS - MICHAEL MARARIAN



In addition to the Messy Food Portraits winning Bronze in multiple categories in the 2021One Eyelid Photography Awards, I'm thrilled to announce that my portrait of Michael Mararian of Polyester Bakes was also named a finalist in the Portrait category!










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SMITA'S COOKERY


\"Smita


I had a blast on this shoot with Smita Chutke of Smita's Cookery - and it left my studio smelling absolutely delicious.


Smita is a food educator, private chef, and now the driving force behind Smita's Cookery — a line of spice blends that meld incredible Indian flavors for use in both savory and sweet dishes. The line is currently made up of a meat spice, veggie spice, and two different dessert spices that make use of some wonderful floral flavors.


Smita has experienced many of India's diverse regions through growing up in the country and spent many years exploring its unique culinary offerings.


\"I grew up all across India as my dad was in the Airforce which means I got to experience the diversity of regional food and culture. Every year in summer for vacation we would visit my maternal grandmother’s home in Maharashtra (West) and paternal grandmother in Hyderabad (South). Both these regions are part of the Deccan plateau and influenced my style of cooking that uses a lot of peanuts, poppy seeds, sesame seeds and coconut. When I moved to USA in 2002, I saw the misrepresentation and cultural appropriation around Indian cuisine and spices with words like “Curry” and “Curry Powder” This lead my journey to starting Smita's Cookery\"


Smita brought a literal crate of fresh and dried spices to use as props for this shoot. There was such a variety of colors, textures, and scents. Some of these spices I was familiar with, and some were new to me. Even as we were taking photographs, Smita quickly slipped into the role of educator - describing the purpose and flavors of many of the spices, lichens, and dried flowers she uses in her products — often punctuated by tossing some ground spices into the air or inviting us to smell the various ingredients up close.


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London","type":"image","content":"ARD20211217__1858.jpg","size":{"content":{"width":855,"height":1140},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":257537},"dateAdded":"2022-07-22T15:00:18.429Z","keywords":["Ardbeg","BTS","Barbeque","Beastie Biryani","Behind the Scenes","Buffalo","Christian","Dj BBQ","Fernandez","Junction","NY","Ryan","Scotch","Southern","Stevenson","TCO","Whiskey","cocktail"],"overrides":{},"filters":["Blog Posts"],"linkTarget":""},"11905":{"id":11905,"label":"ARDBEG X SOUTHERN JUNCTION","caption":"","type":"html","content":"

ARDBEG X SOUTHERN JUNCTION


\"Ryan


I love it when my favorite local joints get some well-deserved global attention!


Not far from my house is a small neighborhood called Chandlerville, where some of the most exciting food in Buffalo is being made — including great restaurants & vendors like Waxlight Bar a Vin, Barrel + Brine, and Flat 12 Mushrooms. If you're driving down that street at the right time of day, you might smell something so compellingly delicious that you can't help but pull over and check it out.


That's probably Southern Junction BBQ.


Ryan Fernandez calls his style of BBQ \"Texish\" because while his techniques are rooted in the traditions of traditional Texas BBQ that Ryan picked up during his time in Dallas, TX, many of the flavors are rooted in Indian, and more specifically, Keralan cuisine. This delicious fusion has made me slavishly devoted to classic BBQ dishes like Ryan's brisket and Indian-inspired dishes like his smoky tikka chicken and barbacurry. Alongside sides like beans, mango slaw, cardamom-infused cornbread, and his brisket biryani (my favorite)


Ardbeg, the Scotch Whiskey Distillery from the Isle of Islay, agrees and recently featured Ryan in the first episode of their new Bizarre-BQ World Tour series featuring DJ BBQ. For those of you who are unacquainted with DJ BBQ (Aka Christian Stevenson), He's an author, chef, and television/radio presenter - and possibly the most high-energy person I've ever met. He's also a walking tome of deep wisdom regarding fire, smoke, meat, and outdoor cooking.


I shot this series of portraits and behind-the-scenes images to accompany the release of episode one of the Bizarre-BQ World Tour for Ardbeg. TCO London produced it. Be sure to check it out, not just for some excellent food but also a great recipe for an Ardbeg Beastie Biryani — a perfect \"Texish\" cocktail.


\"Fire

\"Prepping

\"Ryan\"Brisket\"Texas

\"Texas

\"Checking

\"Taste

\"Ardbeg

\"DJ

\"Ardbeg

\"DJ






","thumb":"ARD20211217__1396_thumb.jpg","size":{"content":{"width":0,"height":0},"thumb":{"width":1710,"height":1140},"featuredImage":{"width":0,"height":0},"pageImages":[{"src":"ARD20211217__1858.jpg","width":855,"height":1140},{"src":"ARD20211217__0035.jpg","width":1710,"height":1140},{"src":"ARD20211217__0135.jpg","width":1710,"height":1140},{"src":"ARD20211217__1611.jpg","width":1710,"height":1140},{"src":"ARD20211217__0902.jpg","width":1710,"height":1140},{"src":"ARD20211217__1396.jpg","width":1710,"height":1140},{"src":"ARD20211217__1443.jpg","width":1710,"height":1140},{"src":"ARD20211217__1104.jpg","width":1710,"height":1140},{"src":"ARD20211217__1328.jpg","width":1710,"height":1140},{"src":"ARD20211217__1687.jpg","width":1710,"height":1140},{"src":"ARD20211217__0397.jpg","width":760,"height":1140},{"src":"ARD20211217__0510.jpg","width":760,"height":1140},{"src":"ARD20211217__0383.jpg","width":855,"height":1140}],"bytes":0},"linkTarget":"","dateAdded":"2022-07-22T15:00:25.027Z","overrides":{},"filters":["Blog Posts","Blog Posts"],"postDate":"2024-11-06T02:02:17.558Z"},"11912":{"id":11912,"label":"TRAZZ JOHNSON","caption":"Actor, Writer, and Director Peter \"Trazz\" Johnson. Trazz Is one of the three partners behind Casting Buffalo, which has been providing background and extra talent for the rapidly growing WNY film industry. ","type":"image","content":"TJ20220615_4391-2.jpg","size":{"content":{"width":2550,"height":1700},"thumb":{"width":0,"height":0},"bytes":465387,"featuredImage":{"width":0,"height":0}},"dateAdded":"2022-08-04T14:35:54.872Z","filters":["Blog Posts"],"postDate":"2022-09-19T00:35:16.087Z","keywords":["xmp.did:0e1db829-4f16-4214-8a66-724e6816bab3","xmp.did:edea2714-14e9-488d-9c08-fb135bd14693"],"key":"11912","linkTarget":"","overrides":{}},"11916":{"id":11916,"label":"TRAZZ JOHNSON","caption":"","type":"html","content":"

TRAZZ JOHNSON


\"Actor


Trazz Johnson is an actor, writer, and director. This prolific film industry triple threat has a host of projects to his name, Including Crown Vic, The First Purge, Marshall, Bashira, A Quiet Place 2, Paranormal Activity: Next of Kin, and many more.


He is also one of the principals behind Casting Buffalo - a company that is one of the cornerstones of the growing Western NY film industry and provides opportunities for emerging WNY talent in commercial and feature productions.


We wanted to create a portrait that relied heavily on color — creating a solid cool toned base that mirrored the color of Trazz's suit and then adding deliberate pops of bold colors as highlights to break up the strong teal that dominates the image.





","thumb":"TJ20220615_4391-thumb.jpg","size":{"content":{"width":0,"height":0},"thumb":{"width":2550,"height":1700},"featuredImage":{"width":0,"height":0},"bytes":0,"pageImages":[{"src":"TJ20220615_4391-2.jpg","width":2550,"height":1700}]},"filters":["Blog Posts","Blog Posts"],"dateAdded":"2022-08-04T14:28:59.402Z","postDate":"2022-09-19T00:24:52.271Z","key":"11916","linkTarget":"","overrides":{}},"11934":{"id":11934,"label":"20220708_9168lrg","caption":"","type":"image","content":"20220708_9168lrg.jpg","size":{"content":{"width":1360,"height":1700},"thumb":{"width":0,"height":0},"bytes":497537,"featuredImage":{"width":0,"height":0}},"linkTarget":"","postDate":"2025-09-18T19:21:45.806Z","filters":["Bio Photo"],"overrides":{},"keywords":[],"dateAdded":"2022-09-18T18:51:15.032Z"},"11940":{"id":11940,"label":"SC20220525__0159blog","caption":"","type":"image","content":"SC20220525__0159blog.jpg","size":{"content":{"width":1680,"height":2100},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":1119640},"linkTarget":"","overrides":{},"dateAdded":"2022-09-23T18:13:43.162Z","keywords":[],"filters":["Blog Posts"]},"11981":{"id":11981,"label":"TRYING ON A NEW LOOK ","caption":"","type":"html","content":"

TRYING ON A NEW LOOK


\"Buffalo

You may have noticed a new look around here lately!


Over the past couple of months, I've been working with Wonderful Machine on a visual reinvention for myself. The goal was to create new brand elements that align with my work's energy, color, and style - 

something that I could have a lot of fun with in terms of pairing it with my imagery online and in print promos. 

 

I went through several revisions with designer Lindsay Thompson to arrive at this new logo and color scheme. The hand-brushed logo and the colors are bolder, more attention-grabbing, and wonderfully imperfect (a lot like me and my work). Lindsay did a fantastic job on this one — I could not be happier with the results. 


I'm already having a blast updating everything to match this new brand - including my website, my print portfolio, and even some new swag for my clients and crew!


Be sure to check out the brand launch reel on Instagram.


\"Luke

\"Luke











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\n\n
\n\n
\n\n
\n

CONTACT

\n
\n\nBUFFALO / TORONTO / NYC\n

+1 716 480 4688
\nluke@lukecopping.com

\n\nSTUDIO\n

700 Main St \n4th Floor \nBuffalo NY 14213

\n\nOFFICE\n

344 Hoyt St \nBuffalo NY 14213

\n\n

ABOUT

\n
\n\n

I share a birthday with Louis Daguerre. This is not a coincidence. It's destiny.

\n\n

I love movies, especially old ones; I’m particularly fond of neo-noir and horror. My dream vacation is a cross-country road trip, visiting all the best drive-in theaters along the way.

\n\n

I’m a bit obsessive about pens, especially fountain pens. My collection is a bit of a dragon’s hoard. I’ll probably talk to you about pens on set.

\n\n

I grew up in Canada but now live in Buffalo with my wife and kids. I love it here, and a lot of my work focuses on the makers and doers who are busting their asses to make this Rust Belt city thrive again — I'm grateful that I get to be a part of telling that story.

\n\n

I learned everything I know about photography during a training montage.

\n\n

I think the best way to explore a new city is on a bicycle.

\n\n

I’m allergic to cats and boredom.

\n\n

Black licorice enthusiast.

\n\n

If you're ever in Buffalo, I'll take you to the super-secret wing spots locals go to. And when you get bored of wings, I'll show you this city’s real culinary gems..

\n\n

I'm scared of dolls.

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I believe in the power of character and drama.

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Björkman of the Eastern Brocolli Project at the Cornell Univeristy Agricultural Testing Station.","type":"image","content":"EW20160912-0119w.jpg","size":{"content":{"width":1360,"height":1700},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":577580},"filters":[],"dateAdded":"2023-01-10T15:53:57.987Z","keywords":["xmp.did:92ac24f4-9d9c-4b7e-9192-e5420fd3f5c2"],"overrides":{},"linkTarget":""},"12158":{"id":12158,"label":"Fifteen20210708_0202w","caption":"Lifestyle advertising imagery for Rich Products Corp","type":"image","content":"Fifteen20210708_0202w.jpg","size":{"content":{"width":2550,"height":1700},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":669287},"filters":[],"dateAdded":"2023-01-10T15:54:15.807Z","keywords":["\n \n \n \n ","\n \n \n \n "],"overrides":{},"linkTarget":""},"12159":{"id":12159,"label":"Fifteen20210708_2584w","caption":"Lifestyle advertising imagery for Rich Products Corp","type":"image","content":"Fifteen20210708_2584w.jpg","size":{"content":{"width":2550,"height":1700},"thumb":{"width":0,"height":0},"bytes":849909,"featuredImage":{"width":0,"height":0}},"filters":[],"linkTarget":"","keywords":["\n \n \n \n "],"dateAdded":"2023-01-10T15:54:32.315Z","overrides":{}},"12160":{"id":12160,"label":"Fifteen20210709_1677w","caption":"Lifestyle advertising imagery for Rich Products","type":"image","content":"Fifteen20210709_1677w.jpg","size":{"content":{"width":2550,"height":1700},"thumb":{"width":0,"height":0},"bytes":727692,"featuredImage":{"width":0,"height":0}},"filters":[],"dateAdded":"2023-01-10T15:54:33.729Z","linkTarget":"","overrides":{},"keywords":[]},"12161":{"id":12161,"label":"GCP20190612_0116w","caption":"Michael Hibbard of Gallo Coal Fired Pizza in Lewiston NY or BUffalo Spree Magazine","type":"image","content":"GCP20190612_0116w.jpg","size":{"content":{"width":2549,"height":1700},"thumb":{"width":0,"height":0},"bytes":830728,"featuredImage":{"width":0,"height":0}},"overrides":{},"linkTarget":"","filters":[],"dateAdded":"2023-01-10T15:54:40.681Z","keywords":["94D8B2349E38A7EFABF43CDB32F8E663","B4969B640BAFB7A27389C135A9CA2188","xmp.did:797838a7-46a3-492e-bf61-e302da2cfd34"]},"12162":{"id":12162,"label":"LC20211205__0224w","caption":"","type":"image","content":"LC20211205__0224w.jpg","size":{"content":{"width":1700,"height":1700},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":538303},"dateAdded":"2023-01-10T15:54:48.053Z","keywords":["xmp.did:3d8f069e-6fef-4f54-ad4e-c007d8161d89","xmp.did:49ebd629-96b3-4b81-97a3-73de9e929fb3","xmp.did:74e22269-5eab-457c-8ad8-4b557787cc32","xmp.did:8ca206df-0b57-4693-92da-a67d25deebe7","xmp.did:fd2118ac-d9ba-41bf-a8f6-3d17981d07ac"],"filters":[],"postDate":"2024-11-06T02:24:36.269Z","linkTarget":"","overrides":{}},"12163":{"id":12163,"label":"LCP20221025_0131w","caption":"Pepper soup with Octopus","type":"image","content":"LCP20221025_0131w.jpg","size":{"content":{"width":1360,"height":1700},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":485429},"linkTarget":"","filters":[],"keywords":["Buffalo","NY","commercial","food","luke coppimg","photography","photogrpaher"],"dateAdded":"2023-01-10T15:55:05.705Z","overrides":{}},"12164":{"id":12164,"label":"Beer in pint glasses","caption":"","type":"image","content":"LCPB2018031368744w.jpg","size":{"content":{"width":1360,"height":1700},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":268937},"dateAdded":"2023-01-10T15:55:06.986Z","filters":[],"keywords":[],"overrides":{},"linkTarget":""},"12173":{"id":12173,"label":"SMITA CHUTKE ON NETFLIX'S COOK AT ALL COSTS","caption":"","type":"html","content":"

SMITA CHUTKE ON NETFLIX\"S COOK AT ALL COSTS



Be sure to check out Smita on the new Netflix Show Cook At All Costs. Trailer below.


I had the pleasure of having Smita teach a cooking class for my crew during our annual studio party this year and she is truly fabulous — everything was delicious and she taught us all so much about true regional Indian food.




","thumb":"SC20220525__0159_Thumb.jpg","size":{"content":{"width":0,"height":0},"thumb":{"width":800,"height":1000},"pageImages":[{"src":"chef-in-sari-tosses-spices-into-air.jpg","width":1360,"height":1700}],"featuredImage":{"width":0,"height":0},"bytes":0},"filters":["Blog Posts","Blog Posts"],"dateAdded":"2023-01-11T02:15:45.494Z","linkTarget":"","postDate":"2024-11-06T02:00:33.655Z","overrides":{},"key":"12173"},"12284":{"id":12284,"label":"MY FAVORITE PORTRAIT OF 2022 — KATIE KRAWCZYK OF 19IDEAS","caption":"","type":"html","content":"

MY FAVORITE PORTRAIT OF 2022 — KATIE KRAWCZYK OF 19IDEAS



Serendipitously, it turned out that my very last portrait of 2022 would turn out to be my favorite portrait of the year. I had been invited to create portraits of the partners behind 19Ideas, a marketing agency in Buffalo NY. This was a special treat because while I had been able to photograph Chief Technology Officer Dan Gigante before, I had wanted to create a portrait of founder and CEO Katie Krawczyk for a very long time. Her personality is so charming and creative; I knew it would be a lot of fun to spend a day photographing her!


Unlike a sterile cubical farm, 19Ideas' offices are gorgeous. Hanging ivy, modernist chessboards, private reading/work nooks, calm pods, and a drinks fridge that looks like a London phone booth characterize the downstairs reception area, which is inspired by English gardens. You'll find more open work areas upstairs that feel like a combo of a library, an art space, and your best friend's kitchen. 


After spending some time exploring this amazing space during my initial location scout and sharing a nice cup of tea with Katie, I found out that the interior had been designed by another former subject of mine — Michael Poczkalski of Room. It's always so interesting to hear about the creative process behind the spaces I photograph, and Katie was more than happy to tell me about her and Michael's vision for the space that came from their shared love of English culture and aesthetics. Knowing that we would be photographing primarily indoors that day, I wanted to be sure to capture the beautiful elements of the office and show off the incredible architecture and design of the place in a way that felt authentic and natural. But I also wanted to create one or two options that felt more fantastical and creativity forward — which I felt matched the agency's vibe really well.


During the scout, I came across this really beautiful plant wall on the upper floor. I wasn't 100% sure what I wanted to do with it yet, but I knew that I wanted to work it into the portraits in some way since its size and texture were just so interesting and I thought that it would be a good backdrop for a portrait that focused more on Katie's personality and had less of an environmental feel than the other images I had planned out. 

The production day came just a few days before shutting the studio down for a few weeks for our annual winter break (and just before a massive blizzard shut the city of Buffalo down for the better part of a week). As I met with Kate and other production team members to review the wardrobe that Kate and Dan would wear that day, I was still conceptualizing what I wanted to do with this plant wall. The first thing Katie pulled out of her wardrobe bag was an emerald green dress with sparkles that lit up like a star. It all came together in a flash. 


In my mind, I felt like this dress had been made just for that shot. The final image of the day was Katie wearing this incredible dress in front of the equally incredible background that I had found — which resulted in the image above and let me finish off the year with a portrait I'm truly proud of. 







","thumb":"19i20221216__0791KatieKrawczyk19ideascommercialthumb.jpg","size":{"content":{"width":0,"height":0},"thumb":{"width":3000,"height":2000},"bytes":0,"featuredImage":{"width":0,"height":0},"pageImages":[{"src":"woman-in-green-dress-drinking-tea.jpg","width":2550,"height":1700}]},"filters":["Blog Posts","Blog Posts"],"dateAdded":"2023-01-16T17:47:34.173Z","linkTarget":"","key":"12284","overrides":{}},"12285":{"id":12285,"label":"portrait of Katie Krawczyk of 19ideas wearing a bright green dress ","caption":"Commercial portrait of of Katie Krawczyk of 19ideas wearing a bright green dress and drinking tea","type":"image","content":"19i20221216__0791KatieKrawczyk19ideascommercial.jpg","size":{"content":{"width":3000,"height":2000},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":649387},"linkTarget":"","overrides":{},"filters":["Blog Posts"],"keywords":[],"dateAdded":"2023-01-16T17:49:18.490Z"},"12286":{"id":12286,"label":"DAN GIGANTE OF 19IDEAS","caption":"","type":"html","content":"

DAN GIGANTE OF 19IDEAS




Last week I did a deep dive into my portrait of Katie Krawczyk — The founder and CEO of 19Ideas. That image ended up being my favorite portrait of 2022, but it wasn't the only great image from my collaboration with this awesome Buffalo NY based marketing agency. During my visit, I also created this portrait of Chief Technology Officer and agency partner Dan Gigante. 


I've had the pleasure of photographing Dan a few times in the past at other businesses he had been involved with, and he is always a pleasure to work with. But this was my first chance to have him sit for a portrait in many years. The location I chose for this image was on the lower level of 19Ideas and had all of these private, lamp-lit work nooks that felt like the type of place a member of the agency's team could go to find some deep-work/flow energy or even just to daydream and conceptualize. I thought it made for the perfect backdrop for this image of Dan.


I think it captures a little bit of Dan's personality perfectly — his intense gaze and his relaxed but focused posture all come together to create a powerful portrait. Dan has always been a forward thinker when it comes to how technology, media, and marketing come together, and I've always looked up to him for it. I also love the boots he chose (From Taft) and how they add a nice flourish to his style in this image that feels very in line with his vibe (not to mention those great glasses). I ended up creating many memorable images during this project that I was almost unable to contain my excitement to share until after the holidays had passed — but I wanted to wait so that I could kick 2023 off right with these two great images. I hope you l enjoy them as much as I do! 





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SMOKE, HEAT, AND MEAT — SOUTHERN JUNCTION BBQ FOR BUFFALO SPREE


\"Ryan

The only South Indian Texas BBQ joint in America is just a few blocks from my house — and I love it. 


This is my second editorial assignment covering the amazingly delicious food that Ryan Fernandez and the team at Southern Junction BBQ are serving up to customers. The first time around, I was creating portraits of him and Christian Stevenson (aka DJ BBQ) for the Scottish Whisky brand Ardbeg's Bizarre-BQ World Tour web series. This time, I was on a more locally-focused mission to create images of Ryan and his unique BBQ style for a feature in Buffalo Spree Magazine.


\"A


Ryan's style of BBQ was a total revelation to me the first time I tasted it — a mix of Texas-style smoking techniques meets the South Indian flavors of his childhood in Kerala that instantly appealed to my adoration of both types of cuisine. You'll find classic items like brisket and pulled pork on his menu, alongside biryani and a smokey chicken tikka. A lot of already interesting dishes are reimagined at Southern Junction with an Indian spin, like BBQ Tacos, but the tortilla is replaced with a flaky paratha. As a final note, I have to mention the cardamom cornbread — it has become my four-year-old son's absolute favorite food in the world. He asks me to go to Ryan's almost every weekend just to buy a piece, It's kinda like a little father-son ritual we have now.


\"Meat


Though Western New York is not generally thought of as a barbecue mecca by any stretch of the imagination, Ryan has created a travel-worthy destination for fans of both BBQ and Indian food. Buffalo's growing profile as one of the region's best food cities has paved the way for several incredible restaurants to open over the past few years — and these spots have been receiving some much-deserved recognition. One of my favorite Burmese restaurants, Rakhapura, recently received a huge shoutout from Alton Brown, and Southern Junction has been featured on Vice's Munchies and the aforementioned episode of Bizarre-BQ world tour with DJ BBQ. It's really cool to see these up-and-coming restaurants being recognized for their work not just in the local dining scene but by national outlets and tastemakers. 


\"Brisket


\"Cauliflower


\"Ryan


\"Smoked


\"BBQ


\"Buffalo







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Editorial portrait for Buffalo Spree Magazine ","type":"image","content":"Buffalocommercialportraitsjb-0141.jpg","size":{"content":{"width":1133,"height":1700},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":508390},"linkTarget":"","dateAdded":"2023-01-23T02:10:07.532Z","keywords":["BBQ","Barbeque","Buffalo","Fernandez","NY","Ryan","Texas","Texish","indian","new york"],"filters":["Blog Posts"],"overrides":{}},"12315":{"id":12315,"label":"BuffaloCommercialPortraitSJB-0183","caption":"Buffalo New York BBQ Chef Ryan Fernandez of Southern Junction tending to meat on his smoker. Editorial portrait for Buffalo Spree Magazine","type":"image","content":"Buffalocommercialportraitsjb-0183.jpg","size":{"content":{"width":2550,"height":1700},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":458798},"dateAdded":"2023-01-23T02:10:08.554Z","overrides":{},"filters":["Blog Posts"],"linkTarget":"","keywords":["BBQ","Barbeque","Buffalo","Fernandez","NY","Ryan","Texas","Texish","indian","new york"]},"12316":{"id":12316,"label":"BuffaloCommercialPortraitSJB-0317","caption":"Buffalo NY chef Ryan Fernandez holding a smoked brisket outside of his restaurant, Southern Junction BBQ. Portrait by Luke Copping ","type":"image","content":"Buffalocommercialportraitsjb-0317.jpg","size":{"content":{"width":1275,"height":1700},"thumb":{"width":0,"height":0},"bytes":479370,"featuredImage":{"width":0,"height":0}},"keywords":["BBQ","Barbeque","Buffalo","Fernandez","NY","Ryan","Texas","Texish","indian","new york"],"filters":["Blog Posts"],"dateAdded":"2023-01-23T02:10:09.637Z","linkTarget":"","overrides":{}},"12317":{"id":12317,"label":"BuffaloCommercialPortraitSJB-0377","caption":"Western New York BBQ chef Ryan Fernandez Ryan Fernandez cooking cauliflower on a live fire at his restaurant Southern Junction. Editorial portrait for Buffalo Spree Magazine","type":"image","content":"Buffalocommercialportraitsjb-0377.jpg","size":{"content":{"width":2550,"height":1700},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":435011},"dateAdded":"2023-01-23T02:10:14.011Z","keywords":["BBQ","Barbeque","Buffalo","Fernandez","NY","Ryan","Texas","Texish","indian","new york"],"overrides":{},"linkTarget":"","filters":["Blog Posts"]},"12318":{"id":12318,"label":"BuffaloCommercialPortraiSJBb-0413","caption":"Smoked cauliflower from Southern Junction BBQ in Buffalo NY, a rare vegan option at a BBQ restaurant. Editorial image for Buffalo Spree Magazine ","type":"image","content":"Buffalocommercialportraitsjb-0413.jpg","size":{"content":{"width":1360,"height":1700},"thumb":{"width":0,"height":0},"bytes":431749,"featuredImage":{"width":0,"height":0}},"dateAdded":"2023-01-23T02:10:15.202Z","filters":["Blog Posts"],"linkTarget":"","keywords":["BBQ","Barbeque","Buffalo","Fernandez","NY","Ryan","Texas","Texish","indian","new york"],"overrides":{}},"12319":{"id":12319,"label":"BuffaloCommercialPortraitSJB-0455","caption":"A BBQ platter at southern Junction BBQ in Buffalo NY. Editorial portrait for Buffalo Spree Magazine ","type":"image","content":"Buffalocommercialportraitsjb-0455.jpg","size":{"content":{"width":2403,"height":1700},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":477442},"overrides":{},"filters":["Blog Posts"],"keywords":["BBQ","Barbeque","Buffalo","Fernandez","NY","Ryan","Texas","Texish","indian","new york"],"dateAdded":"2023-01-23T02:10:16.282Z","linkTarget":""},"12320":{"id":12320,"label":"Buffalocommercialportraitsjb-1","caption":"Ryan Fernandez of Southern Junction BBQ in BUffalo NY","type":"image","content":"Buffalocommercialportraitsjb-1.jpg","size":{"content":{"width":1360,"height":1700},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":486063},"filters":["Blog Posts"],"linkTarget":"","postDate":"2025-08-27T12:59:30.847Z","keywords":["BBQ","Barbeque","Buffalo","Fernandez","NY","Ryan","Texas","Texish","indian","new york"],"overrides":{},"dateAdded":"2023-01-23T02:10:19.374Z"},"12470":{"id":12470,"label":"PUMA INFLUENCERS","caption":"","type":"html","content":"

PUMA


One of the highlights of last year for my team and I was this project for Puma in collaboration with The Martin Group. My team and I were tasked with creating portraits of the four featured influencers wearing the new RS-X, and the RS-X3 Render sneakers as part of Puma's \"Color Outside The Lines\" collection of footwear that would be featured by Foot Locker, Champs Sports, and Kids Foot Locker. 


Our subjects came from the world of sports and music and included: 

Pro soccer player Ricky Lopez-Espin

Youth Sports influencer Ethan Emilio Guzman

Rapper, producer, and singer Ye Ali 

Hip-hop artist Lil' Noah James 


See the entire collection below.


\"Puma

\"Puma

\"Ricky

\"Lil'

\"Puma

\"Ye

\"Puma


I worked with a fantastic team to produce these portraits and footwear images.


\"Behind







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the Scenes Puma Influencer Shoot","caption":"Behind the Scenes Puma Influencer Shoot","type":"image","content":"IMG_0743.jpeg","size":{"content":{"width":2400,"height":1800},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":1183841},"filters":["Blog Posts"],"keywords":[],"linkTarget":"","overrides":{},"dateAdded":"2023-01-30T19:09:51.423Z"},"12480":{"id":12480,"label":"CROCKETT & CO.","caption":"","type":"html","content":"

CROCKETT & CO.


\"David


Loving these new portraits of Buffalo, NY barber David Brugh of Crockett & Co. My favorite barbershop in town (yes... I'm aware I have no hair, but this beard needs some help to look this good) has moved out of the old storefront it was occupying and into its impressive new digs at The Monocle — A newly renovated space on Hertel Ave with a unique boutique retail concept that Houses Crockett and Co, A cafe, and a few other commercial businesses. 


I was honored to get to make some editorial portraits of David there not long after the shop re-opened. The interior is terrific; the most incredible barber shop I've ever seen. However, when furniture retailer ROOM Buffalo and Interior design firm Michael P Design share your building, it comes with the territory. I'm obsessed with the wallpaper and the wood/gold bench in the shop's main cutting area that David is sitting on in the image above. The shop is fronted by Crockett & Co SUPPLY, which sells various grooming products, gifts, lifestyle goods, and men's accessories. The Monocle is interesting in its design, as all the businesses flow into one another. Crockett & Co blends seamlessly into the cafe and parts of ROOM Buffalo — giving the space a fun flow. 


\"David



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GUEST BLOG ON SCOTTKELBY.COM


\"Screen


I'm thankful to Scott Kelby and Brad Moore for once again inviting me to contribute a guest blog post to scottkelby.com. In this post, I take a deep dive into the process of editing a website portfolio and the philosophy behind making creative portfolio decisions. You can read the whole thing here.


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RISHI SHARMA AND JIM MAIER FOR THE TIMES

\"Jim


I met two fascinating people on this editorial assignment for The Times — Jim Maier and Rishi Sharma


Jim Maier is a World War Two combat veteran from Buffalo, NY. Mr. Maier was deployed with the 79th Infantry Division during the war. Rishi Sharma is a 25-year-old who has made it his mission to interview every surviving WW2 veteran he can. So far, Rishi has interviewed over 1700 of them from the US, Canada, the UK, and Australia as part of his ongoing project — Heroes of the Second World War⁠. He says there are fewer and fewer every day, and he's racing to meet all that remains.


\"Jim


Rishi lives in his car as he crisscrosses the country, recording hours-long video interviews with each subject that he shares on his website while spending his nights sleeping in parks, parking lots, and wherever else he can get a good night's sleep safely or without being asked to move along by police. I was lucky to be a fly on the wall for this interview. Rishi and Jim had only spoken by phone before the day I photographed them. Still, Rishi's rapport with these veterans and his knowledge of WW2 history made it feel like I was listening in on a conversation between two old friends. While most of this assignment was focused on documenting the interview and listening to Mr. Maiers's stories of his youth, training, deployment, and return from the war. I was still able to make some time for some incredible portraits of the two together and of Mr. Maier on his own in the backyard of his home just as a fantastic Western NY autumn sunset was in progress.

\"Rishi






","thumb":"RS20221024__0382_retouchedcopy.jpg","size":{"content":{"width":0,"height":0},"thumb":{"width":2550,"height":1700},"featuredImage":{"width":0,"height":0},"pageImages":[{"src":"BuffaloCOmmercialoOrtrait-9201.jpg","width":2550,"height":1700},{"src":"RS20221024__0473.jpg","width":2550,"height":1700},{"src":"BuffaloCOmmercialoOrtrait-9200.jpg","width":2550,"height":1700}],"bytes":0},"key":"12489","linkTarget":"","dateAdded":"2023-02-06T20:16:07.914Z","filters":["Blog Posts","Blog Posts"],"postDate":"2024-11-06T01:51:15.372Z","overrides":{}},"12490":{"id":12490,"label":"Picture of Jim Maier in Uniform during WW2","caption":"Picture of Jim Maier in Uniform during WW2","type":"image","content":"RS20221024__0473.jpg","size":{"content":{"width":2550,"height":1700},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":417596},"filters":["Blog Posts"],"dateAdded":"2023-02-06T20:18:22.736Z","linkTarget":"","keywords":[],"overrides":{}},"12491":{"id":12491,"label":"WANYING LIANG FOR LUXE INTERIOR + DESIGN","caption":"","type":"html","content":"

WANYING LIANG FOR LUXE INTERIORS + DESIGN

\"Environmental


Wanying Liang is a sculptor based in the Finger Lakes region of New York. Originally from North West China, Liang's work is deeply influenced by the traditional culture of her hometown and the feelings of cultural isolation she felt while studying in the United States. Through her work, she aims to allow the viewer to feel a sense of contemplation and calm. Her work often uses plant and animal motifs, sometimes combining them in a surreal way. 


Luxe Interiors + Design asked me to travel from Buffalo to Alfred, NY, to spend an incredible afternoon with Liang at her home studio and create some portraits of her for a feature in the magazine. After a tour of the space, I was honored to receive a private showing of many recently completed sculptures and works-in-progress — the work I was particularly drawn to was a series of smaller-scale works similar in form to her large sculptures but in vivid blue and yellow hues.


\"Wanying


After chatting and admiring her current work, I began lighting her studio for the first portrait, which was slated to be a broad overview showing Wanying in her work environment. Because she works from a home studio, much of the key light was provided by opening her garage doors, letting her be lit by mid-morning light — though a few auxiliary lights were used to give a little more illumination in the further reaches of the studio where the sunlight wasn't reaching. Many of my editorial portraits utilize a mix of natural and artificial light like this. 


After this key image was created, we did collaborate on a few more variations of portraits that showed her with particular critical work from her current collection. I then had to transition to a more journalistic mindset as I documented Wanying's work process, creating a small group of images that illustrated her creating small details on pieces, working with clay on her potter's wheel, tools, and glazing tests that had accumulated around the studio, and even getting to photograph many of her conceptual sketches. Many of these images focused on Wanying's hands as a subject, the essential tools she uses to give her heart and mind's vision into tangible form. 


\"Collage


You can read the whole story in Luxe Interiors + Design here. 







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DELICIOUS DISASTERS — THE FULL COLLECTION

\"Commercial


Eighteen months, a lot of stained clothing, so so much cleaning went into creating my messy food portraits. These are the final 18 images from one of the most most entertaining projects I’ve ever worked on. This started out as a fun series to work on when Covid had put much of my commercial business on hold and shut down my studio in Buffalo — I never dreamed it would become the multiple award winning series it is today.


\"Collection

\"Commercial

\"Commercial

\"Collection

\"Commercial

\"Ryan



","thumb":"MessyFoodPortraits4thumb.jpg","size":{"content":{"width":0,"height":0},"thumb":{"width":1620,"height":1620},"bytes":0,"featuredImage":{"width":0,"height":0},"pageImages":[{"src":"messyfood2.jpg","width":1920,"height":1920},{"src":"MessyFoodPortraits4.jpg","width":1620,"height":1620},{"src":"messyfood1.jpg","width":1920,"height":1920},{"src":"MF20220812_2240.jpg","width":1920,"height":1920},{"src":"MessyFoodPortraits5.jpg","width":1620,"height":1620},{"src":"messyfood8.jpg","width":1920,"height":1920},{"src":"messyfood7.jpg","width":1920,"height":1280}]},"overrides":{},"linkTarget":"","key":"12495","dateAdded":"2023-02-20T16:01:37.697Z","postDate":"2024-11-06T01:55:28.994Z","filters":["Blog Posts","Blog Posts"]},"12496":{"id":12496,"label":"Second Collection of images of Messy Food portraits","caption":"Second Collection of images of Messy Food portraits","type":"image","content":"MessyFoodPortraits4.jpg","size":{"content":{"width":1620,"height":1620},"thumb":{"width":0,"height":0},"bytes":388046,"featuredImage":{"width":0,"height":0}},"dateAdded":"2023-02-20T16:02:43.550Z","filters":["Blog Posts"],"overrides":{},"linkTarget":"","keywords":[]},"12497":{"id":12497,"label":"Collection of images of Messy Food portraits","caption":"Collection of images of Messy Food portraits","type":"image","content":"MessyFoodPortraits5.jpg","size":{"content":{"width":1620,"height":1620},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":403656},"keywords":[],"linkTarget":"","filters":["Blog Posts"],"overrides":{},"dateAdded":"2023-02-20T16:02:44.713Z"},"12498":{"id":12498,"label":"Sommelier Jessica Railey—Forster of Waxlight Bar a Vin","caption":"Commercial portrait of Buffalo NY Sommelier Jessica Railey—Forster of Waxlight Bar a Vin","type":"image","content":"MF20220812_2240.jpg","size":{"content":{"width":1920,"height":1920},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":994800},"filters":["Blog Posts"],"linkTarget":"","overrides":{},"keywords":["adobe:docid:photoshop:0798f152-bae6-d945-b3a9-07cf2271576d","xmp.did:27afc354-adbe-42a6-979e-8bcfae745714","xmp.did:3d8f069e-6fef-4f54-ad4e-c007d8161d89","xmp.did:49ebd629-96b3-4b81-97a3-73de9e929fb3","xmp.did:74e22269-5eab-457c-8ad8-4b557787cc32","xmp.did:8428bd13-274f-4935-bed2-3e787f9cee1b","xmp.did:844cb61b-860f-4e69-9ad5-d2bc47ed92e8","xmp.did:8ca206df-0b57-4693-92da-a67d25deebe7","xmp.did:c3a1c072-a3a2-4e14-b250-fa0589181f97","xmp.did:ca56a69a-3388-479d-b5e1-59cfeaced68c","xmp.did:ddd4a22e-a850-497e-8bf9-4bceadd363fb","xmp.did:f38683dd-4cc3-4b12-a2b7-f14f118cf633","xmp.did:fd2118ac-d9ba-41bf-a8f6-3d17981d07ac"],"dateAdded":"2023-02-20T16:04:33.751Z"},"12499":{"id":12499,"label":"Vivienne Making a mess with Spaghetti ","caption":"Portrait of Vivienne Making a mess with Spaghetti ","type":"image","content":"messyfood1.jpg","size":{"content":{"width":1920,"height":1920},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":879802},"keywords":["xmp.did:3d8f069e-6fef-4f54-ad4e-c007d8161d89","xmp.did:49ebd629-96b3-4b81-97a3-73de9e929fb3","xmp.did:74e22269-5eab-457c-8ad8-4b557787cc32","xmp.did:8ca206df-0b57-4693-92da-a67d25deebe7","xmp.did:fd2118ac-d9ba-41bf-a8f6-3d17981d07ac"],"filters":["Blog Posts"],"dateAdded":"2023-02-20T16:05:42.575Z","overrides":{},"linkTarget":""},"12500":{"id":12500,"label":"Wine Distributer Kelsey Christopherson","caption":"Commercial portrait of Buffalo NY Wine Distributer Kelsey Christopherson","type":"image","content":"messyfood2.jpg","size":{"content":{"width":1920,"height":1920},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":861497},"dateAdded":"2023-02-20T16:05:44.946Z","keywords":["adobe:docid:photoshop:0798f152-bae6-d945-b3a9-07cf2271576d","xmp.did:27afc354-adbe-42a6-979e-8bcfae745714","xmp.did:3d8f069e-6fef-4f54-ad4e-c007d8161d89","xmp.did:49ebd629-96b3-4b81-97a3-73de9e929fb3","xmp.did:74e22269-5eab-457c-8ad8-4b557787cc32","xmp.did:844cb61b-860f-4e69-9ad5-d2bc47ed92e8","xmp.did:8ca206df-0b57-4693-92da-a67d25deebe7","xmp.did:ca56a69a-3388-479d-b5e1-59cfeaced68c","xmp.did:ddd4a22e-a850-497e-8bf9-4bceadd363fb","xmp.did:fd2118ac-d9ba-41bf-a8f6-3d17981d07ac"],"filters":["Blog Posts"],"overrides":{},"linkTarget":""},"12501":{"id":12501,"label":"Buffalo NY baker Tito Mercado of Himbo Baker","caption":"Commercial portrait of Buffalo NY baker Tito Mercado of Himbo Baker","type":"image","content":"messyfood8.jpg","size":{"content":{"width":1920,"height":1920},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":1120866},"linkTarget":"","overrides":{},"dateAdded":"2023-02-20T16:05:55.197Z","keywords":["adobe:docid:photoshop:0798f152-bae6-d945-b3a9-07cf2271576d","adobe:docid:photoshop:762b839a-84d7-5346-ab2f-78897dcb9ba2","xmp.did:0a064812-e211-49b6-a8e2-805848e28cab","xmp.did:0e7334a5-147c-40d0-91cb-e0204f852d6d","xmp.did:1e046765-aee8-43b2-ad5b-a18e25029f96","xmp.did:27afc354-adbe-42a6-979e-8bcfae745714","xmp.did:3d8f069e-6fef-4f54-ad4e-c007d8161d89","xmp.did:49ebd629-96b3-4b81-97a3-73de9e929fb3","xmp.did:5978c986-9856-4519-9636-2cfbc786b79c","xmp.did:74e22269-5eab-457c-8ad8-4b557787cc32","xmp.did:8428bd13-274f-4935-bed2-3e787f9cee1b","xmp.did:844cb61b-860f-4e69-9ad5-d2bc47ed92e8","xmp.did:87f5d520-d5b3-4557-9384-26e6734ee979","xmp.did:8ca206df-0b57-4693-92da-a67d25deebe7","xmp.did:a4c481b0-29d1-45e4-a387-7c1745e4075b","xmp.did:ac76df1b-ed9f-4224-b2f7-17cdf746d637","xmp.did:c3a1c072-a3a2-4e14-b250-fa0589181f97","xmp.did:c522344a-1a14-4100-92d4-be8f69c048a6","xmp.did:ca56a69a-3388-479d-b5e1-59cfeaced68c","xmp.did:ddd4a22e-a850-497e-8bf9-4bceadd363fb","xmp.did:f38683dd-4cc3-4b12-a2b7-f14f118cf633","xmp.did:fd2118ac-d9ba-41bf-a8f6-3d17981d07ac"],"filters":["Blog Posts"]},"12502":{"id":12502,"label":"Buffalo NY restaurant owners Ryan DiFranco and Isaac Domingue ","caption":"Portrait of Buffalo NY restaurant owners Ryan DiFranco and Isaac Domingue ","type":"image","content":"messyfood7.jpg","size":{"content":{"width":1920,"height":1280},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":848383},"keywords":[],"filters":["Blog Posts"],"linkTarget":"","dateAdded":"2023-02-20T16:06:01.090Z","overrides":{}},"12506":{"id":12506,"label":"GINGER PAGE","caption":"","type":"html","content":"

GINGER PAGE


\"Portrait

This pair of portraits were from a private commission by dancer and ballet instructor Ginger Page that I created at my studio in Buffalo. Ginger is a powerful and intense dancer, so rather than traditional dance photos of her in motion I decided to treat these more like I would a session with a pro-athlete, focusing more on her athleticism and strength, and creating an overall darker mood to the images with the dark green background.


\"Buffalo





","thumb":"GP20221028__0642thumb.jpg","size":{"content":{"width":0,"height":0},"thumb":{"width":1360,"height":1700},"bytes":0,"pageImages":[{"src":"GP20221028__0642web.jpg","width":1360,"height":1700},{"src":"GP20221028__0431web.jpg","width":1360,"height":1700}],"featuredImage":{"width":0,"height":0}},"linkTarget":"","dateAdded":"2023-03-19T19:15:26.060Z","filters":["Blog Posts","Blog Posts"],"overrides":{},"key":"12506"},"12507":{"id":12507,"label":"Buffalo New York ballet Dancer Ginger Page ","caption":"Commercial portrait of Buffalo New York ballet Dancer Ginger Page ","type":"image","content":"GP20221028__0431web.jpg","size":{"content":{"width":1360,"height":1700},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":370925},"dateAdded":"2023-03-19T19:16:24.965Z","linkTarget":"","filters":["Blog Posts"],"overrides":{},"keywords":["Ballet","Buffalo","Ginger","NY","Page","Portrait","Studio","dancer","jazz","modern","motion","movement","style"]},"12508":{"id":12508,"label":"Buffalo New York Dancer Ginger Page ","caption":"Editorial portrait of Buffalo New York Dancer Ginger Page ","type":"image","content":"GP20221028__0642web.jpg","size":{"content":{"width":1360,"height":1700},"thumb":{"width":0,"height":0},"bytes":381667,"featuredImage":{"width":0,"height":0}},"dateAdded":"2023-03-19T19:16:26.023Z","linkTarget":"","keywords":["Ballet","Buffalo","Ginger","NY","Page","Portrait","Studio","dancer","jazz","modern","motion","movement","style"],"overrides":{},"filters":["Blog Posts"]},"12509":{"id":12509,"label":"SOON HO SIM - EXTRA EXTRA PIZZA ","caption":"","type":"html","content":"

SOON HO SIM - EXTRA EXTRA PIZZA


\"Soon


Buffalo Spree recently sent me to hang out with the crew from Extra Extra Pizza, Buffalo's first tipless and cooperatively owned pizza joint (and a fantastic addition to the Five Points Neighborhood)⁠ Founders Bridget, Joey, and Soon Ho serve top-notch slices and drinks at their self-described \"aggressively casual\" restaurant and bar but also want to provide a means for service industry veterans and newcomers alike to have rewarding and long-term sustainable careers. At Extra Extra, workers have a path to co-ownership after 18 months of employment and being trained on all restaurant stations.


⁠This collection of Portraits features Soon Ho Sim, one of the restaurant's co-founders.


\"Pizzas

\"Soon

\"Pizza



","thumb":"EEP20221014__0058thumb.jpg","size":{"content":{"width":0,"height":0},"thumb":{"width":2550,"height":1700},"pageImages":[{"src":"EEP20221014__0058blog.jpg","width":2550,"height":1700},{"src":"EEP20221014__0834blog.jpg","width":2550,"height":1700},{"src":"EEP20221014__0318blog.jpg","width":1133,"height":1700},{"src":"EEP20221014__0449blog.jpg","width":2550,"height":1700}],"bytes":0,"featuredImage":{"width":0,"height":0}},"filters":["Blog Posts","Blog Posts"],"postDate":"2024-11-06T01:46:47.559Z","dateAdded":"2023-03-19T19:45:15.095Z","linkTarget":"","key":"12509","overrides":{}},"12510":{"id":12510,"label":"Soon Ho Sim of Extra Extra Pizza in Buffalo NY","caption":"Soon Ho Sim of Extra Extra Pizza in Buffalo NY. Editorial Portrait for Spree Magazine ","type":"image","content":"EEP20221014__0058blog.jpg","size":{"content":{"width":2550,"height":1700},"thumb":{"width":0,"height":0},"bytes":312163,"featuredImage":{"width":0,"height":0}},"dateAdded":"2023-03-19T19:45:59.250Z","overrides":{},"filters":["Blog Posts"],"keywords":["Buffalo","Extra Extra Wine Bar and Pizza in Buffalo NY","bar","extra extrapizza","my","restauranmt","wine"],"linkTarget":""},"12511":{"id":12511,"label":"Extra Extra Pizza Co-Founder Soon Ho Sim sitting in front of a wall of wine","caption":"Portrait of Extra Extra Pizza Co-Founder Soon Ho Sim sitting in front of a wall of wine at her restaurant in Buffalo NY","type":"image","content":"EEP20221014__0318blog.jpg","size":{"content":{"width":1133,"height":1700},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":372712},"linkTarget":"","overrides":{},"dateAdded":"2023-03-19T19:46:00.141Z","keywords":["Buffalo","Extra Extra Wine Bar and Pizza in Buffalo NY","bar","extra extrapizza","my","restauranmt","wine"],"filters":["Blog Posts"]},"12512":{"id":12512,"label":"Finished specialty pie at Extra Extra Pizza in Buffalo Ny","caption":"Finished specialty pie at Extra Extra Pizza in Buffalo NY - Food Image ","type":"image","content":"EEP20221014__0449blog.jpg","size":{"content":{"width":2550,"height":1700},"thumb":{"width":0,"height":0},"bytes":381358,"featuredImage":{"width":0,"height":0}},"dateAdded":"2023-03-19T19:46:01.010Z","filters":["Blog Posts"],"keywords":["xmp.did:d999a362-1c5c-4c21-bca3-909e2e982845"],"linkTarget":"","overrides":{}},"12513":{"id":12513,"label":"EEP20221014__0833blog","caption":"","type":"image","content":"EEP20221014__0833blog.jpg","size":{"content":{"width":2550,"height":1700},"thumb":{"width":0,"height":0},"bytes":370433,"featuredImage":{"width":0,"height":0}},"dateAdded":"2023-03-19T19:46:02.026Z","linkTarget":"","keywords":["Buffalo","Extra Extra Wine Bar and Pizza in Buffalo NY","bar","extra extrapizza","my","restauranmt","wine"],"overrides":{},"filters":["Blog Posts"]},"12514":{"id":12514,"label":"Pizzas being made at Extra Extra Pizza in Buffalo NY","caption":"Pizzas being made at Extra Extra Pizza in Buffalo NY","type":"image","content":"EEP20221014__0834blog.jpg","size":{"content":{"width":2550,"height":1700},"thumb":{"width":0,"height":0},"bytes":407888,"featuredImage":{"width":0,"height":0}},"overrides":{},"keywords":["Buffalo","Extra Extra Wine Bar and Pizza in Buffalo NY","bar","extra extrapizza","my","restauranmt","wine"],"dateAdded":"2023-03-19T19:46:03.044Z","linkTarget":"","filters":["Blog Posts"]},"12515":{"id":12515,"label":"PRODUCTION DESIGNER LEAH GLICKMAN","caption":"","type":"html","content":"

PRODUCTION DESIGNER LEAH GLICKMAN

\"Portrait


\"A



\"Production

\"Leah





","thumb":"LG20221004__0283-Editthumb.jpg","size":{"content":{"width":0,"height":0},"thumb":{"width":1360,"height":1700},"featuredImage":{"width":0,"height":0},"bytes":0},"postDate":"2024-11-06T01:45:47.874Z","overrides":{},"dateAdded":"2023-03-19T20:00:52.517Z","linkTarget":"","filters":["Blog Posts"]},"12516":{"id":12516,"label":"LG20221004__0010blog","caption":"","type":"image","content":"LG20221004__0010blog.jpg","size":{"content":{"width":2550,"height":1700},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":364590},"dateAdded":"2023-03-19T20:01:22.286Z","keywords":["Buffalo","Glickman","Leah","Portrait","stylist"],"overrides":{},"linkTarget":"","filters":["Blog 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","type":"image","content":"PUMA20220228_2850_RGBFedit.jpg","size":{"content":{"width":2125,"height":1700},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":310459},"linkTarget":"","key":"12535","dateAdded":"2023-07-20T14:13:26.734Z","overrides":{},"filters":[],"postDate":"2023-07-20T14:14:51.782Z","keywords":["adobe:docid:photoshop:24c68f0d-c8b3-4b46-a6d0-c3703960cd3f","adobe:docid:photoshop:6461e662-d9f8-8341-ab0e-070a635be8ed","adobe:docid:photoshop:656f4783-a4d3-bc49-bae8-67c05b7535c6","adobe:docid:photoshop:66e36322-e1eb-b447-89e5-7d05df1acebe","adobe:docid:photoshop:bb0cfe2b-db6d-1645-a135-8c80ebacb0ac","adobe:docid:photoshop:d04faa46-2eea-774e-af15-a3bb316297dd","adobe:docid:photoshop:f236074f-86ee-214a-a03d-1dad7d1b7494","adobe:docid:photoshop:f7cbcdc8-dfcf-1a47-87a3-2febffdc2d75"]},"12536":{"id":12536,"label":"PUMA20220228_3072_RGBFinal","caption":"PUMA 2022 Influencers Shoot","type":"image","content":"PUMA20220228_3072_RGBFinal.jpg","size":{"content":{"width":1133,"height":1700},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":274971},"linkTarget":"","postDate":"2023-07-20T14:14:51.782Z","dateAdded":"2023-07-20T14:13:27.600Z","filters":[],"keywords":["adobe:docid:photoshop:24c68f0d-c8b3-4b46-a6d0-c3703960cd3f","adobe:docid:photoshop:656f4783-a4d3-bc49-bae8-67c05b7535c6","adobe:docid:photoshop:66e36322-e1eb-b447-89e5-7d05df1acebe","adobe:docid:photoshop:bb0cfe2b-db6d-1645-a135-8c80ebacb0ac","adobe:docid:photoshop:d04faa46-2eea-774e-af15-a3bb316297dd","adobe:docid:photoshop:f236074f-86ee-214a-a03d-1dad7d1b7494"],"overrides":{}},"12550":{"id":12550,"label":"CHEF DARIAN BRYAN","caption":"","type":"html","content":"

CHEF DARIAN BRYAN



Chef Darian Bryan is a Jamaican-born rockstar in the kitchen. He's been featured on Food Network, CBS News, and ESPN, and he's known for his pop-up fine dining dinners hosted in unusual locations. He's also the man behind the block-long lines at his Jamaican \"Jerk Hut\" pop-up events. Chef Darian also works as a private chef for several NFL players.


Recently, I had the honor of capturing Chef Darian's creative genius during a lifestyle and portrait session. We collaborated on a shoot concept based on a fantasy outdoor dinner party he was hosting. It was a blast! The plates we used and Darian's chef's coat are from his recently launched product lines, and these images would serve as branding collateral for both product launches and for Darian's general marketing use.  


\"Guests


The location was a stunning private garden hidden away in a residential neighborhood in Buffalo, NY, and the guests at the dinner were a mix of Buffalo food writers, influencers, and family. During our prep for the shoot, long before talent arrived, we had to deal with some extremely high winds; at one point, a large branch broke off a tree and crashed into the table, destroying the gorgeous tablescape that the styling team had put together, but like true pros, we had backups over everything, and the entire table was restyled and prepped for lighting in a matter of minutes. And the winds died down as expected as guests started to arrive.


Chef Darian is passionate about celebrating chefs, his Caribbean roots, and bringing people together through his cooking. His food is fantastic, and his passion for food and family drives him to create extraordinary culinary experiences that unite people. Chef Darian's warm personality and charm are just as crucial as his food. He delights in entertaining his guests with stories about his food, Jamaica, and the occasional flambe fireball as the sun goes down. During our shoot, we captured Chef Darian in all his glory, from prepping the food to plating up the dishes and interacting with his guests. He's a natural in front of the camera, and his infectious energy comes through in every shot.



If you're ever in Buffalo, check out Chef Darian's newest venture, Bratts Hill. The name comes from Darian's childhood home in Bratts Hill, Jamaica, and the menu is inspired by his mom's cook shop, where he discovered his love for cooking and how food brings people together.


Special thanks to Kristy Pottle Culinary for the food prep and styling assist on set on the day of this shoot as we fought the weather.


\"A


-----------------------------------------------------------------------------------------


Link Love


A rundown of what I've been consuming/loving/obsessed with recently and why.


Fall of The House of Usher 

I'm a huge Edgar Allen Poe Fan, so this Mike Flannagan-helmed Netflix horror series had more than enough macabre references to make it one of my favorite spooky October binges. My wife and I tore through all eight episodes in three nights.


Ricoh GRIIIx

I had been searching for a small pocket camera that could take excellent pictures and easily carried around in my EDC bag. I was introduced to this little powerhouse by Nick Kundrat, and I have been attached to it ever since. It captures excellent images straight out of the camera, and I particularly love the snap focus feature. Lately, I've been taking it out on more and more photo walks, and I'm excited to bring it with me on my next trip.


Cryo Chamber Records

I prefer to listen to music with no lyrics when working, especially when writing. I've been listening to a few dark ambient acts from Cryo Chamber Records. Since I'm firmly entrenched in the Halloween season, the moody and dark atmosphere feels appropriate. Their HP Lovecraft-inspired series of collaborative albums have been outstanding listens, as well as anything by Dead Melodies.  


Traveler's Journal

I have condensed several of my larger journals into smaller inserts and organized them in a modular notebook. This makes it easier for me to carry them around when I am on the go. The inserts include my creative brainstorming notes (since I prefer to do that thinking out of the office/house), client intake/production notes, and personal notebooks with all my daily tasks and lists. This notebook system has become a constant companion for me and is probably the most essential piece of everyday carry gear in my bag (especially when paired with a Brass Kaweco Sport).



 






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MY PORTRAIT OF KATIE KRAWCZYK NAMED A FINALIST IN ONE EYELAND PHOTO COMPETITION




I am thrilled to announce that I have been named a finalist in the One Eyeland Photo Awards for my portrait of Katie Krawczyk, CEO and co-founder of the Buffalo, NY-based marketing agency 19Ideas. This is an incredible honor, and I am so grateful to the judges for recognizing my work.


I'm passionate about capturing the essence of my subjects and telling their stories through my lens. I am particularly drawn to photographing people who are passionate about their work.


Katie Krawczyk is one such person. She is an inspiring leader and entrepreneur who has built a successful business from the ground up. When I set out to photograph Katie, I wanted to create an image that captured her energy, humor, and style. I am thrilled with the results and honored to have my work recognized in this prestigious competition.


I'd like to thank the judges of the One Eyeland Photo Awards for their consideration, and I would like to congratulate all of my fellow finalists. I am humbled to be in such talented company.




","thumb":"Screenshot2023-10-26at3.40.22PM.jpg","size":{"content":{"width":0,"height":0},"thumb":{"width":1280,"height":837},"bytes":0,"pageImages":[{"src":"woman-in-green-dress-drinking-tea.jpg","width":2550,"height":1700}],"featuredImage":{"width":0,"height":0}},"postDate":"2024-11-06T01:44:44.288Z","overrides":{},"dateAdded":"2023-10-26T19:33:27.610Z","linkTarget":"","key":"12581","filters":["Blog Posts","Blog Posts"]},"12582":{"id":12582,"label":"TWIN PATRELS CRAFT SELTZER","caption":"","type":"html","content":"

TWIN PATRELS CRAFT SELTZER



One of Buffalo's newest and best places to have a drink, Twin Petrels Seltzer Co., is also home to my latest experiment in stop-motion work.


My subject was Katrina Piechowicz, the owner of Twin Petrels. The team at the seltzery are unique in that they brew their own craft seltzer from scratch, which results in a final product that is absent of the harsh bite and artificial flavors of many canned fizzy drinks. Most producers of hard seltzer are just adding flavoring agents to grain alcohol — Twin Patrels's seltzer is fruit and botanic forward and kind of tastes like a trip to an outstanding farmers market. I started to visit Twin Petrels just after the new year, and it has quickly become one of my favorite places to grab a drink and a bite to eat.



In addition to their delicious seltzer, Twin Petrels also has a stunning interior. The space is bright, open, and airy, with huge glass garage doors that let in plenty of sunlight.


I wanted to create portraits of Katrina that captured her spirit and her love for craft seltzer, and the fantastic space allowed us to do that very quickly and efficiently. So, with the time we had left, I decided to add a stop-motion portrait to our shot list that day. I've been having a ton of fun creating these lately - they are a perfect supplement to still images online.



As I worked, I was struck by Katrina's warmth and charisma. She was so open and generous with her time, and she shared her story with me with enthusiasm and passion. I'm so pleased with the final result. It celebrates her creativity and the incredible space she has created.



-----------------------------------------------------------------------------------------


Link Love


Here is a quick rundown of what I've been consuming/loving/interested in recently and why.


Tactile Turn Nitro

You all know I have a soft spot for fountain pens, but when I'm in the studio or out of location, I like to carry something a little more rugged — so I am obsessed with the machined pens from Tactile Turn. I have collected a few of these over the years, with my orange and blue cerakote-painted GT and solid copper bolt action being favorites. Even though I don't drink coffee anymore (long story), I really love the colors of their new caffeine-themed seasonal release — The Nitro. I might need to add this one to my bag


Digital Folklore

I've been binging this narrative podcast that tackles myths, memes, and folklore in the digital age with a really unique style. This is so different from your typical boring mono-topic podcast. Perry Carpenter and Mason Amadeus have created a wonderfully satisfying and immersive way of deep-diving into a niche topic. 


The Decagon House Murders

With my Erin away in Japan for a few weeks, I've been making it a point to read more Japanese authors lately. The Decagon House Murders by Yukito Ayatsuji has been scratching all of my Agatha Christie whodunnit itches. I love a good mystery that can pull me away from my steady diet of horror and sci-fi novels. 

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WHATS IN MY PRODUCTION BAG?


\"An


Are you ready for a thrilling look into what I carry daily? We all know photographers love to talk about their gear, but instead of pixel-peeping and geeking out over spec sheets today, let's dive into something more exciting - what's in my production bag!


As a photographer, I'm always on the lookout for the little things that can make my job easier, and past a certain point, these have less and less to do with cameras and computers as time passes. These tools and items can make a real difference in my comfort on the road or set. And today, I will share with you what I carry in my bag most of the time.


\"A


The Bag

First things first, let's talk about the bag itself. I have a few of these, but my go-to is the Tom Bihn medium cafe bag. This bag is the perfect size to slip my laptop sleeve in if needed and just big enough to hold the rest of my everyday essentials. I also have a small Chrome sling bag that I sometimes swap in, but only if I have a light kit or decide to ride my bike to the studio that day.


The Journal

Now, let's get into the good stuff. My most crucial non-photographic tool is my Travelers Notebook. This small notebook is perfect for brainstorming concepts, recording assignment details, keeping production lists, and organizing my personal life. Rather than a single notebook, the Travelers notebook is a leather cover filled with a variety of small topical inserts that I can swap in and out as needed. It's my go-to for ideation and creative thoughts, and it lets me get into an imaginative mindset whenever and wherever ideas come to me.


The Point and Shoot

Next up is my favorite pocket camera - the Ricoh GR3X. This compact camera is excellent for behind-the-scenes images on productions, street photography, travel, and more. I love its small size, which can slip into a pocket or any of my bags, and I make some great images with it.


Pouch One

And now, let's dive into the pouches. First, my Tom Bihn Organizer is a clear pocket organizer for loose items I need to grab quickly. This bag contains:







\"An


Pouch Two 

This is a Maxpedition E.D.C Pocket Organiser — a folding zip-up pouch that I use to hold most of my hand tools and items that need to be secured. I don't carry nearly as many tools as I did as an assistant, but some of these are still ones I commonly use. 




\"Universal







\"Field




\"Waterbottle,



 





The Miscellaneous 

And let's remember the little things that make a big difference. I always carry a set of matte black Rayban Wayfarers to protect my eyes from the sun. The matte material offers a little extra grip, making them nice and secure. To stay hydrated, I love my Miir water bottle, which, with its large handle, I can easily clip onto my bag with a #4 Nite-Ize S-Biner for hands-free carry. 


Another item that I always keep on me is a bandana. You never know when you'll need one, whether to wipe something off, bundle something up, add to a shot as a prop, or use it as a style piece. I like bandanas from Hemlock Goods and Sendero Provisions.


\"Bag


Everyone needs a good pair of gloves on set, too. Though I don't use utility gloves as often as I used to, I still carry them out of habit. I usually swap them out on winter productions for a pair of warmer gloves. I also like having a few packs of Hothands or similar hand warmers. These are lifesavers on winter shoots.  


Like all photographers, I also love gaff tape. I keep a small core roll handy for labeling, marking, and a hundred other uses. 


And last but not least, I always keep a toy car in my bag. It's a great way to break the ice with any younger kids that might be part of a production. On a more personal note, this is one my son gave me that I like to keep in my bag.


There you have it, folks - my bag dump! These are the little cheats I've developed over the years to make things run smoother on the job. What do you carry in your production bag?


This post includes affiliate links. I may earn an affiliate commission if you buy something through one of these links. Unless stated otherwise, I only recommend items I have used and purchased myself. 




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MY FAVORITE TIME-SAVING APPS


\"Notion


As an advertising photographer, I've found that there's so much more to the craft than having a good camera, lens, and lighting. In fact, there are countless non-photographic tools that are essential to keeping a photography business running efficiently. In a recent post, I discussed some of my favorite physical tools and comforts to have on-set, but today, I want to talk about my tech stack. These digital tools are efficient and helpful; they're like a command center that allows me to collaborate, communicate, and manage projects more effectively.


Blinkbid

Blinkbid let me say goodbye to messy spreadsheets and endless email chains. It is a rock-solid solution I use for estimating, billing, and structuring a production. Over the years, I've sampled other platforms, but most of them are built with consumer and wedding photographers in mind, and they can only handle a few of the tasks that I need them to do. While I would love to see Blinkbid roll a few more modern features into its offerings (automated follow-ups, please), I see myself staying with them for a while.


Wrapbook

I looked for years for a payroll solution for productions that was quick, easy, and intuitive — and I finally found it: Wrapbook. This helps me manage paying crew and talent quickly and compliantly with all the local requirements of where I work on any given week. My longtime crew members loved it when I switched to this platform for the direct deposit feature alone.


Doodle

Coordinating shoots and booking meetings can be daunting, like herding cats. However, I can bid farewell to endless email chains asking \"When are you free?\" with Doodle. This amazing tool helps me share my availability, collect client preferences, and find the perfect meeting time in seconds. Whether you're a photographer or someone who frequently faces calendar conflicts, Doodle is the ultimate scheduling Swiss Army knife.


Moreover, I find Doodle extremely helpful in productions where we need to create single portraits of large pools of subjects, especially on high-volume corporate assignments. Instead of disrupting certain subjects' schedules, I can send out a single link and let them choose timeslots that work for them. It makes my life easier and ensures everyone is on the same page.


Notion

Notion was a game-changer for me. My favorite uses are brainstorming with collaborators, archiving inspiration, and planning productions. But I also use this to streamline communications and estimating — it's a great place to store snippets of commonly used copy and templates, so I don't always have to retype or hunt for it. It's basically a wiki for my business. Think Evernote on steroids, designed for creative minds.


Grammarly

My hero! Seriously, I work with images, not words. Grammarly is a lifesaver when it comes to writing... basically anything. No more cringe emails to clients or sloppy errors on my social media that I notice five minutes after I post. Grammarly killed writer's block for me since I can focus on what I'm writing now, not how it's written.


\"Notion


Reclaim.ai

This year, I added Reclaim to my tech stack, and it quickly became my favorite tool. Reclaim is an AI-powered assistant that helps me manage my workday chaos. It syncs with my calendar, analyzes my habits, and automatically schedules my essential tasks while minimizing distractions. It acts like a personal assistant who always knows when I'm most productive and blocks off those hours. This fabulous tool integrates seamlessly with the next item on my list.


Todoist

My go-to app for my to-do list and project management needs. It integrates smoothly with Reclaim.ai to help me streamline my productions, meetings, travel, and tasks. Additionally, I have created a set of production and marketing templates over time, which allow me to easily track the workflow of any project and get new ones up and running quickly.


Canva

Controversial amongst my designer friends, but there are some things I can do faster in Canva than in Indesign. I often use this to export quick mood boards to clients and populate treatment and production decks based on templates I've built over time. There is a lot of bad design on it, but also some exquisite, straightforward templates that have saved my butt in a pinch.


Pixieset

Pixiset lets me create beautiful, branded proofing galleries for clients with password protection and high-resolution asset delivery for final images. It is straightforward, and I like the collaborative tools it offers my clients.


\"Later


Later

Scheduling Instagram posts like a boss feels so satisfying. Later, it lets you plan your feed, craft captions, and publish at the perfect time. I can write a month's worth of posts in a single sitting, it has robust analytics, and I can keep all of my media assets organized in one place.


Loom

Explaining edits, sharing project updates, or giving feedback – sometimes, words just don't cut it. Loom lets me record my screen and webcam simultaneously, creating quick, engaging video messages. It's like a face-to-face chat without the commute. I recently committed to putting my face in front of my clients as much as possible since I think it's beneficial to any collaborative relationship and helps convey the key points of my messages. I don't want to talk through a keyboard unless I have to.


So there you have it, friends, my arsenal of digital weapons for conquering the creative battlefield!


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Jan/Feb 2024 Promo

\"A


Just dropped my new email promo for Feb/Jan of 2024 — Titled Perfectly Imperfect. Click here to read the whole newsletter.


Here's the Intro:


\"There is nothing more boring and overrated than perfection. It's our grit, our flaws, and our beautifully messy humanity that are exciting. My work has been moving towards embracing this notion of genuine drama and character like never before. In 2024, I want to pour all my energy into preparation, story, and moment and step away from the fussiness of sterile perfection. I'm embracing what's important to me, and I want to see that reflected in my images.


Whether in the studio, on location, or traveling — I adore working with real people, creating intriguing characters, and being unafraid to make a mess. I want to explore what happens when we drop the facades and create work with magnetic authenticity that celebrates real laughs, tears, struggles, and triumphs. Who's with me?\"







","thumb":"CUBAJAN2020_1440Thumb2.jpg","size":{"content":{"width":0,"height":0},"thumb":{"width":1920,"height":1280},"pageImages":[{"src":"2024JanFebPromo.jpg","width":1326,"height":2358}],"bytes":0,"featuredImage":{"width":0,"height":0}},"overrides":{},"postDate":"2024-01-24T20:26:11.210Z","filters":["Blog Posts","Blog Posts"],"linkTarget":"","key":"12797","dateAdded":"2024-01-24T20:19:41.078Z"},"12798":{"id":12798,"label":"Luke-Copping-Bio-Portrait","caption":"","type":"image","content":"Luke-Copping-Bio-Portrait.jpg","size":{"content":{"width":1280,"height":1920},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":449496},"overrides":{},"filters":["Bio Photo"],"dateAdded":"2024-01-24T22:34:12.407Z","keywords":[],"linkTarget":"","postDate":"2025-09-18T19:21:45.806Z"},"12799":{"id":12799,"label":"MAYER BROTHERS CIDER FOR M&T BANK","caption":"","type":"html","content":"

MAYER BROTHERS CIDER FOR M&T BANK

\"Garrett


Today, we're trading in winter snow for a rain-drenched Western New York apple orchard to prove that character-driven commercial photography thrives even when the weather throws a tantrum. We're talking about digging deep, embracing the elements, and telling a damn good story, rain or shine.


\"A


Enter Garrett Mayer. This guy's family has been perfecting the art of apple cider since 1852, folks. That's generations of know-how and passion, and it shows. They're one of the oldest family-owned businesses in all of New York State.


\"Commercial


The awesome team at Crowley Webb knew precisely what they wanted when they brought my team and me in for M&T Bank's client success campaign. This wasn't about sterile boardrooms and PowerPoint presentations. This was about showcasing authenticity, grit, and a connection to the land deeper than the mud puddles we had to hike through that morning. The agency gave me a ton of freedom to create the right vibe and mood for these images, and I love the story that emerged.


\"Portrait


The orchard itself became our set. Wet leaves and water-laden fruit were our props, and we found opportunity after fantastic opportunity to take some amazing photographs as we walked through the rows of trees at sunrise. This project felt like an adventure, even when we had to hide under the trees to avoid the occasional downpour. For this campaign, the stills that I created of Garrett and other businesses and organizations across New York, Pennsylvania, and Maryland were used to accompany a series of fantastic ad spots by director Joshua Weinstein that premiered during the Super Bowl.


\"A


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","type":"image","content":"bartender-holding-glass-of-bourbon.jpg","size":{"content":{"width":1275,"height":1700},"thumb":{"width":0,"height":0},"bytes":587635,"featuredImage":{"width":0,"height":0}},"filters":[],"dateAdded":"2024-02-07T16:09:47.751Z","postDate":"2024-02-07T16:31:09.451Z","keywords":["Ballyhoo","Denim","Hair","Lucky Day","Portrait","Stevens","Tim","bar","beard","restauratn","service indsutry","spirits","whisky"],"key":"12807","overrides":{},"linkTarget":""},"12808":{"id":12808,"label":"Sweaty Athlete Wearing Green Hoodie","caption":"Dramatic, character driven portrait of MMA combatant Jordan Marwin covered in sweat and wearing a green hoodie.","type":"image","content":"bike-guy-wearing-green-hoodie.jpg","size":{"content":{"width":1360,"height":1700},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":471683},"keywords":[],"overrides":{"thumbScaleFactor":false},"filters":[],"dateAdded":"2024-02-07T16:09:51.741Z","key":"12808","linkTarget":""},"12809":{"id":12809,"label":"Buffalo, NY Commercial & Advertising Photographer | Luke Copping","caption":"Award-winning Buffalo NY advertising and commercial photographer Luke Copping transforms brands’ vision into bold, authentic imagery. Specializing in lifestyle, portrait, and branded-content photography, Luke partners with agencies, brands, and corporate teams across Buffalo, Western New York, the U.S., and Canada to craft memorable campaigns and compelling visuals for print and digital marketing.","type":"image","content":"butcher-holding-large-cut-of-beef.jpg","size":{"content":{"width":2549,"height":1700},"thumb":{"width":0,"height":0},"bytes":574270,"featuredImage":{"width":0,"height":0}},"keywords":["Buffalo","Butcher","Butchery","Caitlin","Grant","Meats","Moriarty","Pork","Rabbit","Thomas","Westside","Whole","animal","beef","food","lamb","local","new","new york","protein","slow","veal","western","york"],"overrides":{"thumbScaleFactor":false,"parallaxLevel":"0","thumbHorizontalOffset":0},"key":"12809","filters":[],"dateAdded":"2024-02-07T16:09:52.942Z","linkTarget":""},"12810":{"id":12810,"label":"DARIAN BRYAN","caption":"Jamaican born chef Darian Bryan, photographed in Buffalo NY during and outdoor fantasy private dining event. ","type":"image","content":"chef-darian-bryan-advertising-photography.jpg","size":{"content":{"width":2550,"height":1700},"thumb":{"width":0,"height":0},"bytes":580699,"featuredImage":{"width":0,"height":0}},"keywords":["Buffalo","Coat","Darian","Jamaica","Jamaican","Portrait","bryan","celebrity","chef","clothing","dining","food","hospitality","pottery","private chef"],"dateAdded":"2024-02-07T16:09:55.123Z","overrides":{"thumbScaleFactor":false},"key":"12810","filters":[],"postDate":"2025-09-03T17:28:25.230Z","linkTarget":""},"12811":{"id":12811,"label":"Smiling Blonde Woman Covered In Messy Ice Cream","caption":"A humorous portrait of Jess Railey-Forster covered in multicolored ice cream that has run down her arms and all over the table. Part of a personal project By Luke Copping focused on messy food. ","type":"image","content":"commercial-photography-of-woman-making-mess-with-ice-cream.jpg","size":{"content":{"width":1700,"height":1700},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":595733},"postDate":"2024-11-06T02:24:36.269Z","linkTarget":"","dateAdded":"2024-02-07T16:09:56.899Z","keywords":["adobe:docid:photoshop:0798f152-bae6-d945-b3a9-07cf2271576d","xmp.did:27afc354-adbe-42a6-979e-8bcfae745714","xmp.did:3d8f069e-6fef-4f54-ad4e-c007d8161d89","xmp.did:49ebd629-96b3-4b81-97a3-73de9e929fb3","xmp.did:74e22269-5eab-457c-8ad8-4b557787cc32","xmp.did:8428bd13-274f-4935-bed2-3e787f9cee1b","xmp.did:844cb61b-860f-4e69-9ad5-d2bc47ed92e8","xmp.did:8ca206df-0b57-4693-92da-a67d25deebe7","xmp.did:c3a1c072-a3a2-4e14-b250-fa0589181f97","xmp.did:ca56a69a-3388-479d-b5e1-59cfeaced68c","xmp.did:ddd4a22e-a850-497e-8bf9-4bceadd363fb","xmp.did:f38683dd-4cc3-4b12-a2b7-f14f118cf633","xmp.did:fd2118ac-d9ba-41bf-a8f6-3d17981d07ac"],"key":"12811","overrides":{"thumbScaleFactor":false},"filters":[]},"12812":{"id":12812,"label":"Cuban Dancer Poses Wearing Tracksuit","caption":"An afro-cuban dancer in Havana posing in a his streetwear after a day of rehearsals. 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BOORDY VINEYARD FOR M&T BANK



Instead of sun-drenched vines and playful harvests, my recent commercial photography adventure for M&T Bank unfolded amidst the frosted fields of Boordy Vineyards in Maryland. Crisp mornings, layers aplenty, and endless cups of cocoa fueled my exploration of this historic winery's unique story.


Beyond capturing picturesque landscapes, we aimed to delve deeper. Led by Rob Deford, the passionate president and chief winemaker whose family has nurtured these vineyards since the 1700s, we discovered a world of dedication that transcends seasons. Winter, we learned, is no time for rest. Pruning, planning, and meticulous care ensure the grapes that eventually blossom into award-winning wines begin their journey in the heart of winter.



Now, I readily admit my previous level of wine expertise primarily involved \"red or white?\" and \"more, please!\". However, thanks to this and some other recent advertising projects, I've developed a newfound appreciation for the meticulous art of vinification. This became an enlightening journey, revealing the grit and resilience that define the world of winemaking.


While much of this project called for me to collaborate with the crew handling the film portion of this project, I always try to take a different approach when it's beneficial to the story. Weaving between the crew's setups, I sought authentic moments and candid interactions that enriched the campaign across various print, web, and OOH uses. 



This collaboration with both Crowley Webb and M&T Bank was exceptional. The creative freedom granted allowed me to capture unique perspectives and craft a powerful narrative. These images weren't simply destined for print ads; they aimed to resonate deeper, showcasing the genuine partnership between M&T Bank and Boordy Vineyards, deeply embedded in the local community.


So, the next time you raise a glass, remember the unseen dedication behind each sip.



Be sure to check out the commercial aspect of this campaign directed by Joshua Z Weinstein and produced by Washinton Square Films. 









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SOCCER SHOTS FOR M&T BANK



As a Buffalo, NY, photographer specializing in advertising, I'm often drawn to projects combining storytelling and community. So, when the opportunity arose to collaborate with Crowley Webb and M&T Bank on a new installment in a series of client success stories we collaborated on, I knew it would be special.


This project was part of a broader campaign showcasing the diverse and positive impact M&T Bank has on the businesses and communities they serve. My task was to capture the essence of Soccer Shots®, a program that instills a love for the game and healthy living in young children.


My crew and I drove to Harrisburg, Pennsylvania, where Soccer Shots is based. There, we joined up with the crew who would be creating the broadcast elements of this project. Jason Webb, co-founder of Soccer Shots, was our primary subject, and he perfectly embodied the program's spirit. His passion for the game as a former collegiate and pro player and his genuine care for these young athletes was contagious.



Throughout the day, we captured many vibrant images – children kicking the ball with determined expressions, coaches offering words of encouragement, and the pure joy on everyone's faces. We also created a series of hero portraits of Jason that would be used in print and out-of-home ads.


It was truly inspiring to witness the positive impact that Soccer Shots have on these young players. They weren't just learning soccer skills, building friendships, developing teamwork, and fostering a love for healthy fun.


I'm incredibly grateful to Crowley Webb, M&T Bank, and the fantastic team at Soccer Shots for inviting me to participate in this project.






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Select Clients: A&E Television / Albright-Knox Gallery / American Banker / Ardbeg Whisky / Arthur J Gallagher & Co. / Blast Films / Block Club / Blue Cross Blue Shield of WNY / Bonnier Publishing / Buffalo Spree / Bureau / Cascades / Catholic Health / Channel 4 Television (UK) / Chef Darian Bryan / Chris Long Foundation / Condé Nast / Crowley Webb / EatingWell / ESAB / FIFTEEN / Filzfelt / Forbes Magazine / Forma Therapeutics / Friesland Campina / Gelia / GMC / Golf Digest / GP Strategies / Guardian (UK) / Hamilton College / Hodgson Russ / Implant Direct / Independent Health / Kiplinger’s Personal Finance / Liquor.com / Luxe Interiors + Design / M&T Bank / Martin Group / Men's Journal / Monocle / Mower / National Education Association / New York State Bar Association / NBC Sports / Northwestern University / Partners + Napier / Pitmaster Collective / Popular Science / Praxis / Precision Process Equipment / Puma / Random House Publishing / Readers Digest / Red House Communications / Rich Products / Richmond Vona / Rochester Regional Health / Schneider Electric / Seneca Nation Of Indians / Southwest Airlines Magazine / Sports Illustrated / Spinneybeck / Steadfast Foundation / TCO London / The Times (UK) / Thomson Reuters / Time Inc / Tommyrotter Distillery / TPS Cookshop / Truth Collective / United States Chess Federation / University Of Miami Medicine / University of Phoenix / Vetpharm / Visit Buffalo Niagara / Visit Erie / Walmart / Waterboys / Weldon Owen Publishing / Wells Fargo Bank / Wilmington Trust / Zeiss









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PRESS + HONORS


I was featured in Wonderful Machines' Best of 2025 - a worldwide poll of producers, photo editors, and creative directors about the Wonderful Machine Photographers they find most interesting and inspirational. Read the whole story here.


American Photography's ProPhoto Daily interviewed me about my ongoing project Shrouds, and how it is connected to the unseen and haunted past of Buffalo, NY. Read the article here.


Bold Journey interviewed me about my life in photography and the lessons and legacy I envision leaving behind. Read the whole interview here.


Wonderful Machine has shared in-depth interview with me about the origins and creative process behind my project, Shrouds. We go in-depth into the influences behind it, how the history of Western NY shaped it, and the rules and limitations I set for myself on this project. Read the whole interview here.


PhotoPolitic just featured an in-depth look at my Fly Fishing In The Zoar Valley project — Read more here.


I was interviewed about my thoughts on American Food culture and regional specialties by the World Food Photography Awards. Read more here.


My recent work with Chef Jeremy VanAntwerp was featured by aphotoeditor.com in their ongoing \"Art of the Personal Project\" series. Read more here.


Digital Camera Magazine featured my portrait of Tom Moriarty in a roundup of the winning images from the World Food Photography Awards. See all the images here.


I was interviewed on Channel 4 News about my recent World Food Photography Awards win in London. Watch the interview here.


My portrait of whole animal butcher Tom Moriarty won the James Beard Foundation Photography Prize in the Wolrd Food Photography Awards. Additionally, my portrait of BBQ Ryan Fernandez was named a finalist in the competition. Read more here.


The Times has featured all of the winning images from the 2025 World Food Photography Awards, including my winning portrait of butcher Tom Moriarty. Read more here.


PetaPixel featured a rundown of all the winning images from the World Food Photography Awards, including my image that won the James Beard Foundation Photography Prize.. See more here.


Amateur Photographer featured a brief interview with me about my winning image from the World Food Photography Awards - read it here.


Aol.com featured my winning image from the World Food Photography Awards. See it here.



One of my images from Japan was chosen for American Photogrpahy 41 (Read more here)



Three of my images were shortlisted for a James Beard Foundation Photography Award in the World Food Photography awards - Read more here.



PhotoPolitic just published an in-depth look at the work I did on the new Visit Buffalo Niagara dining guide for 2025 — Read more here.



Two images from my travels in Tokyo, Japan, are featured in the exhibition Food + Drink + All the Accoutrements - which will be running at the South X Southeast Gallery through April. Prints are available. Read more here.



Found Artists pusblished a featured look at my work with celebrity chef Darian Byran - read more.



PhotoPolitic shared a new personal project of mine titled Microcosm/Megalopolis that explores feelings of isolation in the world's biggest city. (Read more here)



One of my clients, Redfin Realty, recently did a feature on my hometown of Buffalo, NY, and asked me and 17 other locals to share our thoughts on what to do in this wonderful small city. Of course, my suggestion involves a visit to a cemetery. (Read more here)


Found Artists just featured a lovely write up on my personal project, Delicious Disasters - check it out here.




PhotoPolitic examined the multiple projects I have done centered around award-winning chef Ryan Fernandez of Southern Junction BBQ (Read more here)



Canvas Rebel interviewed me about photographers needing to be more than their craft, building a tight knit production team, and unlearning lessons that have turned toxic. (Read more here)



PhotoPolitic took a deep look at the origins of my Delicious Disasters project and what it meant to me at the time I created it. (Read more here)



Three images featured in Wonderful Machine's Creative In Place: The Sweet Science. A portrait of Comedian Allie Brady was also featured in Creative In Place: I Scream, You Scream. (Read more here)



My work was featured in the Rich Products: Baked In Business book, by White Bicycle, which won Gold/Best In Show at the 2023 AAF Buffalo Addy Awards. (Read more here)



Delicious Disasters, a personal project by Buffalo NY photographer Luke Copping, was named a winner in the prestigious American Photography 38 juried competition. (Read more here)



Work featured in Creative In Place: Holy Smokes, from a collaboration with Ardbeg Whisky and James Bear Best New Chef Finalist Ryan Fernandez of Southern Junction BBQ (Read more here)



Through Timeworn Eyes featured on aphotoeditor.com in Susan Sease's weekly \"Art Of the Personal Project\" column. (Read more here)



CAL-MUM Nutrition Poster Campaign Wins Silver in the 2022 Buffalo AAF Addy Awards alongside Crowley Webb. (Read more here)



Portrait Of Katie Krawczyk named a finalist in the 2022 One Eyeland Photography Awards (Read more here)



Delicious Disasters featured by Wonderful Machine in an article that examines how a personal project became a multiple award-winning body of work. (Read more here)



Luke Copping invited to join the Pink Lady Food Photographer of the Year award judging committee for the 2nd year. (Read more here)



Delicious Disasters wins three Bronze awards, and a portrait of Michael Mararian of Polyester Bakes was named a finalist in the 2021 One Eyeland Photography Awards (Read more here)



Featured guest on the Sony Alpha Photographers podcast hosted by Tony Gale (Read more here)



Portrait of David Brugh was named a finalist in the 2020 One Eyeland Photography Competition. (Read more here)



Collaborated with The Martin Group to create the 2019 Buffalo AAF ADDY's event program and marketing. (Read more here)



Two of my images were included in the 2019 American Society Of Media Photographers Best Of Competition (Read more here)



Luke Copping was invited to serve on the judge's committee of the 2019 Pink Lady Food Photographer Of The Year awards alongside photographic and culinary luminaries like David Loftus and Alice Waters. (Read more here)



Portrait of Tom Moriarty of Moriarty Meats was named a finalist in the 2019 One Eyeland Photography Awards. (Read more here)



Interviewed by former National Geographic Photography Director Tom Kennedy for ASMP's \"Experts and Masters\" podcast. (Read more here)



M&T Bank Client Success Story campaign with Crowley Webb launches with Super Bowl debut. (Read more here)



Four images were named finalists in the 2018 One Eyeland Photography Awards. (Read more here)



Honored to be selected to induct the legendary Jerry Uelsman into the International Photography Hall of Fame. (Read more here)



Featured on Rob Haggart's \"The Daily Promo\" column on aphotoeditor.com. (Read more here)



Two images were named finalists in the 2017 One Eyeland Photography Awards. (Read more here)



Feature on the Eastern Brocolli Project in EatingWell Magazine named a merit winner in SPD 52. (Read more here)



Shutterbug issue featuring cover story on \"Looking for Home\" named a finalist for best issue in the 2015 Folio Eddie awards.



Named an honoree in the 2015 American Society Of Media Photographers Best Of Competition for \"Looking For Home\" (Read more here)



Two images were named finalists in the 2015 One Eyeland Photography Competition. (read more here)



Invited to contribute a guest blog on Scottkelby.com about \"Looking For Home,\" creating portraits of adoptable and rescue animals, and best practices for donating your time to non-profits. (Read more here)



\"Looking For Home\" featured on the cover of Shutterbug Magazine, alongside an interview about the personal rewards of working with non-profits you believe in. (Read more here)



Featured in Rob Haggart's 2015 Promos Of The Year annual feature on aphotoeditor.com. (Read more here)



Luke Copping Wins 2015 NAMPA Best Cover Photo alongside Forever Young Magazine. (Read more here)



Featured in \"Success or Die Trying\" on aphotoeditor.com, an article focused on how to combat negativity and scapegoating in the photography industry (Read more here)



Named an honoree in the 2011 American Society Of Media Photographers Best Of Competition for \"Pigment\" (Read more here)














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WORK FEATURED IN WONDERFUL MACHINE'S CREATIVE IN PLACE



The awesome team at Wonderful Machine has recently featured a ton of my work in their monthly topical collections of images. One of their most recent roundups, Creative In Place: The Sweet Science featured three of my images of boxers ranging from my portraits of students at the Bomb Squad Boxing Club in Buffalo, to training images of boxers in Cuba.




Another of their roundups, Creative In Place: I Scream, You Scream, featured my portrait of comedian Allie Brady and her sadly lost ice cream cone.



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THROUGH TIMEWORN EYES FEATURED ON APHOTOEDITOR.COM



My personal project, Through Timeworn Eyes, was featured on aphotoeduitor.com in Susann Sease's weekly column The Art Of The Personal Project. Here's a snippet


After my family left Canada and moved to the United States, we settled in Youngstown, NY, just down the street from Historic Old Fort Niagara — the oldest continuously occupied military site in North America. Many of my early memories of living in the US involve the historical reenactors that I would regularly see at The Fort, in the surrounding park, and in the small central area of town. Especially during the large encampment weekends when reenactors would travel from near and far to descend on the fort and town in period-accurate clothing. It wasn’t unusual to see groups of soldiers stepping into a grocery store, muskets over their shoulders....


See the full article here






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2019 ONE EYELAND AWARDS



My portrait of Tom Moriarty of Moriarty Meats was just named a finalist in the 2019 One Eyeland Photography Awards. So excited to once again be included in the incredible collection of work that this contest curates every year.



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CREATIVE IN PLACE: HOLY SMOKE!



Wonderful Machine included one of the images from my collaboration with Ardbeg Whiskey and James Beard Best New Chef Finalist Ryan Fernandez of Southern Junction BBQ in their recent roundup of the best BBQ culture images. Love the team of Wonderful Machine for sharing this today! See the rest of the collection here.






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DELICIOUS DISASTERS FEATURED BY WONDERFUL MACHINE



The team at Wonderful Machine sat down with me for a a brief Q+A about my recent personal project, Delicious Disasters, which explores peoples relationships with food, cleanliness, and enjoyment. This project has won multiple awards, not bad for a small project I started to keep sane during covid.


You can see the interview here


You can view the entire image collection here.




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INTERVIEW ON THE SONY ALPHA PHOTOGRAPHERS PODCAST



I was a featured guest on the Sony Alpha Photographers podcast with Tony Gale. We talked about my approach to photography, creativity vs. technique, what's in my gear bag, and a much more. You can check out the full episode here.




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THE DAILY PROMO



My recent promo was featured on Rob Haggart's The Daily Promo, a roundup of the best photography promos and marketing in the industry.

You can see the whole post here.




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THE 2017 ONE EYELAND AWARDS



Two of my images were honored in the 2017 One Eyeland Photogrpahy Awards this year. The first was my portrait of illustrator Mickey Harmon, above. The other was an advertising portrait for menswear brand Bureau. You can see all the winning images here.



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INTERVIEW IN SHUTTERBUG MAGAZINE



I was recently featured in a cover story in Shutterbug Magazine about my project Looking For Home, and my opinions on when and how to partner with non=profits and charitable organizations in a healthy and helpful way. You can read the whole story here.







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TIM STEVENS

It was a new experience for me to use a glass of whiskey as a lighting gel, but it was fitting for a portrait of Tim Stevens. He is the owner of several popular bars in Buffalo, NY, including Lucky Day Whiskey Bar, Ballyhoo, and Graylynn, as well as a mobile bar and cocktail catering service called Dram Box.


Tim previously worked as the head bartender at Prohibition in San Diego but returned to Buffalo to open his first bar, Ballyhoo. The bar quickly gained recognition for its accessible cocktail menu, lack of pretension, and delicious food. Over the years, Tim opened two more bars, Lucky Day and Graylynn, each with its own unique atmosphere and focus on whiskey or gin.


All three of Tim's bars have excellent service and drinks, but they are distinct from one another. They have become institutions in Buffalo and are highly regarded by locals and visitors alike.


I first heard about Tim from Aaron Ingrao, a fellow photographer who is working on a project called Keepers of the Craft. The project documents the history of the American Craft Cocktail movement, and Tim's name frequently comes up in Aaron's discussions with great admiration.



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DISENTANGLEMENT


Sometimes, the most life-changing journeys aren't grand escapes to exotic destinations but deliberate steps away from the familiar. This trip to Northern Vietnam wasn't just about ticking places off a bucket list; it was a much-needed act of mental and emotional disentanglement. Caught up in the daily grind, my photography felt stagnant, and the world seemed to be blurring by in a fast-forward. With its vibrant chaos and breathtaking landscapes, Vietnam promised a chance to rediscover the joy of capturing a moment, to slow down and truly see. And that's precisely what it delivered.



Hanoi was the first stop on a whirlwind adventure through northern Vietnam. Stepping off the plane from Toronto (with a quick stop in Taipei), the heat and humidity slapped me like a wet towel. Water became my new best friend, a lesson I should've learned before nearly melting in that first hour!



But after some severe rehydration and a good dose of \"get lost and explore\" therapy (camera in hand, of course!), Hanoi's magic started to unfold. The Old Quarter was a photographer's paradise. Bustling vendors spilled out from storefronts, curbside stalls overflowing with goods, and the intoxicating aroma of sizzling street food filled the air. Giant trees offered slivers of shade in the narrow alleyways, a welcome respite for locals and curious tourists like myself.



Visiting the Temple of Literature, a serene Confucian temple and university, provided a historical counterpoint to the city's vibrant energy. Then came Train Street, a sight that defied logic. Imagine a train barreling down a narrow residential street, mere inches from buildings and pedestrians! It was both thrilling and terrifying, and later that night, I experienced it from a different perspective - as a passenger on an overnight train to Lao Cai.



Now, sleeper trains and tall people are not exactly best friends. I spent most of the night contorted into various positions to avoid becoming one with the ceiling. The view from the window was worth it! Watching the sun rise over foggy fields and tiny villages was a sight I won't soon forget.



The monochromatic landscape continued, broken only by bursts of color from roadside cafes and towns. Finally, we reached Lao Cai, where I fueled up on a steaming bowl of pho (my first of many!). A visit to the Den Mau Temple, with its stunning views, rounded out the day before heading to Bac Ha for the night.

Bac Ha had a surprise waiting for me... a tragic one for my camera. A tumble down a rocky path left it a broken mess. Thankfully, a fellow traveler came to the rescue with a loaner camera and a single lens. What initially felt like a disaster turned into a creative blessing in disguise. Limitations forced me to improvise and experiment, leading to some truly unique photos in the coming days.



Bac Ha also introduced me to the wonders of local markets. Can Cau Market be a sensory overload in the best way possible? Stalls overflowing with dried chiles, fermented sauces, exotic fruits, and bubbling cauldrons of goodness made it a photographer's dream and a foodie's paradise. Here, tragedy almost struck again—a particularly ornery animal almost sent me scrambling for higher ground!



The next day, they brought the Bac Ha market, a seemingly endless labyrinth of stalls overflowing with everything imaginable. We started with fresh produce and early morning haircuts, then navigated a sea of humanity at the bustling livestock market. Water buffalo jostled for space while vendors haggled and buyers inspected the animals. It was exhilarating and slightly terrifying (especially when I needed a quick escape route from an ornery beast!).

After a much-needed pho break, we explored the market's final frontier - the fish and meat section. Here, the art of the deal played out in full force, with locals bartering for everything from live fish to exotic cuts of meat.



This, however, was just the beginning of my Vietnamese adventure!

Leaving Bac Ha, I ventured to the Topas Valley, which etched itself into my memory as one of the most stunning landscapes I've ever witnessed. Imagine a mountaintop eco-lodge with a panoramic view of the valley stretching out before you. During my stay, the scene was punctuated by wispy spirals of smoke rising from large fires dotting the valley floor. Farmers were burning the rice husks after the harvest, giving much of the valley an otherworldly haze for the first few days I explored it.



Bidding farewell to the majestic peaks of Topas Valley, I descended into the lowlands and arrived at Panhou Village. The rain had transformed the landscape here, creating a lush, almost dreamlike atmosphere. The single lens on my loaner camera proved surprisingly adept at capturing the glistening leaves and the vibrant colors of the flowers bursting from overflowing gardens.

I wandered through the village and the surrounding countryside, soaking up the sights and sounds of this unique place. The locals, ever hospitable, welcomed me with open arms and shared their stories and customs. Here, the focus wasn't on grand vistas but on the intricate details of daily life—women dying, fabric with indigo, children playing games passed down through generations, and families gathering around meals.



The next leg of my journey took me back into the mountains, this time to Meo Vac. Here, the scorching heat of the lowlands was replaced by a crisp, refreshing chill – a welcome change for this traveler. Meo Vac boasted a truly fascinating indoor market, a sensory experience unlike any other. The air hung thick with the smoke from vendors cooking over open fires, mingling with the sounds of hammering and sawing from workshops tucked away within the market building. It was a chaotic yet strangely captivating scene, a testament to the vibrant culture of this mountain city.



Before returning to Hanoi, I made a final stop at Ba Be National Park, a place of tranquil beauty amidst the mountains. The lake's serene waters reflected the valley, creating a picture-perfect postcard scene. 



The images I created on this trip were a far cry from the polished, staged photos I had been churning out before. But in their imperfections, I found a newfound authenticity, a reflection of the journey that had transformed my photography and my way of seeing the world. This was a turning point for me. 



Returning to Hanoi, the bustling city felt different. Gone was the initial overwhelming rush; instead, I saw a vibrant tapestry woven from the everyday lives of its people. The street vendors, once a blur of faces, now held stories I longed to capture. The honking symphony, previously an assault on the senses, became a rhythmic soundtrack to the city's energy.



With a newfound appreciation for the beauty in the details, I roamed the familiar streets, camera in hand. This time, I wasn't just documenting a place but connecting with the people and the city's pulse.



This trip to Northern Vietnam was more than just a sightseeing adventure; it was a chance to rediscover myself and my passion for photography. It taught me the importance of slowing down, observing the world with fresh eyes, and finding beauty in the unexpected. 







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DELICIOUS DISASTERS FEATURED BY PHOTOPOLITIC



PhotoPolitic gave me a chance to take a deep dive into the origins of my multi-award winning Delicious Disasters project, how it came to be, and what it meant to me at the time I created it as a way to beat my lockdown boredom. Read the whole story at PhotoPolitic.


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CANVAS REBEL INTERVIEW


Canvas Rebel interviewed me about my thoughts on photographers needing to be more than just their craft, building a tight knit production team, why assistants need to be paid fairly, and how to unlearn lessons in the industry that no longer serve you in a positive way. You can read the whole interview at Canvas Rebel



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SOUTHERN JUNCTION FEATURED BY PHOTOPOLITIC




PhotoPolitic took a look at the multiple commercial and editorial projects I have worked on that featured James Bear Award nominated chef Ryan Fernandez of Southern Junction BBQ in Buffalo NY. We talked about the importance of showing different facets of a subject for different types of clients, building a rapport, and the love that I've developed for Ryan's pioneering Indian / Texas fusion BBQ. Read the whole story on PhotoPolitic.



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2024 PRINT PORTFOLIO

My new print portfolio is here! This new book has been making the rounds of some of my favorite agencies and brands over the past few weeks. Email me at luke@lukecopping.com to arrange a showing for your creative team in person or via Zoom.

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RICH'S: BAKED IN


\"Rich's

I finally got my hands on a copy of Rich's: Baked In. This new book examines the company's 75+-year history and current corporate culture. I photographed several members of the company's senior and global leadership that are featured prominently in the book, which won best in show in the Buffalo AAF Addy awards.


Big thanks to my friends at White Bicycle for the hook-up with the physical copy.


\"Rich's

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MICROCOSM / MEGALOPOLIS FEATURED BY PHOTOPOLITIC



PhotoPolitic just featured a look at my new personal project, Microcosm / Megalopolis. This collection of work explores feelings of isolation in the world's largest urban area - the Toyko/Yokohama Metroplex. Read the whole story on PhotoPolitic.



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MICROCOSM / MEGALOPOLIS - ALONE IN THE WORLD'S BIGGEST CITY


\"Woman


\"Microcosm/Megalopolis\" explores the striking contrast between vast super-cities, specifically the Tokyo/Yokohama area, and the small, personal moments that happen within them. These cities are often compared to massive living beings—millions of people, each impacting the city's rhythm and energy - just like cells in a body. Yet, even in such a crowded metropolis, it’s easy to feel lonely and overlooked, especially for someone visiting for the first time.


\"ManThis project aims to capture the city's little moments of everyday life. By highlighting the small details of how people act and the quiet beauty of urban spaces, I want to show how people are connected to and separate from the bustling city around them.


\"Blurry


Each picture in this series reflects that people are part of a larger story, even when lost in their own experiences. A city's vastness can often create a sense of isolation, particularly in a crowd. This project is about that feeling of being anonymous and finding beauty in the unique journeys of individuals, even in one of the largest urban areas in the world.


\"Young


I was dealing with some injuries during this adventure. Just two weeks before going to Tokyo, I broke two ribs in a cycling accident and sprained both wrists. I was worried that I might have to cancel my trip, but thanks to two weeks of rest and recovery, I was able to travel with minimal pain. However, the accident made me reconsider how I would take photos while traveling, so I opted to use a single lightweight camera and a small point-and-shoot camera most days to keep my bags light - especially since I would be on foot all day .


\"Restaurant


I spent a couple of weeks exploring Tokyo and the nearby city of Yokohama to experience this urban giant fully — and I still feel like I barely scratched the surface. I stayed in Nihonbashi, a historic area known for its mix of traditional shops and modern skyscrapers. It’s a fascinating blend of the old and the new, giving visitors a peek into Japan’s rich history while showcasing its contemporary culture. I also took a short trip to Kamakura/Enoshima to relax in a quieter part of the coast.


\"WomanEvery day, I wandered from curry shop to curry shop (I’m obsessed with Japanese curry like some people are with famous ramen shops). The fantastic public transportation made exploring many parts of the city easy, including areas not often visited by tourists. I also relied heavily on Tokyo's convenience stores—it's true, the food at 7-Eleven in Tokyo is as good as travel shows claim!


\"Hiding


My journey through Tokyo and Yokohama reflected the balance between being an individual and embracing the city’s collective life. Despite the overwhelming size and feelings of isolation often found in urban settings, I discovered a shared humanity in every scene I observed.


See the rest of the project here.


\"Shadowy









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"],"overrides":{},"dateAdded":"2024-11-12T18:19:24.563Z","linkTarget":"","filters":[]},"13502":{"id":13502,"label":"refugee-womens-workshop-portraits0627_2168","caption":"","type":"image","content":"refugee-womens-workshop-portraits0627_2168.jpg","size":{"content":{"width":1275,"height":1700},"thumb":{"width":0,"height":0},"bytes":398388,"featuredImage":{"width":0,"height":0}},"dateAdded":"2024-11-12T18:19:25.556Z","keywords":["xmp.did:e595b81f-44b7-420d-80e0-287cf342f8c0"],"linkTarget":"","filters":[],"overrides":{}},"13503":{"id":13503,"label":"refugee-womens-workshop-portraits0627_2182","caption":"","type":"image","content":"refugee-womens-workshop-portraits0627_2182.jpg","size":{"content":{"width":1275,"height":1700},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":351136},"linkTarget":"","overrides":{},"keywords":["xmp.did:3886112e-00fd-45ad-a3d3-777d8406d556"],"dateAdded":"2024-11-12T18:19:26.559Z","filters":[]},"13504":{"id":13504,"label":"refugee-womens-workshop-portraits0627_2213","caption":"","type":"image","content":"refugee-womens-workshop-portraits0627_2213.jpg","size":{"content":{"width":1275,"height":1700},"thumb":{"width":0,"height":0},"bytes":369256,"featuredImage":{"width":0,"height":0}},"overrides":{},"keywords":[],"filters":[],"linkTarget":"","dateAdded":"2024-11-12T18:19:27.648Z"},"13505":{"id":13505,"label":"refugee-womens-workshop-portraits0627_3254","caption":"","type":"image","content":"refugee-womens-workshop-portraits0627_3254.jpg","size":{"content":{"width":1275,"height":1700},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":382602},"overrides":{},"linkTarget":"","filters":[],"keywords":["xmp.did:e595b81f-44b7-420d-80e0-287cf342f8c0"],"dateAdded":"2024-11-12T18:19:29.034Z"},"13506":{"id":13506,"label":"refugee-womens-workshop-portraits0627_4319","caption":"","type":"image","content":"refugee-womens-workshop-portraits0627_4319.jpg","size":{"content":{"width":1275,"height":1700},"thumb":{"width":0,"height":0},"bytes":368116,"featuredImage":{"width":0,"height":0}},"linkTarget":"","dateAdded":"2024-11-12T18:19:30.033Z","filters":[],"overrides":{},"keywords":[]},"13507":{"id":13507,"label":"refugee-womens-workshop-portraits0627_5351","caption":"","type":"image","content":"refugee-womens-workshop-portraits0627_5351.jpg","size":{"content":{"width":1275,"height":1700},"thumb":{"width":0,"height":0},"bytes":366569,"featuredImage":{"width":0,"height":0}},"dateAdded":"2024-11-12T18:19:31.832Z","linkTarget":"","keywords":[],"overrides":{},"filters":[]},"13508":{"id":13508,"label":"refugee-womens-workshop-portraits0627_6426","caption":"","type":"image","content":"refugee-womens-workshop-portraits0627_6426.jpg","size":{"content":{"width":1275,"height":1700},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":378694},"keywords":[],"dateAdded":"2024-11-12T18:19:32.764Z","linkTarget":"","filters":[],"overrides":{}},"13509":{"id":13509,"label":"refugee-womens-workshop-portraits0627_8551","caption":"","type":"image","content":"refugee-womens-workshop-portraits0627_8551.jpg","size":{"content":{"width":1275,"height":1700},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":345334},"filters":[],"linkTarget":"","overrides":{},"dateAdded":"2024-11-12T18:19:33.697Z","keywords":["xmp.did:3886112e-00fd-45ad-a3d3-777d8406d556"]},"13510":{"id":13510,"label":"refugee-womens-workshop-portraits0627_9594","caption":"","type":"image","content":"refugee-womens-workshop-portraits0627_9594.jpg","size":{"content":{"width":1275,"height":1700},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":299744},"dateAdded":"2024-11-12T18:19:34.630Z","filters":[],"linkTarget":"","keywords":[],"overrides":{}},"13511":{"id":13511,"label":"delicious disasters featured on found artists","caption":"","type":"html","content":"

Delicious Disasters Featured On Found Artists



My personal project, Delicious Disasters, just got a lovely write up on Found Artists, You can read the whole story here.



","thumb":"WF20210817__0136thumb.jpg","size":{"content":{"width":0,"height":0},"thumb":{"width":1600,"height":1600},"pageImages":[{"src":"man-making-mess-with-blueberries.jpg","width":1700,"height":1700}],"bytes":0,"featuredImage":{"width":0,"height":0}},"key":"13511","overrides":{},"dateAdded":"2024-11-15T14:31:38.869Z","linkTarget":"","filters":[]},"13512":{"id":13512,"label":"found","caption":"","type":"image","content":"found.png","size":{"content":{"width":204,"height":192},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":434},"linkTarget":"","keywords":[],"dateAdded":"2024-11-15T14:43:03.741Z","overrides":{},"filters":["press logos"]},"13513":{"id":13513,"label":"Hamilton College","caption":"The cover of Hamilton College magazine featuring a portrait of Steven Tepper by Buffalo NY photographer Luke Copping ","type":"image","content":"hamilton-steven-tepper-cover.jpg","size":{"content":{"width":1340,"height":1700},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":383801},"linkTarget":"","keywords":[],"postDate":"2025-08-27T13:00:42.258Z","key":"13513","overrides":{},"dateAdded":"2024-12-04T18:49:48.963Z","filters":[]},"13514":{"id":13514,"label":"Hamilton College","caption":"Steven Tepper leaving against an ivy-covered column on the Hamilton College campus","type":"image","content":"steven-tepper-leaning-on-ivy-covered-column.jpg","size":{"content":{"width":2550,"height":1700},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":404384},"dateAdded":"2024-12-04T18:50:29.688Z","postDate":"2025-08-27T13:00:42.258Z","linkTarget":"","filters":[],"overrides":{},"keywords":["Stephani LI NYC","maine"],"key":"13514"},"13515":{"id":13515,"label":"Hamilton College","caption":"Hamilton Hamilton College President Steven Tepper is standing underneath an art installation. ","type":"image","content":"man-standing-below-art-installation.jpg","size":{"content":{"width":2550,"height":1700},"thumb":{"width":0,"height":0},"bytes":306900,"featuredImage":{"width":0,"height":0}},"keywords":[],"dateAdded":"2024-12-04T19:19:50.391Z","key":"13515","postDate":"2025-08-27T13:00:42.258Z","linkTarget":"","filters":[],"overrides":{}},"13516":{"id":13516,"label":"Hamilton College","caption":"Portrait of Steven Tepper reflected in several panes of blue glass. ","type":"image","content":"person-reflected-in-colored-glass.jpg","size":{"content":{"width":2550,"height":1700},"thumb":{"width":0,"height":0},"bytes":395550,"featuredImage":{"width":0,"height":0}},"key":"13516","postDate":"2025-08-27T13:00:42.258Z","keywords":[],"dateAdded":"2024-12-04T19:19:51.871Z","filters":[],"overrides":{},"linkTarget":""},"13517":{"id":13517,"label":"University Of Miami Medicine","caption":"Ricky Palermo photographed in his wheelchair for the university of Miami medical school ","type":"image","content":"paralyzed-man-in-advanced-wheel-chair.jpg","size":{"content":{"width":2550,"height":1700},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":383424},"linkTarget":"","key":"13517","dateAdded":"2024-12-04T19:28:02.070Z","overrides":{},"keywords":[],"filters":[]},"13518":{"id":13518,"label":"Hamilton College","caption":"","type":"html","content":"

Hamilton College


\"Hamilton


For my latest assignment, my crew and I traveled to central New York to photograph Steven Tepper, the incoming president of Hamilton College, as the prestigious liberal arts institution prepared for his inauguration as its 21st leader.


With the campus relatively quiet, as classes had yet to begin, we had a unique opportunity to explore it extensively. We spent the first day on-site location scouting and exploring campus buildings and the serene nature paths and walking trails that crisscross the grounds. These locations were chosen to reflect the diverse aspects of Hamilton College and to provide a comprehensive visual narrative of the institution. This preparation allowed us to develop an efficient production plan, which would start at sunrise the next morning to capture Steven in some of the nature-themed locations we identified.


\"Opening


Before joining Hamilton College, Tepper served as the Dean and Director of the Herberger Institute for Design and the Arts at Arizona State University. His extensive experience in higher education and innovative approach to arts and design education made him a highly sought-after leader for Hamilton.


The images we captured will be used for various purposes to celebrate Tepper’s installation as the school’s new president. They will appear on the cover of the alumni magazine, serve as Steven's official presidential portrait, and be included in several print and web collateral applications as well as press releases.in a variety of applications to celebrate the installation of Tepper as the school's new director - from the cover of the alum magazine, serving as Steven's official presidential portrait, and being used in several print/web collateral applications and press releases.


\"Interior

\"Steven

\"Steven

\"Steven\"Steven

\"Front









","thumb":"hamilton-steven-tepper-cover-thumb.jpg","size":{"content":{"width":0,"height":0},"thumb":{"width":1340,"height":1700},"featuredImage":{"width":0,"height":0},"pageImages":[{"src":"hamilton-steven-tepper-cover.jpg","width":1340,"height":1700},{"src":"Hamilton-Fall24-STepper-1.jpg","width":2663,"height":1700},{"src":"Hamilton-Fall24-STepper-4.jpg","width":1330,"height":1700},{"src":"steven-tepper-portrait.jpg","width":2550,"height":1700},{"src":"HC20280826_0266.jpg","width":1133,"height":1700},{"src":"man-standing-below-art-installation.jpg","width":2550,"height":1700},{"src":"person-reflected-in-colored-glass.jpg","width":2550,"height":1700},{"src":"Hamilton-Fall24-Cover-Duo.jpg","width":2680,"height":1700}],"bytes":0},"linkTarget":"","dateAdded":"2024-12-04T19:35:08.660Z","filters":[],"key":"13518","overrides":{}},"13519":{"id":13519,"label":"Hamilton-Fall24-Cover-Duo","caption":"","type":"image","content":"Hamilton-Fall24-Cover-Duo.jpg","size":{"content":{"width":2680,"height":1700},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":331227},"linkTarget":"","dateAdded":"2024-12-04T19:49:42.359Z","keywords":[],"filters":[],"overrides":{}},"13520":{"id":13520,"label":"Hamilton-Fall24-STepper-1","caption":"","type":"image","content":"Hamilton-Fall24-STepper-1.jpg","size":{"content":{"width":2663,"height":1700},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":387092},"dateAdded":"2024-12-04T19:49:53.825Z","linkTarget":"","keywords":[],"overrides":{},"filters":[]},"13521":{"id":13521,"label":"Hamilton-Fall24-STepper-4","caption":"","type":"image","content":"Hamilton-Fall24-STepper-4.jpg","size":{"content":{"width":1330,"height":1700},"thumb":{"width":0,"height":0},"bytes":407341,"featuredImage":{"width":0,"height":0}},"keywords":[],"linkTarget":"","dateAdded":"2024-12-04T19:50:19.036Z","filters":[],"overrides":{}},"13522":{"id":13522,"label":"HC20280826_0266","caption":"","type":"image","content":"HC20280826_0266.jpg","size":{"content":{"width":1133,"height":1700},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":382092},"dateAdded":"2024-12-04T19:51:22.951Z","filters":[],"linkTarget":"","keywords":[],"overrides":{}},"13523":{"id":13523,"label":"steven-tepper-portrait","caption":"","type":"image","content":"steven-tepper-portrait.jpg","size":{"content":{"width":2550,"height":1700},"thumb":{"width":0,"height":0},"bytes":323539,"featuredImage":{"width":0,"height":0}},"overrides":{},"keywords":[],"linkTarget":"","dateAdded":"2024-12-04T19:58:05.738Z","filters":[]},"13524":{"id":13524,"label":"CAL-MUM – Eat Healthy","caption":"A young girl drinking from a grenade as if it were a juicebox ","type":"image","content":"calmum-eat-healthy-posters-1.jpg","size":{"content":{"width":1190,"height":1700},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":377654},"keywords":[],"key":"13524","dateAdded":"2024-12-05T14:34:28.134Z","filters":[],"overrides":{},"postDate":"2025-08-27T13:02:19.193Z","linkTarget":""},"13525":{"id":13525,"label":"CAL-MUM – Eat Healthy","caption":"A young boy eating a stick of dynamite as if it were a hotdog","type":"image","content":"calmum-eat-healthy-posters-2.jpg","size":{"content":{"width":1190,"height":1700},"thumb":{"width":0,"height":0},"bytes":395121,"featuredImage":{"width":0,"height":0}},"linkTarget":"","filters":[],"postDate":"2025-08-27T13:02:19.193Z","dateAdded":"2024-12-05T14:34:29.093Z","overrides":{},"keywords":[],"key":"13525"},"13526":{"id":13526,"label":"CAL-MUM – Eat Healthy","caption":"A young girl eating a cup of frozen yogurt covered in nails and pins as if they were sprinkles","type":"image","content":"calmum-eat-healthy-posters-3.jpg","size":{"content":{"width":1190,"height":1700},"thumb":{"width":0,"height":0},"bytes":335521,"featuredImage":{"width":0,"height":0}},"key":"13526","filters":[],"overrides":{},"linkTarget":"","postDate":"2025-08-27T13:02:19.193Z","dateAdded":"2024-12-05T14:34:29.952Z","keywords":[]},"13527":{"id":13527,"label":"CAL-MUM — Eat Healthy","caption":"","type":"html","content":"

CAL-MUM — Eat Healthy


\"Poster

They say a picture is worth a thousand words, but the images in this campaign scream a thousand warnings. I collaborated with the brilliant minds at Crowley Webb to translate the silent, insidious threat of unhealthy kids' food into a visual language that couldn't be ignored.


We didn't just create posters; we crafted a visual indictment. We transformed beloved childhood treats—the hot dog, frozen yogurt, the juice box—into symbols of potential harm: a stick of dynamite, a sprinkling of nails and razor blades, a grenade. These weren't just objects but a stark, unsettling metaphor for the hidden dangers lurking within these seemingly innocent snacks.


We knew the power of shock. We knew the impact of a bold, unexpected image. But we also knew that this wasn't about sensationalism. It was about education, awareness, and, ultimately, the health and well-being of kids. By stripping away the colorful packaging and the cheerful mascots, we exposed the harsh reality: many of these foods are loaded with sugar, artificial additives, and other harmful ingredients.


This project wasn't just about winning awards (though the Silver Addy was a sweet victory). It was about making a difference — sparking conversations, igniting change, and encouraging parents to become more informed consumers.


A special shoutout to the team at Pro-Creations for their incredible prop work and to Jordan Hartley for his masterful retouching.



\"A




","thumb":"calmum-eat-healthy-posters-3thumb.jpg","size":{"content":{"width":0,"height":0},"thumb":{"width":1190,"height":1700},"bytes":0,"featuredImage":{"width":0,"height":0},"pageImages":[{"src":"calmum-eat-healthy-posters-3.jpg","width":1190,"height":1700},{"src":"calmum-eat-healthy-posters-23.jpg","width":2380,"height":1700}]},"dateAdded":"2024-12-05T14:40:10.434Z","linkTarget":"","overrides":{},"filters":[],"key":"13527"},"13528":{"id":13528,"label":"calmum-eat-healthy-posters-23","caption":"","type":"image","content":"calmum-eat-healthy-posters-23.jpg","size":{"content":{"width":2380,"height":1700},"thumb":{"width":0,"height":0},"bytes":364901,"featuredImage":{"width":0,"height":0}},"filters":[],"keywords":[],"overrides":{},"dateAdded":"2024-12-05T14:44:06.115Z","linkTarget":""},"13529":{"id":13529,"label":"Univeristy Of Miami Medicine","caption":"","type":"html","content":"

University Of Miami Medicine


\"Portrait


This summer, I embarked on a short journey to Batavia, New York, to create portraits of Ricky Palermo. At the age of 21, a spinal cord injury left Ricky paralyzed, but his spirit remained unbroken. This photoshoot provided a brief glimpse into the life of a man who has defied the odds.


I photographed Ricky in and around his home, where his family — a pillar of strength for him — was preparing for the upcoming annual Ricky Palermo Foundation Charity Golf Tournament. However, the most endearing images of him were taken on the street in front of his house.


Ricky's journey with the University of Miami (UM) began in 1986, just a few years after his injury. Recognizing his potential to contribute to their research, UM invited him to participate in an early study. This groundbreaking research led to the development of functional electrical stimulation (FES) bicycles. This technology uses electrical currents to stimulate muscles, allowing them to contract and produce movement. Ricky's association with the Miami Project to Cure Paralysis has been transformative, contributing to pioneering research that is reshaping lives—FES bikes are now widely used in rehabilitation centers worldwide.


The Miami Project has become more than just a research institution to Ricky; it is a family. The project and Ricky's dedication to finding a cure for spinal injuries have inspired many, fueling their determination to keep fighting.


\"Tear




","thumb":"KW20240620_0047thumb.jpg","size":{"content":{"width":0,"height":0},"thumb":{"width":2550,"height":1700},"pageImages":[{"src":"paralyzed-man-in-advanced-wheel-chair.jpg","width":2550,"height":1700},{"src":"giving-final-rev3.jpg","width":2813,"height":1700}],"bytes":0,"featuredImage":{"width":0,"height":0}},"key":"13529","overrides":{},"dateAdded":"2024-12-06T01:22:00.110Z","linkTarget":"","filters":[]},"13530":{"id":13530,"label":"giving-final-rev3","caption":"","type":"image","content":"giving-final-rev3.jpg","size":{"content":{"width":2813,"height":1700},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":398320},"overrides":{},"keywords":[],"filters":[],"dateAdded":"2024-12-06T01:25:50.638Z","linkTarget":""},"13531":{"id":13531,"label":"Wilmington Trust ","caption":"Wilmington Trust chief economist Luke Tilley is sitting on a bench at the Radnor PA financial center. ","type":"image","content":"economist-sitting-on-bench-wilmington-trust.jpg","size":{"content":{"width":2550,"height":1700},"thumb":{"width":0,"height":0},"bytes":583127,"featuredImage":{"width":0,"height":0}},"dateAdded":"2024-12-06T23:09:53.020Z","key":"13531","keywords":[],"overrides":{},"linkTarget":"","filters":[]},"13532":{"id":13532,"label":"Wilmington Trust","caption":"","type":"image","content":"economists-discussing-work-wilmington-trust.jpg","size":{"content":{"width":2550,"height":1700},"thumb":{"width":0,"height":0},"bytes":340428,"featuredImage":{"width":0,"height":0}},"filters":[],"dateAdded":"2024-12-07T22:54:52.186Z","overrides":{},"linkTarget":"","keywords":[],"key":"13532"},"13533":{"id":13533,"label":"Wilminton Trust ","caption":"Lisa Roberts - Wilmington Trust ","type":"image","content":"wilmington-trust-head-of-welath-lisa-roberts.jpg","size":{"content":{"width":2550,"height":1700},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":375770},"keywords":[],"linkTarget":"","filters":[],"key":"13533","overrides":{},"dateAdded":"2024-12-07T22:54:54.849Z"},"13534":{"id":13534,"label":"Wilmington Trust","caption":"Wilmington Trust Team Members Tony Roth and Luke Tilley having a conversation at the Radnor PA financial center. ","type":"image","content":"economists-discussing-work-wilmington-trust-2.jpg","size":{"content":{"width":2550,"height":1700},"thumb":{"width":0,"height":0},"bytes":333304,"featuredImage":{"width":0,"height":0}},"linkTarget":"","keywords":[],"filters":[],"dateAdded":"2024-12-07T23:02:15.165Z","key":"13534","overrides":{}},"13535":{"id":13535,"label":"bio-photo-luke-copping-buffalo-photographer","caption":"","type":"image","content":"bio-photo-luke-copping-buffalo-photographer.jpg","size":{"content":{"width":1360,"height":1700},"thumb":{"width":0,"height":0},"bytes":346462,"featuredImage":{"width":0,"height":0}},"keywords":["\n \n \n \n ","\n \n \n \n ","\n \n \n \n ","\n \n \n \n ","\n \n \n \n ","\n \n \n \n ","\n \n \n \n "],"overrides":{},"dateAdded":"2024-12-10T19:14:10.484Z","linkTarget":"","filters":["Bio Photo"]},"13536":{"id":13536,"label":"Arbeg x DJ BBQ","caption":"Christian Stevenson and Ryan Fernandez Ardbeg X Southern Junction for TCO London","type":"image","content":"dj-bbq-ardbeg-whisky.jpg","size":{"content":{"width":1360,"height":1700},"thumb":{"width":0,"height":0},"bytes":353763,"featuredImage":{"width":0,"height":0}},"dateAdded":"2024-12-12T16:22:18.722Z","keywords":["Ardbeg","BTS","Barbeque","Beastie Biryani","Behind the Scenes","Buffalo","Christian","Dj BBQ","Fernandez","Junction","NY","Ryan","Scotch","Southern","Stevenson","TCO","Whiskey","cocktail"],"linkTarget":"","filters":[],"overrides":{},"key":"13536"},"13537":{"id":13537,"label":"Ardbeg X Southern Junction BBQ","caption":"Christian Stevenson and Ryan Fernandez Ardbeg X Southern Junction for TCO London","type":"image","content":"ardbeg-southern-junction-ryan-fernandez.jpg","size":{"content":{"width":1275,"height":1700},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":349580},"postDate":"2025-08-27T13:04:19.710Z","overrides":{},"key":"13537","filters":[],"keywords":["Ardbeg","BTS","Barbeque","Beastie Biryani","Behind the Scenes","Buffalo","Christian","Dj BBQ","Fernandez","Junction","NY","Ryan","Scotch","Southern","Stevenson","TCO","Whiskey","cocktail"],"linkTarget":"","dateAdded":"2024-12-12T16:28:45.255Z"},"13538":{"id":13538,"label":"11 Day Power play ","caption":"","type":"html","content":"

11-Day Power Play


\"11

I teamed up with Crowley Webb this year to create a remarkable series of posters, banners, and graphics for The 11-Day Power Play, a fantastic event in Buffalo, NY, that raises money for cancer research while simultaneously putting on the world's longest hockey game—11 days worth of one.


\"charity


Each piece features one of the players participating in this year's community shift and the person they are playing for—each of whom has been touched by this insidious disease in one way or another.


\"11


As the son of a multi-time cancer survivor (and a Buffalo Hockey fan), I'm proud to donate my time and work to supporting organizations like this one.


\"11

\"11


","thumb":"bravery.png","size":{"content":{"width":0,"height":0},"thumb":{"width":1000,"height":1000},"bytes":0,"featuredImage":{"width":0,"height":0}},"overrides":{},"filters":[],"dateAdded":"2025-01-06T15:05:28.905Z","linkTarget":""},"13539":{"id":13539,"label":"11 day power play strength poster","caption":"11 day power play strength poster","type":"image","content":"strength.png","size":{"content":{"width":1000,"height":1000},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":1027986},"keywords":[],"linkTarget":"","filters":["Blog Posts"],"dateAdded":"2025-01-06T15:10:02.829Z","overrides":{}},"13540":{"id":13540,"label":"11 day power play bravery poster","caption":"11 day power play bravery poster","type":"image","content":"bravery.png","size":{"content":{"width":1000,"height":1000},"thumb":{"width":0,"height":0},"bytes":980792,"featuredImage":{"width":0,"height":0}},"dateAdded":"2025-01-06T15:10:04.728Z","filters":["Blog Posts"],"linkTarget":"","keywords":[],"overrides":{}},"13541":{"id":13541,"label":"Aaron Ingrao for LIquor.com","caption":"","type":"html","content":"

Aaron Ingrao for LIquor.com



\"A


Infamous in both photography circles and bars across the country, Aaron Ingrao is on a whiskey-soaked multi-year journey across the country to document the lives and passions of America's hardest-working bartenders (and to squeeze in some quality mountain biking along the way). I shot this for a liquor.com story about Aaron's trip in his vintage trailer and his dog Luke (who he claims was named after me) to tell the story of America's craft cocktail revival and the bartenders behind it as part of his project Keepers of The Craft. 


Aaron was briefly home in Buffalo for a visit that coincided with the story, so we met up at Ballyhoo, one of our favorite local bars, to shoot these portraits. I don't remember much of what happened after the shoot, but I think it involved a bottle of Four Roses.


\"Aaron



","thumb":"man-enjoying-drink-in-bar-thumb.jpg","size":{"content":{"width":0,"height":0},"thumb":{"width":2550,"height":1700},"featuredImage":{"width":0,"height":0},"bytes":0},"filters":[],"linkTarget":"","overrides":{},"dateAdded":"2025-01-06T15:17:27.657Z"},"13542":{"id":13542,"label":"Brian Gionta For Sports Illustrated","caption":"","type":"html","content":"

Brian Gionta For Sports Illustrated


\"Buffalo


I was filled with Buffalo pride when former Buffalo Sabres Captain and Western New York Native Brian Gionta was named the 2018 US Olympic Hockey Team captain. A veteran of teams like the New Jersey Devils, Montreal Canadiens, Sabres, and Bruins, Brian turned down additional NHL offers as his tenure with the Sabres ended to play alongside Team USA in South Korea - a long-time dream of his. I was even more excited to create some portraits of him after he was announced as team captain for a brief back-page interview piece with him for Sports Illustrated.

","thumb":"giontathumb1.jpg","size":{"content":{"width":0,"height":0},"thumb":{"width":1536,"height":1920},"featuredImage":{"width":0,"height":0},"bytes":0,"pageImages":[{"src":"brian-gionta-us-olympic-hockey.jpg","width":1360,"height":1700}]},"dateAdded":"2025-01-08T21:18:00.751Z","filters":[],"overrides":{},"linkTarget":"","key":"13542"},"13543":{"id":13543,"label":"Buffalo Sabres Legend Rob Ray","caption":"","type":"html","content":"

Buffalo Sabres Legend Rob Ray


\"Buffale

It's time to throw down your gloves and start swinging when Legendary Buffalo Sabres enforcer Rob Ray is in your studio. (maybe not; I'm pretty sure I'd come out on the losing end of that one)


For a guy with such a fearsome reputation on the ice, the NHL has a fighting rule named after him (better keep your jersey tied down when resorting to fisticuffs from now on). I'm happy to say that Rob (aside from being very friendly) was sitting for this portrait to help some very special and in-need dogs find their forever homes as part of an ongoing campaign that I've been working on with Partners + Napier to help promote an incredible animal rescue called Diamonds in the Ruff. 


I spent most of my teenage years watching Rob go toe to toe (skate to skate?) with guys like Tie Domi and Steve Webb. Still, since he's made the transition to being part of the Sabres' broadcast team (alongside Rick Jeanneret and fellow former Sabres enforcer Brad May), Rob has made an even more significant impact locally by being incredibly active in helping several Buffalo-based charities and community organizations like DITR. I'm so glad he could participate in this project combining my love of Buffalo Hockey and helping these amazing animals.


","thumb":"robraythumb.jpg","size":{"content":{"width":0,"height":0},"thumb":{"width":1536,"height":1920},"bytes":0,"featuredImage":{"width":0,"height":0}},"linkTarget":"","overrides":{},"filters":[],"dateAdded":"2025-01-08T21:23:49.524Z"},"13544":{"id":13544,"label":"Mick Hayes - My Claim to Fame","caption":"","type":"html","content":"

Mick Hayes - My Claim to Fame


\"Mick

Mick Hayes isn't just a musician; he's a storyteller. He pours his soul into every note he plays. His music, an amazing blend of blues, soul, and rock, feels like it comes straight from the heart.


Growing up in Lackawanna, NY, a steel town just outside of BUffalo, Mick found comfort in the blues. As he listened to those old records, something clicked within him that he has carried with him to today. Mick has played with some of the biggest names in the music industry, including Deep Purple, Stevie Wonder, and the Doobie Brothers. Throughout his career, he has experienced his fair share of ups and downs in this crazy business, but he has always kept that fire burning inside.


\"Mick


I’ve been fortunate enough to work with Mick on two of his albums. The first was 'GuitaR&B,' and then we collaborated on 'My Claim to Fame.' For 'My Claim to Fame,' we had a fantastic time creating the album artwork and promo materials. Mick is a huge car enthusiast, so we did some incredible shots featuring him with a garage full of classic cars. These images perfectly captured his personality and the vibe of the album.


'My Claim to Fame,' recorded at the legendary FAME Studios in Muscle Shoals, Alabama, is a powerful record. FAME Studios is where legends were born—Aretha Franklin, Wilson Pickett, and Otis Redding all recorded there. The studio has an incredible history and soul, and Mick's music shines in that space. It was a milestone for him to record in a studio so saturated with musical history.


\"Mick


Now based in Nashville, Mick continues to evolve as an artist. He is always pushing himself and striving to connect with his fans on a deeper level while making deeply personal music.


\"Mick

\"Mick

\"Black

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Koby Altman


\"Cleveland


In March, Middlebury Magazine sent me to Cleveland, OH, for a cover story on the Cleveland Cavaliers' GM Koby Altman. We got to spend the better part of a day with Koby shooting portraits and documenting what a game day is like for him leading up to tip-off as he and the Cavs geared up to Face the Milwaukee Bucks that night.


You can read the full story over at Middlebury Magazine.


","thumb":"MC201803190647Thumb.jpg","size":{"content":{"width":0,"height":0},"thumb":{"width":1536,"height":1920},"featuredImage":{"width":0,"height":0},"bytes":0},"overrides":{},"linkTarget":"","dateAdded":"2025-01-16T16:08:51.004Z","filters":[]},"13553":{"id":13553,"label":"Koby Altman","caption":"","type":"html","content":"

Koby Altman

\"Cleveland


Middlebury Magazine sent me to Cleveland OH for a cover story on the Cleveland Cavaliers' GM Koby Altman back in March. We got to spend the better part of a day with Koby shooting portraits and documenting what a game day is like for him leading up to tip-off as he and the Cavs geared up to Face the Milwaukee Bucks that night.


You can read the full story over at Middlebury Magazine.


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Visit Buffalo Niagara - Grange Community Kitchen


\"Chef


I recently partnered with Visit Buffalo Niagara, my hometown tourism bureau, on a project to create a series of captivating images for a new dining guide (written by Andrew Galarneau of Four Bites) that highlights the region's culinary scene. Western New York is often celebrated for its unique blend of flavors and is home to talented chefs and eateries that reflect the region's spirit. One chef that I was thrilled to work with is Brad Rowell of The Grange Community Kitchen. Brad's impressive background includes experience at acclaimed establishments such as The River Café and St. John in London, allowing him to bring a global perspective to his culinary creations while strongly emphasizing local produce.


The goal of this production with Brad was to capture the serene atmosphere of The Grange in the early morning hours, just before the restaurant opened its doors to eager diners. It was a magical time when the hustle and bustle of daily life stood still. The early morning glowed through the large windows, illuminating the rustic tables and decor that give the restaurant its unique character.


\"Chef


The comforting aroma of fresh coffee brewing filled the air, mingling with the subtle scent of wood smoke as the wood-fired pizza oven was prepared for the day ahead. The flickering flames inside it were previews of the delicious meals that would soon be served to hungry diners.


As a photographer, I’ve had the incredible privilege of telling stories from around the globe. Yet, there’s an undeniable richness to the narratives that unfold right here in my own community. I love to showcase the incredible talent, creativity, and vibrancy that Buffalo offers. Each chef, restaurant, and dish is a testament to the hard work and dedication of those who love what they do.


\"chef


Buffalo's culinary community is gaining national attention thanks to innovative chefs like Brad and Ryan Fernandez of Southern Junction BBQ, a 2024 James Beard Award finalist for Best Emerging Chef. These talented culinary voices reposition Buffalo on the national culinary map, extending beyond chicken wings.


\"chef




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Personal Project: Workday Blues

\"Blue

5:30 AM. Below zero, snow crunching under the Dodge's tires. Coffee's cold, breath fogging up the window. The grain elevator's silhouette cuts the pre-dawn sky, a ghost of the past. There used to be laughter here, now just the hum of the heater. Gotta make a living and keep the lights on. But the sun's peeking over the horizon and something better is coming. One day, this old truck will take me somewhere new. For now, I gotta get to work.⁠


\"Beared


These are images from a new personal project featuring David Putman and a fantastic 87 Dodge loaned to me by fellow photographer Phil Casper.


A long time ago, between graduating from photo school and starting to make photography my career again, I suffered from a bad case of burnout and ended up taking a factory job for a few years. I started as a janitor and milled sinks out of Corian for institutional bathrooms for a while, too. Eventually, I landed in the facility's sign shop, engraving control panel plates and installing machine vinyl safety graphics. 


I spent many cold winter mornings in Western New York sitting in my car before the sun came up, killing time before my shift started, eating fast food breakfasts, and drinking bad coffee (as someone who can't drink coffee at all anymore, I even miss the bad stuff.) These images capture a lot of the mood that still seems fresh in my memories all these years later. I've moved on since then and built a life as an artist, but I still drive past that old factory a few times a month and remember the feeling of that cold creeping in. 


I've had a lot of pre-dawn shoots this winter, and it's been cold the last few weeks. There are many reminders of those days. I got the idea in my head to create some images that captured those pre-shift blue collar rust belt vibes 


\"portrait





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Visit Buffalo Niagara - Toutant


\"Buffalo


In collaboration with tourism bureau Visit Buffalo Niagara, I recently photographed Chef James Roberts of Toutant for their new 2025 dining guide, a celebration of Western New York's diverse culinary landscape, highlighting the region's talented chefs and their unique approaches to food. Chef James Roberts, with his Louisiana roots and passion for local ingredients, brought a distinctive Southern flair to Buffalo's dining scene when he opened Toutant a decade ago.


Chef Roberts' culinary journey began in Louisiana, where he developed a deep appreciation for food, service, and the kitchen brigade system. He honed his skills through extensive travel and rigorous training, ultimately graduating top of his class from Johnson & Wales University. After relocating to Buffalo, he quickly became a respected mentor, guiding many young chefs towards successful careers.


\"Chef


Toutant (Pronounced Two-Tawnt), named after his great-grandfather's Louisiana hunting camp, offered a taste of contemporary country cuisine. The menu showcases Southern comfort food like Gulf seafood, buttermilk fried chicken, and authentic jambalaya - and features the finest seasonal produce from WNY farms. As well as a top notch selection of bourbons and scratch cocktails.


It is with a bittersweet feeling that I share the news of Toutant's impending closure. While I was preparing for their release of these images as part of the new dining guide, Chef James announced that the restaurant would be hosting its final service shortly — marking the end of its long-standing presence as one of Buffalo's most beloved and vibrant eateries. It will be a dearly missed venue, and my team and I wish Chef James all the best on his next adventure.


\"Chef

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EatingWell Magazine - Eastern Broccoli Project


\"Thomas


You can do a lot with broccoli: steam it, roast it, deep fry it, or serve it in a soup containing copious amounts of beer and cheese (accompanied by even more beer if you're doing it right). It’s delicious, nutritious, and an increasingly important crop for growers as demand for it grows — but 90% of the nearly two billion pounds produced in the US each year are grown in California, much to the dismay of East Coast farmers and consumers.


It can take 7-10 days from when that California-grown broccoli is picked before it becomes part of your dinner menu (or before those with picky kids have to stop their little ones from conspiring with the dog to hide the evidence of their distaste). Broccoli has to be shipped in ice-filled waxed boxes to slow down the degradation of the crop, and after a week on a truck, not all of it may survive the trip. However, that might change soon because of the work of Dr. Thomas Björkman, a renowned horticulturist and researcher at Cornell University who is one of the driving forces behind the Eastern Broccoli Project. The mission of the EBP is to create new strains of the crop that will thrive in the less consistent climate of the East Coast, provide much-needed crop diversity to farmers in the future, and cut down on the environmental impact of shipping broccoli across the country. ⠀


\"Commercial


My assistant Will and I left Buffalo, NY, around 4:00 AM to drive out to Geneva, NY, where Dr Björkman tends to his trial crops at Cornell University’s Agricultural Experiment Station. We planned to be out in the fields before sunrise to create some portraits of the doctor with his crop on one of the last days before harvest, and we could not have hoped for a more spectacular morning. Better than the weather, though, was the utterly engrossing education we got in the efforts of the EBP to create new types of Broccoli, agricultural breeding tools, and distribution systems that will make the East Coast broccoli industry competitive in the national market.


Shot for EatingWell Magazine.


\"farmer

\"Broccoli


","thumb":"Eastern-broccoli-project-2-thumb.jpg","size":{"content":{"width":0,"height":0},"thumb":{"width":1360,"height":1700},"featuredImage":{"width":0,"height":0},"bytes":0},"dateAdded":"2025-01-28T01:39:19.110Z","filters":["Blog Posts"],"postDate":"2025-01-28T01:43:34.472Z","overrides":{},"linkTarget":""},"13583":{"id":13583,"label":"Colleen Wall","caption":"","type":"html","content":"

Colleen Wall


\"artist


Stepping into Colleen Wall's studio, you instantly get it: creativity isn't just a job for her; it's something much more profound. As a children's book illustrator, her art is deeply intertwined with her healing journey as a cancer survivor and as an artist in residence for the oncology department at a children's hospital., giving her work a rare depth and purpose. Photographing her was a treat – a chance to capture how she creates and the quiet why behind it all.


\"artist


Her studio is tucked away in the basement of her house. Soft light filters through the windows, giving the whole space a calm, almost serene feel. Sketches, paints, and all the tools of her trade are scattered around—not chaotic, but more like a well-loved and used space. There's a real sense of creative potential – everything has its place, yet there's still room for inspiration to strike. Being there, photographing Colleen in her element, felt like capturing the heart of her process: thoughtful, focused, and driven by something more significant.


\"colleen


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South x Southeast Photogallery


\"A

Two of my images from Tokyo are included in the current exhibition Food + Drink + All the Accoutrements, curated by Nancy McCrary, which will be running at the South X Southeast gallery through April. Prints are available of these two images through the gallery. The exhibition takes a look at global food and dining culture.


\"Yakitori

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Visit Buffalo Niagara - DiTondo


\"A

Meet Fabio Consonni of DiTondo, a Buffalo culinary institution, and one of my favorite spots for Italian outside of Italy. Over the past few months, I’ve collaborated with Visit Buffalo Niagara, the region's tourism bureau, to photograph some of the city’s most renowned chefs for their 2025 dining guide.


Fabio’s wife, Rita DiTondo, is the fourth generation of the DiTondo family. She continues the legacy her great-grandfather, Sebastiano, started when he immigrated from Abruzzo, Italy, and opened their beloved restaurant in 1904.

Before joining the DiTondo family business, Fabio honed his skills at the renowned Gramercy Tavern in New York City, where he refined his culinary expertise in the heart of Manhattan’s fine dining scene.


Today, as the head chef at DiTondo, he brings a unique fusion of his traditional Italian roots and the refined techniques he mastered in New York. Fabio effortlessly marries the classic recipes that have defined DiTondo for over a century with contemporary twists, creating an experience that feels both timeless and innovative.




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Personal Project: The Crucible



Imagine a world before dawn, where the city is still asleep, and the streets are eerily empty. But amidst the quiet, there’s a symphony of rhythm: feet pounding pavement, breath heavy in the cold morning air. This isn’t just any early morning jog. This is the start of something bigger—a journey of transformation, sweat, and sheer willpower. This is where fighters, from seasoned pros to hungry amateurs, chase their dreams and train their bodies for greatness.


As a commercial photographer from Buffalo NY, I’ve had the unique privilege of capturing this unseen world—the environment, the struggle, and the passion of these aspiring champions. This project, titled The Crucible, takes these boxers and fighters out of the ring and into the cities and towns they live in. They put in unending miles of roadwork and struggle as they fight for their dreams and their next fight purse.


See more here.





\"BNoxer

\"Commercial

\"Adnonis





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Rock Promoter Bruce Moser


\"Legendary


Have you ever heard of The Cars, The Tragically Hip, or U2?


There's a good chance that you've heard of them because of the behind-the-scenes efforts of legendary rock promoter Bruce Moser – who is responsible for helping break these acts and others in the U.S. through his relentless work promoting them live and on the radio all along the thruway chain that runs between Boston and Cleveland - and hits cities like Erie, Buffalo, and Syracuse on the way. 


I was traveling back from Santa Fe over the summer when I found out that I would be photographing Bruce the very next day when I got back into Buffalo. I knew a bit about his history in the rock world because I had actually worked with his daughter Erin Moser in the past, but I was not at all prepared for what an animated and engaging storyteller Bruce is, nor was I prepared for the mind-blowing tales he told me about some of the biggest acts in music. I normally talk a lot on set - it's important to me to engage with my subjects and draw them out a bit, but this was probably the least I ever spoke on a shoot, because once Bruce started I knew it was better to just listen to the incredible behind-the-scenes stories he was telling me. 


He told me about having to convince park police not to arrest the at the time eighteen-year-old members of U2 at Niagara Falls when they decided to hop over the security barrier to get a better look at the Falls.


He told me about seeing The Beatles for $5.50 before they were famous and when you could still hear them play over all the women screaming. 

He told me about one of his earliest successes working with an unknown at the time band from Boston named The Cars.


He told me about the first few concerts he ever went to - which just happened to be The Animals, The Dave Clark Five, The Byrds, and Bob Dylan.


He told me about his efforts to help acts from Canada like Rush, The Tragically Hip, and Bryan Adams find early success in the US. 


He told me about meeting Robert Frank and talking with him about his rarely seen documentary about the Rolling Stones.


He told me about the time he and his wife played Pong with Bono in a bar in Buffalo on the night that John Lennon was murdered (Bono thought it was a sick joke someone was playing on him.) 


That’s pretty epic stuff, and it doesn't even start to touch on the innumerable other acts he’s worked with that Bruce, and I didn’t get a chance to discuss - like Tom Petty, Melissa Etheridge, The Goo Goo Dolls, Tom Cochrane, Johnny “Guitar” Watson, Steven Van Zandt, and many more. Sitting down with Bruce and learning about his life and career was so much fun, especially because Bruce still comes across as someone who loves music - listening to it and seeing it played live. He’s a fan who turned his passion for music into his career - although I don’t know many other fans who own the only copy of a song written and performed by Bono for their 50th birthday.


\"Portrait






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Stepping in Front of the Lens: A Portrait Trade with Pat Cray Part 1


\"Buffalo

As a photographer, I spend most of my time behind the camera, shaping light, directing subjects, and crafting stories through images. But occasionally, it’s a good exercise—and a humbling one—to step in front of the lens myself.


Recently, I had the chance to do just that in a portrait trade with one of my favorite photographers here in Buffalo, Pat Cray (@yungpainkiller). Our styles couldn’t be more different—Pat is known for his ultra-raw street photography, while my work leans heavily into production and working in controlled environments. That contrast made this trade all the more enjoyable.

We each took a shot at creating at least a few images that interpreted the other’s style. Pat stepped into the studio, embracing a more structured and refined approach, while I ventured into the gritty, unfiltered world that defines his street photography aesthetic. The result? A fascinating blend of perspectives pushed us outside our comfort zones.


Here are a few of my favorite portraits Pat created of me. Stay tuned—I'll share my portraits of him in the next post.



\"Buffalo


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Yungpainkiller: A Portrait Trade with Pat Cray Part 2

\"Yungpainkiller


In my last post, I shared the images Pat Cray (@yungpainkiller) created of me during our recent portrait trade. The whole thing was a total blast. He's one of my favorite photographers here in Buffalo, and his work is just... real. So, I was thrilled to have the chance to do this image trade.


We hit the streets for classic Pat-style shots but also jumped into the studio for a bit! It was cool to see him in both environments. Forget about perfect lighting or posing—I just wanted to capture Pat. We wandered the city, making images when we felt like it, and it was just pure, creative energy. It felt less like \"work\" and more just hanging out with a friend and fellow creative.


Seeing him through my lens, trying to catch that spark he has? That was the best part. There is no pressure, just good vibes and good photos. Here's some of the images I made of him


\"Buffalo



\"Portrait


\"winter

\"blurry


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World Food Photography Awards Shortlist



Three of my images have been shortlisted for a James Beard Foundation Photography Prize in the 2025 World Food Photography Awards! I am very honored to have my work alongside so many other great photographers and judged by an esteemed panel of culinary and photographic legends like Clare Reichenbach, David Loftus, George Motz, Vicky Lau, Rene Redzepi, Jamie Oliver, and more.


You'll have to visit the awards site to see which of my images were selected — be sure to search by category for the James Beard Foundation Awards.



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American Photography 41 Winner



I’m so excited to share that one of my photographs from Japan has been selected for inclusion in American Photography 41. It’s truly an honor to have my work recognized in this way, especially alongside so many incredibly talented artists whose work continues to push the boundaries of contemporary photography.


This particular image, created during my time in Japan, is part of a body of work that came together slowly and intuitively. I wasn’t there on assignment — I was there to explore, get lost, and observe. Working in a new environment, surrounded by unfamiliar signs, sounds, and rhythms, forces you into a different state of awareness. You move through space differently. You look longer. You start to trust instinct over certainty, where some of the most interesting work lives.


Being included in American Photography for the second time is more than just a career milestone—it’s a reminder of why I do this work. Chasing light, mood, and moments that don't always explain themselves can still connect. The quieter images can still speak loudly. And personal work has a place in the wider conversation of contemporary photography.



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#BuisnessStrong at M&T Bank




Over the years, I’ve had the opportunity to photograph a wide range of small business owners for M&T Bank’s client success stories — capturing the people, places, and passion behind these local ventures. Now, many of those still images have been brought together in one cohesive web spot, creating a powerful visual statement about the bank’s ongoing commitment to helping small businesses thrive.


This collection is more than just a look back at past shoots — it celebrates entrepreneurship, resilience, and community. Each image highlights a different story, yet collectively, they form a unified message: M&T Bank understands the value of small businesses and stands beside the people who build them.

It’s been rewarding to see how these photos have contributed to a larger narrative that resonates deeply with the communities the bank serves. Whether it’s a family-run bakery, a boutique retailer, or a growing startup, these portraits bring authenticity and heart to the bank’s brand messaging.

","thumb":"BV201812010219_BWthjumb4.jpg","size":{"content":{"width":0,"height":0},"thumb":{"width":2550,"height":1700},"pageImages":[],"bytes":0,"featuredImage":{"width":0,"height":0}},"filters":[],"key":"13650","linkTarget":"","overrides":{},"dateAdded":"2025-04-11T20:19:44.219Z"},"13651":{"id":13651,"label":"I Won The James Beard Photography Prize!","caption":"","type":"html","content":"

I WON THE JAMES BEARD FOUNDATION PHOTOGRAPHY PRIZE!


\"A


I've spent years photographing chefs, butchers, bakers, and bartenders—people who live and breathe food culture in Buffalo and worldwide. So when I found out that one of my images had not only been shortlisted but actually won a James Beard Foundation Photography Prize at the World Food Photography Awards, I was stunned in the best possible way.


The winning photo is a portrait of Tom Moriarty, founder of Moriarty Meats and Moriarty Bar Cafe in Buffalo, NY, and one of the most dedicated artisans I've ever worked with. Tom believes deeply in working with local farmers, using hand butchery techniques, and having transparency in sourcing. The photo captures Tom focused, grounded, and prepping for a day at his previous location before customers start arriving for the day. It's an image that's picked up several accolades over the years. However, recognition from the James Beard Foundation—a name synonymous with the best in American food culture—is easily the highest honor it's received.


The James Beard Foundation is one of the most respected institutions in the culinary world, dedicated to celebrating, nurturing, and honoring chefs and food professionals who make America's food culture more delicious, diverse, and sustainable. Established in honor of the legendary cookbook author, television host, and teacher James Beard, the foundation's annual awards—often called the \"Oscars of the food world\"—recognize excellence across various disciplines. The foundation's \"Good Food for Good\" philosophy informs a vision of a vibrant, equitable, and sustainable independent restaurant industry that stands as a cornerstone of American culture, community, and economy and drives toward better food systems.





What made the whole experience even more surreal was the timing. My wife and I had already planned a trip to Lisbon, Portugal, when we learned that the awards ceremony would take place in London. So, naturally, we made a quick side quest out of it. While there, we hopped to the UK, attended the ceremony, and even squeezed in a West End musical (Hadestown). The evening itself was electric, and the most surreal moment came when I was presented the award by Chef Yotam Ottolenghi — a culinary icon whose books and restaurants have helped define modern Middle Eastern cuisine. He's known for his vibrant, produce-forward dishes, best-selling cookbooks like Ottolenghi Simple and Plenty, and being a global ambassador of hospitality, inclusivity, and flavor. To receive this award from someone whose work I've admired for years was so exciting. 


The awards were judged by an international panel of editors, chefs, photographers, and industry experts, including David Loftus, Vicky Lau, Clare Reichenbach, Rich Robinson, Rene Redzepi, Jaime Oliver, Pepa Chadwick, George Motz, Ruth Watson, Ian Kittichai, and many more. To be recognized by such an esteemed group of professionals made the win all the more meaningful.


\"Isaac


This wasn't the only image of mine recognized, either. I had three photographs shortlisted in the awards this year. Alongside the portrait of Tom, there was a shot from my Delicious Disasters series featuring Ryan and Isaac from Hombre Y Lobo, a fantastic taco joint here in Buffalo mid–food fight, totally covered in messy goodness. It was chaotic, joyful, and completely unfiltered. The third image was a more intimate portrait of Ryan Fernandez of Southern Junction BBQ, himself a two-time James Beard Foundation nominee, whose Southern-Indian-Texas-BBQ mashup cooking is as bold and expressive as he is. These images couldn't be more different from one another. Still, each one speaks to the energy and character of our region's food scene.


I'm often asked why I gravitate toward working with chefs and food creatives. The truth is, there's an intensity and artistry in those environments that's unlike anything else. The people I work with are masters of craft and chaos—visionaries who can plate beauty one minute and weather a dinner rush the next. I love that balance. And it doesn't hurt that I sometimes nosh on the leftovers from a shoot or sneak a taste of whatever brilliant new dish a chef is experimenting with—perks of the job.


Ultimately, my goal has always been to create images that capture the character and drama of my subjects — to help people see the beauty in someone's process, passion, and story. Whether it's a quiet moment in a butcher shop or a full-on salsa-soaked brawl, the heart of the work is the same: connection. Winning this award is an incredible moment in my career. Still, I hope it also brings more attention to the fantastic creative and culinary talent in Western New York. They're the real stars of the story.


\"Ryan







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NEW PERSONAL PROJECT: CHEF RED BEARD



Jeremy VanAntwerp — also known as Chef Red Beard — isn't your typical chef.


Based in Buffalo, NY, Jeremy operates an intimate private dining space that accommodates no more than ten people, where every menu is custom-built from the ground up. No pre-set dishes — no standard service. Every event is tailored to the client's taste, theme, and vibe. His style favors elevated comfort food with a creative edge, and it's all deeply personal.



That mindset is what drew me to him. I'm always inspired by people who go all-in on their craft — who create things with character. Jeremy's work is hands-on, thoughtful, and totally unpretentious. He's not chasing trends; he's creating experiences, and he's doing it by himself, fulfilling all the back and front-of-house roles that traditional restaurants would need a staff of a dozen or more to fill. He is a culinary auteur who can transform a simple breakfast sandwich into something that rivals a meal at many of the country's most notable restaurants.



This short film and accompanying portraits offer a glimpse into his world, revealing how he works, his thoughts on food, and why he approaches things his own way. It's raw, honest, and rooted in the idea that creativity doesn't need to be flashy to be powerful. The short documentary was directed and produced by me, with Aaron Rizzo serving as the Director of Photography. We kept things stripped-down and honest — just Jeremy doing what he does best, in his space, on his terms.



See the whole project here.







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CHANNEL FOUR NEWS INTERVIEW



I sat down with Kelsey and Jeff, the anchors from News $, to talk about my recent James Beard Foundation Photography Prize win.




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Erie","caption":"","type":"html","content":"

VISIT ERIE


\"Kayaker


There are worse ways to start a shoot than standing waist-deep in Lake Erie at sunrise, hip waders on, camera in hand, watching a kayaker paddle through golden morning light. 


That was my first setup for Visit Erie's new tourism campaign, and honestly, the cold water and early call time were the least of my concerns. I was already buzzing with excitement. This was one of those jobs that just had everything I love: real locations, expressive people, and a creative team that understood the value of energy, character, and a little chaos (and of course, I still managed to get wet somehow)


\"family


The campaign was all about tapping into that classic vacation feeling. Not the posed-and-polished version, but the one you remember: laughing too hard with friends over ice cream, screaming your face off on a rollercoaster, getting sunburned at the beach, watching the sun dip below the lake with someone you love. Red House Communications, which led the creative direction, wanted images that felt like they came from a family photo album, only elevated. Modern nostalgia, you could say.



I worked alongside their team as well as the video production crew from Honey + Punch, who were capturing motion assets while I shot stills (it is always a pleasure to work with Honey + Punch). It was a true collaboration; we'd constantly trade off angles and ideas or capture the same scene in our own ways. Everyone on the crew understood the vibe we were going for, and that made a huge difference.


\"Friends


The locations were the real stars: Waldameer Amusement Park, Sara's roadside ice cream stand, the beaches and waters of Presque Isle, a local beer garden, and a sailing cruise into the sunset. Each spot had its own personality. One minute, I was riding a rollercoaster repeatedly with a toy camera strapped to me, trying to capture motion blur and joy mid-scream; the next, I was crouched near the track with a long lens, freezing faces as they whipped past at full speed. It was chaotic, exciting, and honestly a blast to be a part of a project like this (I love DMO campaigns like this one)


The people made the shoot, though. Families, couples, and groups of friends all showed up ready to play. These were locals who brought their own energy to the project, and I was able to draw on their experiences and nostalgia for Erie to inform the direction of each scene. 


\"Overhead


There's something special about shooting for a tourism campaign in a place that's already doing the work. Erie wants you to slow down and savor the experience. This wasn't about staging perfection. It was about bottling that fleeting, nostalgic feeling of never-ending summer. 


I'm proud of how these images turned out, and even prouder of how they came together. Erie even worked its magic on me, and I can't wait to plan my own family trip there soon. 


\"Relaxing

\"Visit


\"Visit


\"Behind


\"Behind




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Tourism Campaing for VisitErie, Erie Pa, RedHouse Communications","type":"image","content":"VE20250602_2595-2.jpg","size":{"content":{"width":2586,"height":1700},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":349805},"filters":[],"overrides":{},"linkTarget":"","keywords":["DMO","Enterntainment","Erie","Friends","PA","RedHouse Communications","VisitErie","tourism","travel"],"postDate":"2025-09-03T17:59:06.182Z","dateAdded":"2025-08-05T02:21:33.506Z"},"13728":{"id":13728,"label":"The Wild Table - Part One","caption":"","type":"html","content":"

THE WILD TABLE - PART ONE


\"Jeremy


I’m excited to share the start of a new personal project called The Wild Table, which is focused on foragers, wild food enthusiasts, and the ingredients they gather from the landscapes around them. This project is rooted in a simple idea: that food doesn’t always come from farms or markets. Sometimes, it comes from the forest floor, the side of a trail, or the shaded edge of a wetland, places where seasonal ingredients grow wild and fleeting.


For the first story in the series, I spent a day with local chef Jeremy VanAntwerp, someone widely respected in the regional food community for his dedication to local sourcing and his use of seasonal flavors. We foraged ramps together on a private property owned by a mutual friend — acres of woodland where ramps grow densely every spring, carpeting the ground in thick, green clusters.


Ramps, if you’re unfamiliar, are a type of wild allium, closely related to leeks and garlic. Their flavor is sharp, savory, and a little sweet, and they’ve developed a cult following among chefs for good reason. Their season is short, usually just a few weeks in early spring, and they don’t store well fresh, which makes them a proper “right place, right time” ingredient. Foraging for them takes a gentle hand and a bit of know-how. On this land, where ramps are abundant and well-established, we were able to harvest responsibly without worrying about over-foraging — taking only what would be used, and leaving plenty behind to continue growing year after year. Thankfully, they grow rather abundantly in my area, and were one of the first things I ever foraged.


There’s much more to come. Future stories will feature mushroom foragers and others who are deeply connected to wild food traditions.


\"Digging

\"Chef

\"Wild

\"Examining

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THE WILD TABLE - PART TWO


\"Mushroom


In the shaded woods around Watkins Glen State Park, I spent a morning with Stacey Esterbrook, a veteran mushroom forager and educator who has spent years teaching others how to read the forest floor. Stacey has trained her eye to notice the most minor shifts in color, texture, and shape. Where I saw only damp leaves and branches, she noticed the first signs of chanterelles pushing through the soil.


\"baby


That day, the forest offered a mix of treasures. We found clusters of tiny golden chanterelles, just beginning their season, and bright, almost glowing cinnabar-red chanterelles along the edges of trails. At one point, our search led us to an Amanita Jacksonii, a mushroom with a long culinary history. It was not the chanterelle we had been looking for, but for those with the skill to identify and prepare it, the amanita is just as prized. There are many poisonous and toxic Amanita (with fun names like The Death Cap and The Destroying Angel. Stacey's excitement at our bright orange egg-shaped surprise said everything about her deep connection to these forests. 


\"egg


This story is the second chapter in The Wild Table, a year-long project exploring seasonal foraging and the people who carry its traditions forward. The first chapter took place in early spring, gathering ramps with chef Jeremy. Now, as summer fades into fall, the project will continue to follow the changing landscape, adding new harvests and new stories along the way.


\"The forest speaks in patterns — you just have to learn the language.\" — Stacey Esterbrook, Forager & Educator


\"Mushroom


A note of caution: mushroom foraging should only be done with proper training. Many wild mushrooms are toxic, and some are deadly. Even edible species often have dangerous look-alikes. For this project, I worked with Stacey specifically to ensure every mushroom was identified correctly and handled safely. If you are interested in foraging, always go with an experienced instructor before collecting or eating anything from the wild.


\"experienced





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THE WILD TABLE - PART THREE


\"Forager


For the third chapter of The Wild Table, I headed about an hour outside of Buffalo to visit my friend Johanna Dominguez. Johanna owns Put a Plant On It and is pretty much known around town as Buffalo’s “plant queen.” Plants have always been part of her life. Over the generations, he family has farmed everything from pineapples to cacao, and she grew up moving through six different countries before settling in the U.S. at fifteen. That kind of upbringing gave her a wide view of the natural world, and now that she’s rooted in Buffalo, her love of plants has only grown.


\"wild


Johanna’s land is full of wild patches of ramps, and that’s what we went looking for. We spent the morning wandering through the woods, digging carefully around the bulbs and gathering just enough for a good meal. You could smell them before you saw them — sharp and fragrant, the kind of scent that instantly tells you why people get so excited about their short season. Watching Johanna work was its own lesson. She’s surrounded by plants every day at her shop, and out here she knew precisely where the ramps liked to grow and how to harvest them without disturbing the patches.


\"Forager


One last note: ramps, like many wild foods, need to be foraged carefully. Overharvesting can wipe out patches that take years to grow back. We made sure only to take what we needed and left plenty behind for the land to keep thriving. If you’re new to foraging, go with someone who knows what they’re doing, and always harvest with respect for the plants and the place they grow.





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CLIENTS

\n\n
\n
\nWal-Mart\nExxon\nChevron\nPhillips\nBerkshire Hathaway\nApple\nGeneral Motors\nGeneral Electric\nValero Energy\nFord Motor\nAT&T\nFannie Mae\nCVS Caremark\nMcKesson\nHewlett-Packard\nVerizon Communications\nUnitedHealth Group\nJ.P. Morgan Chase & Co.\nCardinal Health\nInternational Business Machines\nBank of America Corp.\nCostco Wholesale\nKroger\nExpress Scripts Holding\nWells Fargo\nCitigroup\nArcher Daniels Midland\nProcter & Gamble\nPrudential Financial\nBoeing\n
\n
\nBoeing\nFreddie Mac\nAmerisourceBergen\nMarathon Petroleum\nHome Depot\nMicrosoft\nTarget\nWalgreen\nAmerican International Group\nINTL FCStone\nMetLife\nJohnson & Johnson\nCaterpillar\nPepsiCo\nState Farm Insurance Cos.\nConocoPhillips\nComcast\nWellPoint\nPfizer\nAmazon.com\nUnited Technologies\nDell\nDow Chemical\nUnited Parcel Service\nIntel\nGoogle\nLowe's\nCoca-Cola\nCisco Systems\nLockheed Martin\n
\n
\nBest Buy\nSafeway\nFedEx\nEnterprise Products Partners\nSysco\nWalt Disney\nJohnson Controls\nGoldman Sachs Group\nCHS\nAbbott Laboratories\nSears Holdings\nDuPont\nHumana\nWorld Fuel Services\nHess\nIngram Micro\nPlains All American Pipeline\nHoneywell International\nUnited Continental Holdings\nOracle\nLiberty Mutual Insurance Group\nHCA Holdings\nDelta Air Lines\nAetna\nDeere\nSupervalu\nSprint Nextel\nMondelēz International\nNew York Life Insurance\nAmerican Express\n
\n
\n\n\n\n","size":{"content":{"width":0,"height":0},"thumb":{"width":0,"height":0},"bytes":0,"featuredImage":{"width":0,"height":0}},"filters":["Bio Photo"],"dateAdded":"2025-09-18T19:54:06.533Z","linkTarget":"","overrides":{}},"13864":{"id":13864,"label":"Clients","caption":"","type":"html","content":"

CLIENTS

\n\n
\n
\nA&E Television\nAlbright-Knox Gallery\nAmerican Banker\nArdbeg Whisky\nArthur J Gallagher & Co.\nBlast Films\nBlock Club\nBlue Cross Blue Shield of WNY\nBonnier Publishing\nBuffalo Spree\nCascades\nCatholic Health\nChannel 4 Television (UK)\nChef Darian Bryan\nChris Long Foundation\nCondé Nast\nCrowley Webb\nEatingWell\nESAB\nFIFTEEN\nFilzfelt\nForbes Magazine\nForma Therapeutics\nFriesland Campina\nGelia\nGMC\nGolf Digest\n
\n
\nGP Strategies\nGuardian (UK)\nHamilton College\nHodgson Russ\nImplant Direct\nIndependent Health\nKiplinger’s Personal Finance\nLiquor.com\nLuxe Interiors + Design\nM&T Bank\nMartin Group\nMen's Journal\nMonocle\nMower\nNational Education Association\nNBC Sports\nNew York State Bar Association\nNorthwestern University\nPartners + Napier\nPitmaster Collective\nPopular Science\nPraxis\nPrecision Process Equipment\nPuma\nRandom House Publishing\nReaders Digest\nRed House Communications\n
\n
\nRich Products\nRichmond Vona\nRochester Regional Health\nSchneider Electric\nSeneca Nation Of Indians\nSouthwest Airlines Magazine\nSports Illustrated\nSpinneybeck\nSteadfast Foundation\nTCO London\nThe Times (UK)\nThomson Reuters\nTime Inc\nTommyrotter Distillery\nTruth Collective\nUnited States Chess Federation\nUniversity Of Miami Medicine\nUniversity of Phoenix\nVetpharm\nVisit Buffalo Niagara\nVisit Erie\nWalmart\nWaterboys\nWeldon Owen Publishing\nWells Fargo Bank\nWilmington Trust\nZeiss\n
\n
\n\n\n\n","size":{"content":{"width":0,"height":0},"thumb":{"width":0,"height":0},"pageImages":[],"bytes":0,"featuredImage":{"width":0,"height":0}},"overrides":{},"key":"13864","dateAdded":"2025-09-18T19:55:49.830Z","filters":[],"linkTarget":""},"13865":{"id":13865,"label":"bio-photo-luke-copping-buffalo-photographer3","caption":"","type":"image","content":"bio-photo-luke-copping-buffalo-photographer3.jpeg","size":{"content":{"width":640,"height":800},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":226649},"overrides":{},"linkTarget":"","filters":["Bio Photo"],"keywords":[],"dateAdded":"2025-09-19T13:30:56.292Z"},"13866":{"id":13866,"label":"About + Clients","caption":"","type":"html","content":"\n
\n\n\"Luke\n
\n
\n

CONTACT


BUFFALO / TORONTO / NYC

+1 716 480 4688

luke@lukecopping.com

\n\nSchedule A Call Now\n\nSTUDIO

\n

\n567 Exchange St\nSuite 206\nBuffalo NY 14210

\n\nOFFICE

344 Hoyt St \nBuffalo NY 14213

\n\nWonderful Machine

\n
\n\n\n
\n
\n

ABOUT

\n\nI share a birthday with Louis Daguerre. This is not a coincidence. It’s destiny.\n\nI’m a dual citizen of the U.S. and Canada, which means I can work on both sides of the border. But the real flex? I get to call myself an international man of mystery with multiple passports.\n\nI call Buffalo, NY, home. If you ever find yourself here, I’ll show you why this place deserves more than just its reputation for wings. \n\nI love movies, and I have a soft spot for neo-noir and horror. My dream vacation is a cross-country road trip, hitting every great drive-in theater along the way.\n\nI learned everything I know about photography during a training montage.\n\nI’m a little obsessed with stationery: fountain pens, journals, notebooks, all of it. I even started teaching myself how to repair vintage typewriters, because apparently, I collect hobbies like other people collect baseball cards. Most of my writing begins by hand before I retype it on my computer.\n\nI stick to decaf now. Trust me, it’s better for everyone.\n\nMy favorite foods are Japanese curry, fancy tinned sardines, tea leaf salad, and a perfect pastrami sandwich. \n\nI’m a recipient of the James Beard Foundation Photography Prize and have been recognized multiple times in American Photography.\n\nI think the best way to explore a new city is by bicycle.\n\nI’m allergic to cats and scared of dolls.\n\nI believe in the power of character and drama.\n\n\n\n\n
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SHROUDS



Shrouds started as an idea for a single Halloween promo image. Most people send out Christmas cards; I've never cared for that. Halloween has always felt more interesting and playful - it encourages experimentation. What was supposed to be a one-off promo shoot didn't stay that way. The photos carried a weight, and it felt wrong to treat them as disposable.



The images show figures draped in colored cloth, standing quietly in ordinary places: on sidewalks, in restaurants, on stairways, by industrial ruins. Each color has a different rumor or meaning attached to it, such as accident, neglect, madness, or age — but I don't explain those outright. They work more like background noise, like a folklore people half-believe. The point isn't to prove what these figures are, but to show how people might live with them, how quickly something strange can become normal. But these notions of lore did become an internal guide for me in creating this series. 



I'm interested in the tension between beauty and unease. The photos are often warm, sometimes even serene, but the figures are mute and faceless. They don't move, they don't respond, yet they feel part of the world around them. That mix between documentation and fiction, between something that looks like editorial photography and something that feels like a ghost story, is where this project lives.





What began as a small Halloween exercise has turned into a continuing body of work. The project has become less about ghosts and more about presence, about how absence shows itself, and about the way we adapt to things we can't explain. It was my way of answering the question \"What would it look like if the unseen weight of loss, guilt, and neglect suddenly became visible?\"


Browse the collection here.





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Creek","type":"image","content":"fishing-photographyt-buffalo-new-york.jpg","size":{"content":{"width":2550,"height":1700},"thumb":{"width":0,"height":0},"bytes":306588,"featuredImage":{"width":0,"height":0}},"filters":[],"dateAdded":"2025-11-05T13:48:25.678Z","overrides":{},"linkTarget":"","keywords":[]},"13887":{"id":13887,"label":"fly-fisherman-posing-with-rod","caption":"Andrew Gaerte Flyfishing in Cattaraugus Creek","type":"image","content":"fly-fisherman-posing-with-rod.jpg","size":{"content":{"width":1133,"height":1700},"thumb":{"width":0,"height":0},"bytes":276505,"featuredImage":{"width":0,"height":0}},"filters":[],"keywords":[],"linkTarget":"","overrides":{},"dateAdded":"2025-11-05T13:48:29.830Z"},"13888":{"id":13888,"label":"fly-sishing-under-bridge","caption":"Andrew Gaerte Flyfishing in Cattaraugus Creek","type":"image","content":"fly-sishing-under-bridge.jpg","size":{"content":{"width":2550,"height":1700},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":332502},"overrides":{},"filters":[],"linkTarget":"","dateAdded":"2025-11-05T13:48:30.932Z","keywords":[]},"13889":{"id":13889,"label":"portrait-of-angler","caption":"Andrew Gaerte Flyfishing in Cattaraugus Creek","type":"image","content":"portrait-of-angler.jpg","size":{"content":{"width":2550,"height":1700},"thumb":{"width":0,"height":0},"bytes":314484,"featuredImage":{"width":0,"height":0}},"keywords":[],"linkTarget":"","overrides":{},"dateAdded":"2025-11-05T13:48:32.044Z","filters":[]},"13890":{"id":13890,"label":"salmon-flies","caption":"Andrew Gaerte Flyfishing in Cattaraugus Creek","type":"image","content":"salmon-flies.jpg","size":{"content":{"width":2550,"height":1700},"thumb":{"width":0,"height":0},"bytes":301404,"featuredImage":{"width":0,"height":0}},"overrides":{},"linkTarget":"","keywords":[],"filters":[],"dateAdded":"2025-11-05T13:48:33.236Z"},"13891":{"id":13891,"label":"walking-through-stream-with-fishing-net","caption":"Andrew Gaerte Flyfishing in Cattaraugus Creek","type":"image","content":"walking-through-stream-with-fishing-net.jpg","size":{"content":{"width":2550,"height":1700},"thumb":{"width":0,"height":0},"bytes":323047,"featuredImage":{"width":0,"height":0}},"filters":[],"linkTarget":"","overrides":{},"keywords":[],"dateAdded":"2025-11-05T13:48:34.372Z"},"13892":{"id":13892,"label":"Fly Fishing In The Zoar Vallery","caption":"","type":"html","content":"

FLY FISHING IN THE ZOAR VALLEY


\"fisherman


It was late autumn in Western New York. The air was sharp, the hills were red and gold, and the water in Cattaraugus Creek was freezing. I was there with Andrew Gaerte from the Western New York Land Conservancy, watching him fly fish in the Zoar Valley.


\"Fishing


I’ve spent most of my life fishing. Mostly on the ocean or for salmon on the West Coast of Canada with a spin rod. But I had never seen fly fishing up close. It’s slower. More precise. The cast looks simple until you try to do it.


\"Fly


The valley was quiet. The trees still held some color. Reds, golds, and the brown of rust. It reminded me of the old mills and rail lines that still mark this part of the state. Western New York wears its history.


\"Wading


Andrew moved easily through the current. His cast was steady and smooth. The line lifted, looped, and fell clean on the water. I was out in the current with my waders on, too, catching the rhythm of it.



At one point, someone tried to walk off with some of my gear that was on the shore. Thankfully, my assistant saw it happen and put a quick stop to that before they got too far. Thanks, Beki!


\"small

\"Fishing


By late morning, the light changed. The sun hit the creek and turned it to silver. My hands were cold. I packed up the camera and watched Andrew make a few more casts. Next time, I’ll leave the camera behind, grab a rod, and get a lesson from Andrew for myself.


\"casting

\"Casting

\"landing

\"Fighting

\"Fly

\"Fly

\"Packing










","thumb":"fly-sishing-under-bridge-thumb.jpg","size":{"content":{"width":0,"height":0},"thumb":{"width":2550,"height":1700},"bytes":0,"pageImages":[{"src":"autumn-fishing-buffalo-new-york.jpg","width":2550,"height":1700},{"src":"fishing-photographyt-buffalo-new-york.jpg","width":2550,"height":1700},{"src":"casting-fly-fishing-atumunm.jpg","width":2550,"height":1700},{"src":"walking-through-stream-with-fishing-net.jpg","width":2550,"height":1700},{"src":"casting-fly-fishing-rod.jpg","width":2550,"height":1700},{"src":"salmon-flies.jpg","width":2550,"height":1700},{"src":"fly-sishing-under-bridge.jpg","width":2550,"height":1700},{"src":"casting-rod-autumn-fishing.jpg","width":2550,"height":1700},{"src":"portrait-of-angler.jpg","width":2550,"height":1700},{"src":"fishing-excitement.jpg","width":2550,"height":1700},{"src":"fighting-a-fish.jpg","width":1275,"height":1700},{"src":"close-up-of-fly-reel.jpg","width":2550,"height":1700},{"src":"fly-fisherman-posing-with-rod.jpg","width":1133,"height":1700},{"src":"fisherman-walking-on-bridge.jpg","width":1133,"height":1700}],"featuredImage":{"width":0,"height":0}},"filters":["Blog Posts"],"linkTarget":"","key":"13892","dateAdded":"2025-11-05T13:56:38.280Z","overrides":{}},"13893":{"id":13893,"label":"INTERVIEWED BY THE WORLD FOOD PHOTOGRAPHY AWARDS","caption":"","type":"html","content":"

INTERVIEWED BY THE WORLD FOOD PHOTOGRAPHY AWARDS


\"Ryan


I’m thrilled to share that I was recently featured by the World Food Photography Awards in their Around the World in Photographers: USA series, a spotlight on American photographers who are redefining how we see and tell food stories.


This year, I was honored to receive the James Beard Foundation Photography Award, with two of my images recognized as finalists (Including the winning image) and another receiving an honorable mention. In the interview, I spoke about my work photographing Tom and Caitlin Moriarty’s whole-animal butcher shop in Buffalo, NY — a project that celebrates the people and philosophies behind local food culture in my hometown.


Buffalo’s evolving culinary scene, shaped by immigrant and refugee communities, continues to inspire my storytelling. I shared that my approach to food photography is always rooted in authenticity, connecting with the people behind the dishes, understanding their values, and embracing the imperfect moments that make their stories real.


\"Tom


The piece also features incredible fellow photographers like Melissa Tantillo, Suzanne Becker Bronk, and Ellen Speiser, all highlighting the diversity and creativity within the U.S. food scene.


You can read the full feature here: Around the World in Photographers: USA





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\n
\n

REFERRALS

\n\n

\nPartner Referral Program\n

\n\n
\n\n

My business grows through trusted creative relationships.\n\nIf we’ve worked together before and you know another agency, publication, or brand that could use strong imagery, I’d love an introduction.

\n\n
\n
\n

When you introduce me via email to a new client and that introduction leads to a booked project, you’ll receive a 10% project credit based on the project’s creative and usage fees (excluding production costs)..

\n\nMake An Introduction To Claim Your Credit\n\n\n
\n
\nWho’s Eligible?\n\nCurrent or past clients with at least one completed, paid project.\n\nReferred clients must be new — with no prior contact, quotes, or proposals.\n\nWhen Are Credits Issued?\n\nCredits are issued once the referred project is complete and all invoices (deposit and final) are paid in full.\n\nLimited to one credit per referred client.\n\nHow Do Project Credits Work?\n\nCredits may be applied toward creative fees, licensing, or retouching on future projects.\n\nCredits are non-transferable and hold no cash value.\n\nCredits expire 12 months from the issue date.\n

\n\n
\n
\n
\n
\n","size":{"content":{"width":0,"height":0},"thumb":{"width":0,"height":0},"pageImages":[],"featuredImage":{"width":0,"height":0},"bytes":0},"filters":[],"linkTarget":"","key":"13896","dateAdded":"2025-11-12T20:42:34.506Z","overrides":{}},"13897":{"id":13897,"label":"VE20251027_00032","caption":"","type":"image","content":"VE20251027_00032.jpg","size":{"content":{"width":1600,"height":1067},"thumb":{"width":0,"height":0},"bytes":251582,"featuredImage":{"width":0,"height":0}},"filters":[],"dateAdded":"2025-11-14T04:35:47.270Z","keywords":[],"key":"13897","overrides":{},"linkTarget":""},"13898":{"id":13898,"label":"subscribe","caption":"","type":"link","content":"https://lukecoppingphotography.activehosted.com/f/1","size":{"content":{"width":0,"height":0},"thumb":{"width":0,"height":0},"bytes":0,"featuredImage":{"width":0,"height":0}},"filters":[],"dateAdded":"2025-11-24T16:43:28.023Z","linkTarget":"_blank","overrides":{}},"13899":{"id":13899,"label":"Chef Camille Le Caër","caption":"","type":"html","content":"

Chef Camille Le Caër


\"A


Camille Le Caër doesn't fit a label. He's a French-born private chef who trained in Michelin-starred restaurants and moves easily between macarons and poulet rôti. A Food Network competitor. A Buffalo firefighter. Once you get to know him, it all just makes sense.


\"A


We started in his kitchen. No direction or posing. Just Camille in his own space. The room felt like him: ordered but warm, functional with a little edge. He didn't need to perform. The calm focus and quiet confidence were already there. These images are all about the relaxed focus that comes before the chaos of serving a meal to his guests. We talked about the need to create space for yourself in the day to recenter and refocus, and build time for calm.


\"A


The studio came next. Camille carries a natural composure that photographs easily. The images from that part of the project feel sharp and grounded, but we also spent a lot of time playing with ideas and throwing in a few wild-card concepts to keep things from feeling too austere.


\"A


At the firehouse in South Buffalo, that same composure took on new weight. The department runs on a brigade system, not unlike the kitchens where he trained in France. Structured, fast, and built on trust. Camille fits in both worlds. The work, the rhythm, and the respect for precision come from the same place. He seems at home here as he does in the kitchen (and I'm sure the other members of his fire company don't mind having a professional chef in their ranks; I'd wager they eat well when it's his turn to cook).


\"A


We finished at a rented house that looked like a Wes Anderson after a good party. Deep greens, soft pinks, and laughter bouncing off every wall. Lots of direct flash here. Camille on a couch, mid-story, bowl of noodles in hand (His guilty pleasure food, which ended up hanging out of his mouth on occasion). The version of him that reminds you that food and life should both be fun.


\"A


By the end, the project wasn't about contrast. It was about consistency. The same person, steady across every environment and a variety of creative approaches, just bringing different parts of his multi-faceted personality to the surface for each. The kitchen and the firehouse both run on discipline, training, and good instincts. That balance is what draws me to this kind of work as a commercial photographer in Buffalo, creating portraits that illustrate the character and range of chefs, athletes, and people with layered stories like Camille's.


\"A

\"A

\"A


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","type":"image","content":"chef-portrait-warm-natural-light-restaurant-interior.jpg","size":{"content":{"width":855,"height":1140},"thumb":{"width":0,"height":0},"bytes":139874,"featuredImage":{"width":0,"height":0}},"dateAdded":"2025-12-04T04:05:58.709Z","filters":[],"linkTarget":"","key":"13903","overrides":{},"keywords":[],"postDate":"2026-01-08T17:26:09.748Z"},"13904":{"id":13904,"label":"colorful-portrait-man-holding-lemon-against-pink-wall","caption":"","type":"image","content":"colorful-portrait-man-holding-lemon-against-pink-wall.jpg","size":{"content":{"width":1710,"height":1140},"thumb":{"width":0,"height":0},"bytes":214076,"featuredImage":{"width":0,"height":0}},"keywords":[],"dateAdded":"2025-12-04T04:06:17.296Z","linkTarget":"","overrides":{},"filters":[]},"13905":{"id":13905,"label":"A dramatic side-profile portrait lit with deep teal and red tones, creating a cinematic and moody atmosphere.","caption":"","type":"image","content":"creative-portrait-moody-colored-lighting.jpg","size":{"content":{"width":855,"height":1140},"thumb":{"width":0,"height":0},"bytes":223171,"featuredImage":{"width":0,"height":0}},"dateAdded":"2025-12-04T04:06:20.711Z","keywords":[],"filters":[],"overrides":{},"linkTarget":""},"13906":{"id":13906,"label":"Smiling firefighter leaning on striped fire truck","caption":"","type":"image","content":"firefighter-portrait-on-truck-bright-safety-gear.jpg","size":{"content":{"width":1710,"height":1140},"thumb":{"width":0,"height":0},"bytes":493226,"featuredImage":{"width":0,"height":0}},"overrides":{},"filters":[],"postDate":"2026-01-20T19:28:52.651Z","keywords":[],"linkTarget":"","dateAdded":"2025-12-04T04:06:26.011Z"},"13907":{"id":13907,"label":"modern-portrait-chef-in-tailored-jacket-studio-lighting","caption":"","type":"image","content":"modern-portrait-chef-in-tailored-jacket-studio-lighting.jpg","size":{"content":{"width":912,"height":1140},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":315083},"dateAdded":"2025-12-04T04:06:28.696Z","linkTarget":"","filters":[],"overrides":{},"keywords":[]},"13908":{"id":13908,"label":"Man at rustic table with whiskey in warm light","caption":"French Chef Camille Le Ceär is a television personality from Buffalo NY","type":"image","content":"moody-portrait-man-at-table-with-drink.jpg","size":{"content":{"width":1710,"height":1140},"thumb":{"width":0,"height":0},"bytes":311719,"featuredImage":{"width":0,"height":0}},"filters":[],"keywords":[],"dateAdded":"2025-12-04T04:06:42.320Z","key":"13908","linkTarget":"","postDate":"2026-01-20T19:27:21.946Z","overrides":{}},"13909":{"id":13909,"label":"A playful portrait of a man in a patterned blazer eating noodles with chopsticks from a blue bowl, seated against a dark background.","caption":"","type":"image","content":"playful-portrait-man-eating-noodles-with-chopsticks.jpg","size":{"content":{"width":1710,"height":1140},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":571354},"filters":[],"keywords":[],"linkTarget":"","dateAdded":"2025-12-04T04:06:46.358Z","overrides":{},"postDate":"2026-01-20T19:27:21.946Z"},"13910":{"id":13910,"label":"relaxed-portrait-man-on-green-sofa-with-tropical-accents","caption":"","type":"image","content":"relaxed-portrait-man-on-green-sofa-with-tropical-accents.jpg","size":{"content":{"width":1710,"height":1140},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":443429},"overrides":{},"filters":[],"dateAdded":"2025-12-04T04:06:49.504Z","keywords":[],"linkTarget":""},"13911":{"id":13911,"label":"Chef in tailored suit seated in light studio","caption":"","type":"image","content":"studio-portrait-chef-in-modern-tailored-suit.jpg","size":{"content":{"width":1710,"height":1140},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":500741},"linkTarget":"","dateAdded":"2025-12-04T04:06:55.135Z","filters":[],"overrides":{},"postDate":"2026-01-20T19:27:21.946Z","keywords":[]},"13912":{"id":13912,"label":"cropped-BoldJourney1-1","caption":"","type":"image","content":"cropped-BoldJourney1-1.png","size":{"content":{"width":722,"height":314},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":8718},"filters":["press logos"],"dateAdded":"2025-12-18T18:48:57.391Z","keywords":[],"overrides":{},"linkTarget":""},"13913":{"id":13913,"label":"header_pro-photo-daily","caption":"","type":"image","content":"header_pro-photo-daily.gif","size":{"content":{"width":730,"height":106},"thumb":{"width":0,"height":0},"bytes":9078,"featuredImage":{"width":0,"height":0}},"dateAdded":"2025-12-18T18:53:42.737Z","filters":["press logos"],"keywords":[],"linkTarget":"","overrides":{}},"13914":{"id":13914,"label":"Shrouds Featured In American Photography's ProPhoto Daily","caption":"","type":"html","content":"

Shrouds Featured In American Photography's ProPhoto Daily



As a Buffalo-based commercial and editorial photographer, I focus on people—their stories, rituals, and resilience (even after they are gone). Shrouds is one of the most personal projects I’ve ever created.


Recently featured by American Photography's ProPhoto Daily, this series explores how we honor grief and what it means to photograph the invisible. These portraits aren’t about spectacle — they’re about presence, memory, and what’s left behind when something ends.


“I wanted to create images that felt like memory — intimate, incomplete, and slightly haunted. Not horror. Not glamour. Just a sense of ritual being witnessed.”


You can read the whole story on ProPhoto Daily. It's behind a paywall; you can also read an alternative version on Wonderful Machine.


\"Shrouded



","thumb":"Luke-Copping-conceptual-photographer-Buffalo-NY-10625-thumb.jpg","size":{"content":{"width":0,"height":0},"thumb":{"width":1200,"height":800},"featuredImage":{"width":0,"height":0},"bytes":0,"pageImages":[{"src":"ghostly-figure-wearing-a-yellow-shroud-in-field.jpg","width":2550,"height":1700},{"src":"red-ghost-lakeshore-breakwater-sunset.jpg","width":1710,"height":1140}]},"key":"13914","linkTarget":"","dateAdded":"2025-12-18T19:19:10.003Z","filters":["Blog Posts"],"postDate":"2025-12-19T04:11:04.301Z","overrides":{}},"13915":{"id":13915,"label":"Interviewed In Bold Journey","caption":"","type":"html","content":"

Interviewed In Bold Journey



What do you leave behind — and who’s it for?


That’s the question I sat with in my recent interview with Bold Journey, where we talked about creative legacy, embracing discomfort, and the very real (and very human) side of building a long-term creative career. I shared some thoughts on resilience, imposter syndrome, and why sticking around matters more than going viral.


“You can’t fake longevity. You can’t skip the chapters where it gets weird or uncomfortable. That’s where the work sharpens you.”


As a Buffalo-based commercial photographer working across the U.S. and Canada, legacy means a lot to me. I want to pass something on to the next generation of creatives that come from this city.


This one’s for those who’ve stuck it out — and those who are just now realizing that this work is about a lot more than just showing up.


Read the whole interview on Bold Journey



","thumb":"c-1764521521034-personal_1764521520617_1764521520617_lukecopping_img_56-thumb.jpg","size":{"content":{"width":0,"height":0},"thumb":{"width":810,"height":1080},"pageImages":[{"src":"bio-photo-luke-copping-buffalo-photographer3.jpeg","width":640,"height":800}],"bytes":0,"featuredImage":{"width":0,"height":0}},"filters":["Blog Posts"],"linkTarget":"","key":"13915","dateAdded":"2025-12-18T19:32:53.549Z","overrides":{},"postDate":"2025-12-18T19:38:26.650Z"},"13916":{"id":13916,"label":"Pale blue veiled figure standing on icy hill","caption":"A figure entirely wrapped in pale blue-grey fabric stands at the edge of a frozen lakeshore, grey sky and grey water nearly indistinguishable behind them.","type":"image","content":"veiled-figure-pale-blue-fabric-winter-coast.jpg","size":{"content":{"width":855,"height":1140},"thumb":{"width":0,"height":0},"bytes":105483,"featuredImage":{"width":0,"height":0}},"postDate":"2026-01-05T19:02:42.517Z","keywords":[],"overrides":{},"dateAdded":"2026-01-05T19:01:32.157Z","filters":["Blog Posts"],"key":"13916","linkTarget":""},"13917":{"id":13917,"label":"Ghostly figure in blue standing on broken ice floes","caption":"A figure draped head-to-toe in bright blue fabric stands on cracked ice floes beneath a heavy overcast sky, surrounded by a vast frozen winter landscape.","type":"image","content":"solitary-figure-blue-fabric-frozen-landscape.jpg","size":{"content":{"width":1710,"height":1140},"thumb":{"width":0,"height":0},"bytes":348784,"featuredImage":{"width":0,"height":0}},"postDate":"2026-01-05T19:02:42.517Z","overrides":{},"filters":["Blog Posts"],"linkTarget":"","key":"13917","keywords":[],"dateAdded":"2026-01-05T19:01:33.288Z"},"13918":{"id":13918,"label":" Shrouds Is Back","caption":"","type":"html","content":"

Shrouds Is Back

\"A


The Shrouds project keeps stretching in directions I didn’t fully plan for, which is usually how I know I’m onto something. These newer images lean into colder, quieter spaces — shorelines, frozen ground, places that feel temporarily paused rather than truly empty. I’m not chasing drama here. I’m chasing that low, uneasy feeling you get when something feels out of place. These figures don’t explain themselves. They don’t perform. They just exist.


Living and working in Buffalo means spending time around places that feel ordinary until you look closer. Streets you pass every day. Shorelines that change with the season. Neighborhoods shaped by work, loss, and repetition. That sense of quiet accumulation is a big part of how I approach the images in Shrouds. 


See the whole Shrouds collection here. 


\"ghostly





","thumb":"veiled-figure-pale-blue-fabric-winter-coast0thumb.jpg","size":{"content":{"width":0,"height":0},"thumb":{"width":855,"height":1140},"bytes":0,"featuredImage":{"width":0,"height":0},"pageImages":[{"src":"veiled-figure-pale-blue-fabric-winter-coast.jpg","width":855,"height":1140},{"src":"solitary-figure-blue-fabric-frozen-landscape.jpg","width":1710,"height":1140}]},"key":"13918","postDate":"2026-01-05T19:32:25.854Z","filters":["Blog Posts"],"dateAdded":"2026-01-05T19:03:20.733Z","overrides":{},"linkTarget":""},"13919":{"id":13919,"label":"Case Study: M&T Bank","caption":"","type":"html","content":"

Case Study: Building A Global Portrait Program for M&T Bank

\"Professional


The Business Reality


Growth is great. Mergers are strategic. But visually? They can get messy fast. As M&T Bank expanded through acquisitions, including the integration of Wilmington Trust, the organization faced a familiar challenge for large financial institutions: How do you make thousands of employees — across legacy organizations, regions, and cultures — look like one unified brand?


With 22,000+ employees across the U.S. and Europe, corporate portraits weren’t just headshots anymore. They were brand assets—used for:



\"Professional


The Challenge


Before implementing a centralized program:



Inconsistency wasn’t just cosmetic. It diluted trust. As one internal stakeholder put it:


“Every employee’s corporate portrait varied in cropping, coloring, background, and more.”


The bank needed a solution that could:



\"Professional


The Solution: One Look. One Standard. Everywhere.


I developed a clear, modern portrait aesthetic aligned with M&T’s brand values:


This became the visual anchor across newly merged teams.


Luke helped us establish modernized wardrobe and photography guidelines that deliver the true authenticity of our employees.”



Built for Growth


As M&T acquired and integrated other financial institutions, visual consistency became non-negotiable. Rather than forcing legacy teams into awkward one-off sessions, I:



Different offices. Different photographers. One unified brand.


“We needed one consistent portrait for each and every employee — no matter where, or which photographer handled the photography.”



A Unified Scheduling System


To eliminate inbox chaos and scheduling bottlenecks, I developed and implemented a centralized scheduling platform that:



Employees scheduled themselves. Billing stayed clean. Marketing and HR stayed out of the weeds.


“Luke set up an automated scheduling system… managed pricing… and oversaw the final product until we had perfection.”



Training, Prep & Consistency at Every Step


Consistency doesn’t happen by accident — it’s trained. I developed and delivered:



The result: fewer reshoots, fewer questions, and portraits everyone was comfortable with.



Beyond Headshots: Ongoing Corporate Support


The portrait program became the foundation for my assistance to the bank in a myriad of photographic services. I also consult on and manage:



From briefing through final delivery, I oversee quality, consistency, logistics, and vendor coordination — so nothing slips through the cracks.


\"Professional


The Results



Most importantly, employees — from legacy teams to newly merged organizations — now look like they belong to the same institution.


“He is helping us to build a consistent army of brand ambassadors, efficiently, saving our organization countless hours every year.”



Why This Matters to Growing Organizations


If your company is:



Your photography system needs to scale with your business, not fight it.



The Takeaway


Corporate photography shouldn’t slow growth. It should support it quietly, consistently, and professionally. That’s what a well-built portrait program does: – one brand one system, zero friction



Let’s talk through your headshot and brand photography needs — and build a system that works long-term.


→ Book a Discovery Call



The Client's Thoughts:


Luke Copping has been a tremendous asset to M&T Bank to help us establish and manage our company’s corporate portrait program. With 22,000+ employees, across the United States and Europe, we needed a turnkey program that would ultimately deliver one consistent portrait for each and every one of our employees, no matter where, or which photographer in our network handled the photography. Luke identified every photographer within our network, worked with each individually to train and set up the portrait specifications, set up an automated scheduling system on our platform for employee self-service, managed regional pricing and negotiation, and alternative options for background retouching to provide our employees with internal and external use images. Additionally, Luke consults, and oversees all the logistics, and pricing for custom photography needs for our organization. This includes large group photography management, individual executive photography for editorial use, working with other commercial photographers for architectural shots of our building in a variety of locations across Florida – managing the logistics and oversight of the final product until we have perfection. Before Luke, every employee’s corporate portrait varied either in cropping, coloring, background and more. He helped us establish modernized wardrobe and photography guidelines that deliver the true authenticity of our employees. He is helping us to build a consistent army of brand ambassadors efficiently, saving our organization countless hours every year through his management of this program.  
Leslie Sanford, Senior Vice President, Creative Studio @ M&T Bank













","thumb":"dowell-rashida-thumb-green-dress.jpg","size":{"content":{"width":0,"height":0},"thumb":{"width":912,"height":1140},"bytes":0,"featuredImage":{"width":0,"height":0},"pageImages":[{"src":"professional-headshot-woman-white-blazer-studio.jpg","width":1824,"height":1140},{"src":"professional-headshot-woman-green-dress-studio.jpg","width":1824,"height":1140},{"src":"professional-headshot-man-gray-jacket-studio.jpg","width":1824,"height":1140},{"src":"professional-headshot-man-navy-suit-studio.jpg","width":1824,"height":1140}]},"dateAdded":"2026-01-08T00:32:40.141Z","key":"13919","filters":[],"overrides":{},"linkTarget":""},"13920":{"id":13920,"label":"Case Study: Buffalo Medical Group","caption":"","type":"html","content":"

Case Study: Making Buffalo Medical Groups Provider Portraits Easy, Consistent, and Human


\"A


The Business Reality


In healthcare, time is the most limited resource. Providers move fast. Clinics don’t pause. And no one wants to feel rushed through something personal — especially a portrait.


But provider imagery matters. For many patients, the first interaction with a physician happens online, long before an appointment is booked. Trust often begins with a photograph.

For Buffalo Medical Group, the goal was clear:




The Challenge


Healthcare providers are extremely busy — and administrative teams are already stretched thin. As BMG leadership put it:


“Creating a system to make the portrait process as easy and time-friendly as possible is a must.”


Past challenges were familiar:



The issue wasn’t photography skill; it was a poorly designed process and an experience.


\"Doctor


The Solution: A Provider-Centered Portrait System


1. One-Link Scheduling, Fully Managed by My Team

To eliminate friction entirely, my team and I implemented a simple, one-link booking platform that we manage end-to-end.

With a single link:



“By having the scheduling tool available, providers can choose the time that works best for them and it removes any need for a middleman.”


Simple for providers. Invisible for staff.


2. Sessions Designed for Comfort — Not a Conveyor Belt


Efficiency doesn’t have to feel rushed. I intentionally crafted each session with enough time built in so that providers:


That time mattered. It allowed providers to:


The result was a collaborative environment—not a production line.


“Luke brings a level of experience that makes even the most uncomfortable, camera-shy subjects relaxed and at ease.”


3. Built for Busy Clinics, Refined Through Experience


The workflow balanced speed with care:



“Luke has it down to a science — quick, professional styling and a shooting process that makes this easy for providers to get high-quality results in a short time frame.”


4. Consistency Without Micromanagement


Because of the long-term relationship between BMG and my team:



“We have a level of trust that we will get the results we are looking for without having to micromanage each session. It truly runs like a fine Swiss watch.”


\"Physician


The Impact: Trust Starts Before the Appointment

In healthcare, photography isn’t about polish alone—it’s about approachability.


“Often the initial interaction between patients and providers is via the website, so it’s important that we capture the warm, empathetic side of our providers.”


By creating space for comfort and collaboration, the portraits now reflect:



Whether providers are new to the group or longtime team members updating their image, the response is consistent:


“They are uniformly happy with the results.”


Why Buffalo Medical Group Continues the Relationship


When asked what matters most:


“Quality. It’s a watchword that I have come to depend on when working with Luke.”


And when providers hesitate or want to shortcut the process:


“I simply point them to the website so they can see that the results speak for themselves.”


The philosophy is simple:


“Getting it done right the first time, with the highest possible quality—that’s what doing business with Luke is all about.”
— Jeff Johns, Buffalo Medical Group


\"Doctor


The Takeaway


Healthcare photography should:



Quality. Care. Done right the first time.


Provider Portraits Without the Scheduling or Comfort Tradeoffs


If your medical group needs consistent, professional provider photography—managed through a single booking link and designed for provider comfort—let’s talk.


→ Schedule a Discovery Call






","thumb":"professional-headshot-woman-in-hijab-navy-background-thumb.jpg.jpg","size":{"content":{"width":0,"height":0},"thumb":{"width":1710,"height":1140},"featuredImage":{"width":0,"height":0},"bytes":0,"pageImages":[{"src":"corporate-headshot-woman-arms-crossed-studio-background.jpg.jpg","width":1710,"height":1140},{"src":"business-headshot-man-in-suit-navy-background.jpg.jpg","width":1694,"height":1140},{"src":"medical-headshot-man-in-teal-scrubs-studio-background.jpg.jpg","width":1709,"height":1140},{"src":"professional-headshot-woman-in-hijab-navy-background.jpg.jpg","width":1710,"height":1140}]},"filters":[],"key":"13920","linkTarget":"","dateAdded":"2026-01-08T01:07:39.310Z","overrides":{}},"13921":{"id":13921,"label":"Case Study: The Martin Group","caption":"","type":"html","content":"

Case Study: Keeping a Creative Agency’s Visual Identity Consistent as It Grows

\"Woman


The Business Reality


For a creative agency, appearances matter. When The Martin Group began a full rebrand — including a new website — the stakes were high. Their client roster included national, culturally fluent brands, and their digital presence needed to reflect that level of relevance.

One page mattered more than most: the Team page


It was heavily trafficked, highly visible, and often the first place potential clients went to understand the agency’s culture.



The Challenge


The Martin Group needed portraits that:



As they put it:


“We needed our portraits to express Martin’s culture and our individual personalities.”


That challenge only grew more complex as:



\"fun-business-portrait-woman-brown-sweater-laughing.jpg\"


The Solution: A Timeless, Scalable Portrait System


1. Defining a Look That Could Last

The Martin Group hired me because they believed my work would bring:



From the start, the focus wasn’t novelty—it was timeless relevance.


“We strongly felt his portfolio would bring a fresh, edgy, and unique perspective to the equation.”


2. Consistency Over Years — Not Just One Shoot


Because the agency was—and still is—constantly growing, new portraits needed to seamlessly match older ones.

That meant:



“Luke has been able to provide consistent visual assets over the years that remain timeless, current, and on brand.”


New hires never looked like an afterthought.


3. Multi-Office Execution Without Visual Drift


With offices throughout New York State, logistics mattered.

For Rochester-based employees:



For Albany, distance and cost required a different approach:



Different locations. Different photographers. One visual identity.


“Luke was able to instruct another photographer with the goal of replicating his consistent look, then applied his finishing touches in postproduction.”


4. A Process That Becomes Second Nature

Over time, the collaboration became exactly what growing teams need: predictable, efficient, and easy.


“Working with him over the years has become a well-oiled machine which enabled the process to become very efficient and convenient.”


No relearning. No reinvention. Just a system that works.


\"professional-portrait-woman-black-blazer-studio.jpg\"


The Results


Most importantly, the photography continues to reinforce how The Martin Group wants to be perceived—by clients, prospects, and future hires alike.


“The quality of photography and services that Luke consistently provides year-over-year continues to galvanize our trust and relationship.”


You can visit The Martin Group's Team Page here.


Why This Matters to Growing Agencies & Creative Teams


If your agency:



Your portraits can’t feel like a one-time project. They need to be part of your brand system.


\"casual-professional-portrait-woman-blazer-white-top.jpg\"


The Takeaway


Creative teams don’t need chaos. They need:



That’s how culture stays visible—even as teams evolve.


Team Portraits That Grow With Your Agency


If your agency needs portraits that reflect culture, stay consistent over time, and scale across locations, let’s talk.


→ Schedule a Discovery Call


No hard sell. Just a smart conversation about building something that lasts.


\"casual-business-portrait-man-gray-blazer-jeans.jpg\"





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Taken for Wilmington Trust. ","type":"image","content":"business-portrait-outdoors-city-building-background.jpg","size":{"content":{"width":1709,"height":1140},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":268987},"key":"13930","keywords":[],"linkTarget":"","filters":[],"postDate":"2026-01-21T15:50:39.786Z","overrides":{},"dateAdded":"2026-01-08T17:25:27.428Z"},"13931":{"id":13931,"label":"Smiling bearded man in kitchen with wood-fired oven","caption":"A chef stands in front of a wood-fired oven in his restaurant kitchen. ","type":"image","content":"chef-restaurant-owner-portrait-wood-fired-oven.jpg","size":{"content":{"width":1710,"height":1140},"thumb":{"width":0,"height":0},"bytes":265738,"featuredImage":{"width":0,"height":0}},"overrides":{},"filters":[],"key":"13931","linkTarget":"","dateAdded":"2026-01-08T17:26:32.690Z","keywords":[]},"13932":{"id":13932,"label":"Woman with blue braids smiling on orange background","caption":"Woman with blue braids smiling on an orange background. Photographrd for Visit Buffalo","type":"image","content":"creative-portrait-blue-braids-orange-background.jpg","size":{"content":{"width":1710,"height":1140},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":361249},"keywords":[],"overrides":{},"dateAdded":"2026-01-08T17:26:35.929Z","linkTarget":"","key":"13932","filters":[]},"13933":{"id":13933,"label":"Portrait of woman seated in modern dark blue cafe interior","caption":"Portrait of a woman seated in a modern dark blue interior of her restaurant and wine bar in Buffalo NY\n","type":"image","content":"creative-professional-portrait-modern-cafe-interior.jpg","size":{"content":{"width":1710,"height":1140},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":421169},"linkTarget":"","filters":[],"overrides":{},"keywords":[],"dateAdded":"2026-01-08T17:26:38.981Z","key":"13933"},"13934":{"id":13934,"label":"Woman in red blazer leaning on desk in colorful studio","caption":"Woman in red blazer leaning on desk in a colorful artists studio\n ","type":"image","content":"creative-professional-portrait-woman-in-red-blazer-studio.jpg","size":{"content":{"width":855,"height":1140},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":312165},"linkTarget":"","key":"13934","dateAdded":"2026-01-08T17:26:41.166Z","keywords":[],"filters":[],"overrides":{}},"13935":{"id":13935,"label":"Man in denim seated on sculptural bench with patterned wall","caption":"David Brugh of Crockett and Co. salon, Buffalo NY, seated in a room with bold decorative wallpaper.","type":"image","content":"designer-portrait-ornate-wallpaper-and-sculptural-bench.jpg","size":{"content":{"width":855,"height":1140},"thumb":{"width":0,"height":0},"bytes":353658,"featuredImage":{"width":0,"height":0}},"key":"13935","overrides":{},"filters":[],"postDate":"2026-01-21T15:48:46.605Z","dateAdded":"2026-01-08T17:26:43.174Z","keywords":[],"linkTarget":""},"13936":{"id":13936,"label":"Man in gray suit standing in city street at dusk lighting","caption":"Former Buffalo, NY, Mayor Chris Scanlon photographed at Dusk on a city street. ","type":"image","content":"executive-portrait-gray-suit-city-street-at-dusk.jpg","size":{"content":{"width":1710,"height":1140},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":342487},"overrides":{},"dateAdded":"2026-01-08T17:26:47.899Z","keywords":[],"filters":[],"linkTarget":"","key":"13936"},"13937":{"id":13937,"label":"Man in suit holding hardhat at active construction site","caption":"M&T Bank President Rene Jones in a suit holding hard hat at an active construction site\n","type":"image","content":"executive-portrait-man-in-construction-site-with-hardhat.jpg","size":{"content":{"width":912,"height":1140},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":223083},"linkTarget":"","filters":[],"dateAdded":"2026-01-08T17:26:50.015Z","key":"13937","keywords":[],"overrides":{}},"13938":{"id":13938,"label":"Man in suit seated in bright modern atrium with greenery","caption":"Man in suit seated in bright modern atrium with greenery\n","type":"image","content":"executive-portrait-man-in-modern-atrium.jpg","size":{"content":{"width":1710,"height":1140},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":568826},"overrides":{},"dateAdded":"2026-01-08T17:26:53.342Z","linkTarget":"","keywords":[],"filters":[],"key":"13938"},"13939":{"id":13939,"label":"Executive posing on rooftop with city buildings behind","caption":"A Wilmington Trust wealth advisor posing on a rooftop with city buildings behind him. ","type":"image","content":"executive-portrait-on-rooftop-city-background.jpg","size":{"content":{"width":1710,"height":1140},"thumb":{"width":0,"height":0},"bytes":255278,"featuredImage":{"width":0,"height":0}},"keywords":[],"filters":[],"linkTarget":"","overrides":{},"key":"13939","dateAdded":"2026-01-08T17:26:55.950Z"},"13940":{"id":13940,"label":"Executive in suit posing outdoors under colorful sky","caption":"Executive in a suit posing outdoors under a colorful sky at Sunrise in Western NY\n","type":"image","content":"executive-portrait-outdoor-sunrise-business-headshot.jpg","size":{"content":{"width":1710,"height":1140},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":501703},"dateAdded":"2026-01-08T17:27:06.608Z","filters":[],"linkTarget":"","keywords":[],"overrides":{},"key":"13940"},"13941":{"id":13941,"label":"Woman sitting on red sofa in modern office space","caption":"Wilmington Trust CEO Doris Meister sitting on a red sofa in a modern office space","type":"image","content":"executive-portrait-red-sofa-modern-office.jpg","size":{"content":{"width":1709,"height":1140},"thumb":{"width":0,"height":0},"bytes":719496,"featuredImage":{"width":0,"height":0}},"postDate":"2026-01-21T15:48:30.641Z","linkTarget":"","dateAdded":"2026-01-08T17:27:09.172Z","key":"13941","filters":[],"overrides":{},"keywords":[]},"13942":{"id":13942,"label":"Woman in black suit seated on steps in bright glass atrium","caption":"Woman in black suit seated on steps in bright glass atrium\n","type":"image","content":"executive-portrait-woman-on-steps-modern-atrium.jpg","size":{"content":{"width":1710,"height":1140},"thumb":{"width":0,"height":0},"bytes":166087,"featuredImage":{"width":0,"height":0}},"filters":[],"overrides":{},"key":"13942","keywords":[],"dateAdded":"2026-01-08T17:27:10.602Z","linkTarget":""},"13943":{"id":13943,"label":"Person in light gray suit seated by wood and metal wall","caption":"A business owner is photographed outdoors on a stool by a wooden and metal wall. 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Corporate Photography Services

\"University

Look Good. Look Like a Team. Don’t Lose Weeks Doing It.


Corporate photography gets a bad rap — and honestly, it’s earned. Most people have survived the “stand in front of this muslin backdrop and pretend to smile” era, so it’s no wonder your team dreads headshot day.


I create portraits of real people who have jobs to return to. Executives, analysts, providers, operators, creatives — whoever keeps your company moving. My job is to make the process fast, comfortable, and organized, so you don’t end up refereeing schedules or explaining for the 12th time why everyone can’t just “use their phone picture from LinkedIn.”


My team handles the boring stuff (scheduling, logistics, delivery). I handle the hard parts (lighting, posing, getting camera-shy people to look confident rather than haunted). The result? Your company gets consistent, brand-attuned images, and your people get back to their days on time and with their dignity intact.


What I Offer

\"Casual

High-Volume Corporate Portraits

For companies onboarding, growing, rebranding, or just tired of pretending the group Slack avatar mosaic is “fine for now.”


Good for:


What you get:


This is the option when you need portraits that feel consistent, useful, and brand-attuned across roles and offices — without turning into a scheduling nightmare for your internal team.


\"Woman

Executive Image Libraries

The problem with executive imagery is that a single headshot gets asked to do way too much.


One portrait can’t cover a press release, a keynote, a LinkedIn refresh, and a feature in your industry’s trade publication. And yet, marketing and PR teams are constantly asked to make that one JPEG bend the laws of physics.


Executive Image Libraries fix that.


Instead of leaving your leadership team with one “corporate passport photo,” we create a small but mighty portfolio that actually works in the real world. We build a usable photo library for your leadership team — multiple looks, crops, and formats — so you can move fast and stay relevant without recycling the same headshot for three years.


Ideal for:


You get options. PR gets variety. Marketing gets speed. Nobody gets stuck with “that one picture” forever.


\"professional-headshot-woman-white-blazer-studio\"

Full-Service Portrait Program Management

If your company has multiple offices or hires across different cities, this is where things usually fall apart. I fix that.


I can:


This is for companies that want the results without micromanaging their photographers across five time zones.



People Who Can Vouch for This

\"Headshot

“You’ll be taken by his enthusiasm and professionalism… and you’ll also come to discover he’s magic behind the camera.” — Michael Tsanis, Creative Director, The Martin Group


“Modern and edgy imagery that instilled new life into the campaign… start to finish is seamless and thorough.” — Nicole Reinard, Senior Art Director, Crowley Webb


“I’ve worked with Luke on a number of projects—his process is organized, reliable, collaborative, and consistently delivers beautiful work.” — Brandon Davis, Creative Director, Block Club


“His ability to deliver extraordinary quality work, meet deadlines, and do so without disrupting his commercial clients is exemplary.” — Robert Finan, Owner & Head Distiller, Tommyrotter Distillery


Support Services (Optional but Popular)

\"Person

These are the quiet features that make everything feel polished:


Aesthetic Development

We define the look once so it scales across people, offices, and time.


Prep Guides

Wardrobe + grooming instructions for actual humans who appreciate clarity.


Support Crew

Producers, stylists, techs, assistants, retouchers — across US / Canada / Europe.


Workflow Development

Scheduling tools, delivery specs, metadata standards, and internal comms templates so your marketing team doesn’t have to reinvent the wheel.


How It Works (Without Drama)

\"chef-portrait-warm-natural-light-restaurant-interior\"

1. We talk.

What you need, what you hate, what’s not working. We look at your current imagery and your brand goals.


2. You get a plan.

Creative direction + logistics + timeline + pricing. No mystery invoices later.


3. We prep.

Scheduling, guides, testing, scouting, assembling crew — the stuff that prevents surprises.


4. We create images + deliver.

Fast, comfortable sessions, clear direction, solid retouching, and files delivered exactly as marketing needs them. No drama. No disappearing photographer act. No guesswork about timelines.


Common Objections (and What We Say Back)

\"Woman

“We can just take photos ourselves.”

Sure — and you can build IKEA furniture with a butter knife. But internal DIY usually results in mismatched lighting and outdated images (especially across multiple sessions/offices), and no one wants their passport photo as their bio pic. We keep it consistent and painless.


“Our team doesn’t have time for this.”

Great news: I shoot fast, and my one-link scheduling systems lets people pick their own slot without six rounds of emails. Providers, attorneys, and execs love it because they’re in and out.


“We have multiple offices — this won’t work.”

It will. I travel or train photographers in other markets, and I keep the look consistent. No rogue aesthetics.


“Our people hate getting photographed.”

Same. That’s why I take the time to talk, direct, and adjust, and I don't rush anyone. People care about looking like themselves — I help them get there without feeling ridiculous. The assembly-line style of photography has never been an ideal model. People are unique, and they need to feel that the photographic process is something they are part of and have a voice in, not just something happening to them.


“We just did headshots two years ago.”

Perfect — now your leadership team is older, your staff has changed, and your website traffic is judging you. We can refresh strategically without recreating everything at once.


“This sounds expensive.”

It’s more cost-effective than one-off chaos that leads to expensive reshoots. Centralized systems save money and time and age well.


A Few More Words From People Who Aren’t Me

\"Portrait

“A well-oiled machine.” — Jeff Johns, Director of Marketing, Buffalo Medical Group


“Luke is incredibly easy to work with… the final results speak for themselves.” — Katie Hazel, Associate Creative Director, Crowley Webb


“Professional, organized, and a pleasure to work with from start to finish.” — Maria Morreale, Director of Marketing, Albright-Knox Art Gallery


“The portraits speak for themselves — a master of lighting.” — Kevin Aman, Director of Communications, Rich Products Corp


Select Clients

\"Executive

Banks & Financial Services

M&T Bank, Wilmington Trust, First Niagara Bank, Wells Fargo, Arthur J Gallagher and Co.


Healthcare & Medical Systems

Buffalo Medical Group, Catholic Health, Blue Cross Blue Shield of WNY. Implant Direct.


Legal Services

Lipsitz Green Scime Cambria LLP, Cellino Law, Harter Secrest & Emery, Richmond Vona, Hodgson Russ, New York State Bar Association.


Creative & Marketing Agencies

The Martin Group, Crowley Webb, Block Club, Maxilla Marketing.


Manufacturing & Industrial

Rich Products, Precious Plate Inc., ESAB, Precision Process Equipment, Cascades.


Hospitality & Tourism

Tommyrotter Distillery, Chef Darian Bryan, Chef Camille Le Caër, Visit Buffalo.


Arts, Education & Nonprofit

Albright-Knox Art Gallery, Hamilton College, Utica College, Northwestern University, The Health Foundation of Western and Central NY. Waterboys, The Chris Long Foundation, University of Phoenix. The Steadfast Foundation, University of Miami Medicine.


If You Need This to Be Easy


I make it easy.


All you have to do is tell me what needs fixing and how fast. I’ll handle the rest and keep you looped in without blowing up your inbox.


→ Book a discovery call










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Client Testimonials


When Visit Buffalo needed new staff portraits on the heels of our rebrand, Luke made the process for our staff so easy. Organizing portraits for 25 staff members in one day is no simple task, but Luke and his team made it feel that way. We couldn't be happier with the end results, too! — Drew Brown ~ Senior Creative Director, @ Visit Buffalo


Luke Copping has been a tremendous asset to M&T Bank in helping us establish and manage our company’s corporate portrait program. With 22,000+ employees across the United States and Europe, we needed a turnkey program that would ultimately deliver one consistent portrait for every one of our employees, no matter where or which photographer in our network handled the photography.
Luke identified every photographer within our network, worked with each individually to train and set up the portrait specifications, set up an automated scheduling system on our platform for employee self-service, managed regional pricing and negotiation, and provided alternative options for background retouching to provide our employees with internal and external use images. Additionally, Luke consults and oversees all the logistics and pricing for custom photography needs for our organization. — Leslie Sanford ~ SVP @ M&T Bank Creative Studios



I have never been a fan of the \"do over.\" I have always strived to make sure that we get things done right the first time, while delivering the highest possible quality results. That in a nutshell is what doing business with Luke is all about; Quality done right, the first time. — Jeff Johns ~ Marketing Director @ Buffalo Medical Group


If you’ve never worked with Luke, you’ll be taken by his enthusiasm, his professionalism, and his undeniable talent. You’ll also come to discover that he’s magic behind the camera, manipulating light and composition in a very singular way. On top of that, he’s also a pleasure to work with. You’ll see it in the way responds to feedback, the way he directs and puts to ease the subjects in front of his camera, as well as the way he manages his support team by both guiding and mentoring them. — Michael Tsanis ~ Creative Director @ The Martin Group


I’ve had the pleasure of working with Luke on a number of projects—both for our agency and our clients. He’s a consummate professional: organized, reliable, attentive to detail, collaborative, creative, and impressively adept at directing his subjects and putting them at ease. Most of all, Luke consistently delivers beautiful, high-quality work — Brandon Davis ~ Creative Director @ Block Club


Luke is one of the best portrait photographers I have ever known. His work speaks for itself, and he has one of the keenest eyes in the industry. — Rachael Swiss ~ Merchandising Manager @ Dasan Inc


Luke is so amazing to work with and extremely knowledgeable. I have had my share of photoshoots, but never have I heard the questions or details that Luke had covered. He was so calculated and prepared that I had no worries for the day of the shoot. Not only did it go as planned, but it matched my dreams and goals perfectly.
Receiving the edited pictures was a smooth and fast process. It was like Christmas morning when I received the final images but I never had to guess what they were going to end up like because he talked us through every step of the process. Highly recommended for any photo needs! — Darian Bryan ~ Celebrity Chef


Luke is incredibly easy to work with. He is eager to collaborate, offers many suggestions and solutions and we always end up with plenty of image options to choose from. — Katie Hazel ~ Associate Creative Director @ Crowley Webb


Luke Copping is the perfect intersection of elite photography skill and professionalism. His ability to deliver extraordinary quality work, meet deadlines and deliverables, and do so in a fashion that least disrupts his fast-moving commercial clients is truly exemplary. He adds no stress, just incredible value. — Robert Finan ~ Owner and Head Distiller @ Tommyrotter Distillery


The results of investing in Luke Copping imagery is significant. We had Luke capture imagery of our physicians, which has increased the inbound referrals. They were shot in a way to showcase their individual personalities and reinforce their approachable nature. — Christie Berardi ~ Past Director of Marketing at Buffalo Medical Group


Luke Copping Photography were a joy to work with. Their level of professionalism and expertise was impressive from project start to finish. — Maria Morreale ~ Past Director of Marketing and Public Relations @ AKG Art Gallery


Working with Luke Copping Photography is always a positive experience. Luke has been providing staff photography services for several years for our team at the Health Foundation for Western & Central New York. It’s impressive how consistent and cohesive the photos he has created for us are; it appears on our website that we all had our photos taken on the same day, even though staff were hired over the course of many years. He captures what you always hope for in photography: the “best” version of our true personalities. Luke and his team make the process easy and efficient with their high level of professionalism. His staff and stylists add an extra layer of service. Luke communicates in a responsive and flexible way, and delivers high-quality work in a timely fashion every time. — Kerry Jones Waring ~ VP of Communications @ Health Foundation Of Western and Central NY


Luke is the ultimate professional! He did an incredible job doing my corporate headshot. I highly recommend him to anyone looking for a photographer for any sort of corporate work. — Heidi Raphael ~ VP of Corporate Communication @ Greater Media, Inc.


When I heard the creative brief for our executive portrait session I was nervous. We had limited access, but multiple location requests. Luke not only gave us a diverse set of excellent images, but he was very respectful of the subjects limited time. The next time I had a similar project with even more high profile subjects, I didn't hesitate in calling Luke and his team. — Kevin Waldron ~ Director @ Publications at Utica College


Luke is a master of lighting. On set, the depth of his talent and skill is on full display as he navigates the changing moods of his subjects. The resulting portraits speak for themselves. — Kevin Aman ~ Director of Communications @ Rich Products Corp, Rich Entertainment Group, and The Rich Family Foundation

















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Creative In Place: Code Red


\"young


I’m honored to have one of my images featured in “Creative in Place: Code Red”, a curated image roundup from Wonderful Machine. Code Red is a showcase of impactful photography that highlights creative visuals featuring the striking use of red.


This image is from a small project I worked on in Havana, Cuba, featuring a group of young boxers and their coaches.


It’s always inspiring to see my work alongside such a talented group of photographers — thank you to Wonderful Machine for including my image in this collection!


👉 Check out the full roundup here


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Included in Wonderful Machine’s Best 2025


\"Wonderful


I’m honored (and very, very excited) to share that I was included as a photographer in Wonderful Machine’s Personal Best 2025.


What makes this especially meaningful is how the list is created. Wonderful Machine polls art producers, photo editors, and creative directors worldwide, asking them which photographers they’ve found influential and inspiring over the past year. Being mentioned in that context means a lot.


It’s also humbling to appear alongside photographers whose work I respect, people like Inti St Claire. Felicia Peretti, Steve McCurry, Alex Prager, and many others whose work continually raises the bar.


Most of my work is collaborative and serves a brief, so recognition rooted in how the work resonates with the people commissioning the photography feels particularly special.


Huge thanks to everyone who thought of me, and to the Wonderful Machine team for putting this together.


You can see the full feature here:


Very grateful — and excited to keep pushing forward!


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bbq","caption":"","type":"image","content":"chef-dj-bbq-christian-stevenson.jpg","size":{"content":{"width":855,"height":1140},"thumb":{"width":0,"height":0},"bytes":346328,"featuredImage":{"width":0,"height":0}},"key":"14397","keywords":[],"dateAdded":"2026-03-10T12:14:02.614Z","filters":[],"linkTarget":"","overrides":{}},"14398":{"id":14398,"label":"ardbeg x southern junction bbq","caption":"","type":"image","content":"smoking-hot-links.jpg","size":{"content":{"width":1710,"height":1140},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":495593},"linkTarget":"","filters":[],"overrides":{},"keywords":[],"key":"14398","dateAdded":"2026-03-10T12:14:17.546Z"},"14399":{"id":14399,"label":"ardbeg x southern junction bbq","caption":"","type":"image","content":"texas-twinkies-in-smoker.jpg","size":{"content":{"width":1710,"height":1140},"thumb":{"width":0,"height":0},"bytes":301408,"featuredImage":{"width":0,"height":0}},"key":"14399","keywords":[],"filters":[],"overrides":{},"linkTarget":"","dateAdded":"2026-03-10T12:14:19.249Z"},"14400":{"id":14400,"label":"ardbeg x southern junction bbq","caption":"","type":"image","content":"wood-logs-burning-in-smoker.jpg","size":{"content":{"width":1710,"height":1140},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":255466},"dateAdded":"2026-03-10T12:14:21.031Z","overrides":{},"key":"14400","linkTarget":"","filters":[],"keywords":[]},"14401":{"id":14401,"label":"ardbeg x southern junction bbq","caption":"","type":"image","content":"cocktail-on-cutting-board-ardbeg.jpg","size":{"content":{"width":1710,"height":1140},"thumb":{"width":0,"height":0},"bytes":347477,"featuredImage":{"width":0,"height":0}},"dateAdded":"2026-03-10T12:14:22.902Z","filters":[],"linkTarget":"","keywords":[],"overrides":{},"key":"14401"},"14402":{"id":14402,"label":"ardbeg x southern junction bbq","caption":"","type":"image","content":"chefs-tending-bbq-smoker.jpg","size":{"content":{"width":1710,"height":1140},"thumb":{"width":0,"height":0},"bytes":355105,"featuredImage":{"width":0,"height":0}},"key":"14402","linkTarget":"","dateAdded":"2026-03-10T12:14:25.157Z","filters":[],"overrides":{},"keywords":[]},"14403":{"id":14403,"label":"ardbeg x southern junction bbq","caption":"","type":"image","content":"chef-enjoying-bbq-by-smoker.jpg","size":{"content":{"width":1710,"height":1140},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":349448},"dateAdded":"2026-03-10T12:14:27.100Z","linkTarget":"","overrides":{},"keywords":[],"filters":[],"key":"14403"},"14404":{"id":14404,"label":"Client List","caption":"","type":"html","content":"

SELECT CLIENTS

\n\nSee a comprehensve client list here.\n\n
\n
\nA&E Television\nArdbeg Whisky\nBlue Cross Blue Shield of WNY\nChannel 4 Television (UK)\nChris Long Foundation\nCondé Nast\nEatingWell\nForbes Magazine\nGMC\nGolf Digest\nGuardian (UK)\nHachette\nKiplinger's Personal Finance\n
\n
\nMen's Journal\nMonocle\nM&T Bank\nNational Education Association\nNBC Sports\nNorthwestern University\nPopular Science\nPUMA\nRandom House Publishing\nReader's Digest\nSchneider Electric\nSeneca Nation of Indians\nSouthwest Airlines Magazine\n
\n
\nSpinneybeck\nSports Illustrated\nThe Times (UK)\nThomson Reuters\nTime Inc.\nTommyrotter Distillery\nUniversity of Miami Medicine\nVisit Buffalo Niagara\nVisit Erie\nWalmart\nWells Fargo Bank\nWilmington Trust\nZeiss\n
\n
\n\n\n

AWARDS

\n\n2025 James Beard Foundation Photography Prize - First Place\nAmerican Photography 41\n2025 SxSE\n2023 Buffalo AAF Addy Awards - Gold/Best In Show \nAmerican Photography 38\n2022 Buffalo AAF Addy Awards - Silver\n2022 One Eyeland Photography Awards\n2021 One Eyeland Photography Awards\n2020 One Eyeland Photography Awards \n2019 Best Of ASMP Awards\n2019 One Eyeland Photography Awards\n2018 One Eyeland Photography Awards\n2017 One Eyeland Photography Awards \n2015 Folio Eddie Awards \n2015 Best Of ASMP Awards\n2015 NAMPA Best Cover Photo\n2011 Best Of ASMP Awards","size":{"content":{"width":0,"height":0},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":0,"pageImages":[]},"overrides":{},"linkTarget":"","key":"14404","filters":[],"dateAdded":"2026-03-18T17:11:38.598Z"},"14405":{"id":14405,"label":"Shrouds Selected For American Photography 42","caption":"","type":"html","content":"

Shrouds Selected For American Photography 42


\"Shrouds


I found out last night that one of my Shrouds images was selected for American Photography 42. I'm still sitting with it, but I wanted to write about it while the feeling is fresh.


American Photography is one of the most competitive juried photography competitions in North America. This is my third time being selected. Getting in once feels like a fluke. Getting in three times starts to feel like something else.


But this one is different from the others. Not because of the competition or the credentials. Because of what the image is.


Shrouds is mine. Entirely mine. No client brief, no creative director, no art department, no production budget worth mentioning. Just me, a length of fabric, and whatever location felt right that day. I spent the better part of 2025 making these photographs, and I'm still making them in 2026. Nobody asked me to. Nobody commissioned them. Nobody told me they were worth making.


That's the thing about personal work. It lives or dies entirely on your own belief in it. And some days that belief is harder to hold than others. Commercial work has external validation built in. Someone hired you, someone approved the images, and someone paid the invoice. Personal work has none of that. You're just out there on the shore of Lake Erie in winter, standing on ice that built up in layers from the water itself, trying to make something that means something.


The project started with Halloween. That seasonal thinness when the membrane between presence and absence gets acknowledged openly. I wanted to photograph that feeling. But it grew into something else. These aren't portraits. There's no face, no identity, no subject to connect with. They're disruptions. Anonymous figures dropped into the comfortable and the everyday, making the familiar briefly strange. Parking lots. Loading docks. Empty bars. Piers.

The work has influences. Beksiński, Tanaka, the chiaroscuro tradition. But those are references, not explanations. The work has to stand on its own, and for most of 2025, I had no idea if it did.


Two rules from the beginning: no white shrouds, which read as costume, and no graveyards, which felt too easy and on the nose. These are not photographs about death. They're about absence. About what remains when the recognizable is removed.


Getting selected for American Photography 42 feels different from other recognition I've received. The James Beard Prize last year was extraordinary, but that was for work made in service of someone else's vision. A client, a story, a brief. This is different. This is my own creative vision, working on its own terms, recognized on its own merits.


That's a different kind of flattering. It's a reminder that the thing driving me forward doesn't always need a client attached to it. Sometimes the work just needs to exist, and sometimes that turns out to be enough.



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Short Listed In The World Food Photography Awards


\"Waxlight


One of my images from Waxlight Bar à Vin was just shortlisted for the James Beard Foundation Photography Prize at the World Food Photography Awards. The year after winning it for my portrait of Tom Moriarty.


This is a portrait of Jess Railey-Forster. Certified Sommelier, Advanced Candidate through the Court of Master Sommeliers, co-owner of Waxlight, one of the most seriously considered wine programs in the country, and a three-time James Beard finalist. I had never met her before the day I made this photograph. I had never been to Waxlight either.


I can't fully explain why some portraits work and others don't. You tune into it. The energy shifts. You know when it's happening, and you can't always say why. That happened here.


I photograph Buffalo obsessively. Not because I have to. I travel constantly for work. But this city keeps producing people worth photographing. People who came back here, or stayed here, or arrived and chose to build something serious in a place the rest of the country tends to overlook.


The finalists will be announced in London in June.




","thumb":"WBAV20191220-0157-WFFA-thumb.jpg","size":{"content":{"width":0,"height":0},"thumb":{"width":1710,"height":1140},"featuredImage":{"width":0,"height":0},"bytes":0},"postDate":"2026-04-02T16:11:41.381Z","dateAdded":"2026-04-02T16:05:59.097Z","overrides":{},"filters":["Blog Posts"],"linkTarget":""},"14409":{"id":14409,"label":"WBAV20191220_0157_WFFA","caption":"","type":"image","content":"WBAV20191220_0157_WFFA.jpg","size":{"content":{"width":1710,"height":1140},"thumb":{"width":0,"height":0},"featuredImage":{"width":0,"height":0},"bytes":423066},"overrides":{},"keywords":[],"linkTarget":"","filters":["Blog Posts"],"dateAdded":"2026-04-02T16:08:50.961Z"},"14410":{"id":14410,"label":"Tara Corey","caption":"","type":"html","content":"

Tara Corey

\"woman

I first photographed Tara Corey when my studio sponsored her roller derby team. She was already the kind of person who owned a room without trying.


That was years ago. She skated with the Nickel City Knockouts (still the best team name in Buffalo derby history, fight me) and has since built a successful business in the spa and beauty space. She's been a client and a friend ever since. Earlier this year, she came back for new brand portraits, images that didn't just look like her, but actually felt like her. Her energy, her personality, the way she carries herself.


\"elegant

\"woman


We shot primarily on camera flash, partly because it suited the aesthetic, and partly because it was the only way to keep up with her. Tara does not stop moving.


Some projects just feel fun. We put on some music, Tara brought a party like she always does, and at one point, she blindsided my assistant Josh with a surprise pillow fight. (He did not see it coming. He also did not win.)


Good people. Good images. That's the best kind of day on set.


\"woman





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Work In The Wild — Mick Hayes


\"Mick


I was out doing some record shopping the other night when I came across a copy of Mick Hayes My Claim To Fame on vinyl. I've always loved this cover shot of Mick.


\"Mick


","thumb":"amick-hayes-album-cover-wild-thumb.jpg","size":{"content":{"width":0,"height":0},"thumb":{"width":855,"height":1140},"featuredImage":{"width":0,"height":0},"bytes":0,"pageImages":[{"src":"amick-hayes-album-cover-wild.jpg","width":855,"height":1140},{"src":"man-sitting-in-classic-car-at-sunset-portrait.jpg","width":1710,"height":1140}]},"key":"14415","overrides":{},"postDate":"2026-04-15T17:31:04.101Z","filters":["Blog Posts"],"dateAdded":"2026-04-15T17:24:05.047Z","linkTarget":""},"14416":{"id":14416,"label":"amick-hayes-album-cover-wild","caption":"","type":"image","content":"amick-hayes-album-cover-wild.jpg","size":{"content":{"width":855,"height":1140},"thumb":{"width":0,"height":0},"bytes":208162,"featuredImage":{"width":0,"height":0}},"linkTarget":"","overrides":{},"filters":["Blog Posts"],"keywords":[],"dateAdded":"2026-04-15T17:26:07.687Z"},"14417":{"id":14417,"label":"My Favorite Tool Isn’t a Camera","caption":"","type":"html","content":"

My Favorite Tool Isn’t a Camera


\"lether


Photography has always had a gear problem. The culture around it has convinced people that the path to better work runs through a purchase. A new body. A faster lens. The bag everyone's carrying this season. I've watched young photographers drive themselves into serious debt chasing that idea, and it never pays off the way they hope. There's nothing you can buy that someone else can't also buy. Gear doesn't set work apart. (I save my gear lust for stereo equipment and new records)


Before I open my camera bag, before I check a forecast, my favorite tool is already in use. A pair of Traveler's Notebooks, and between them, five notebooks that hold most of the work I do before anything gets photographed.


If you haven't encountered one, a Traveler's Notebook is a slim leather cover made by the Japanese brand Traveler's Company. It holds multiple small notebooks inside a single spine using elastic bands. The notebooks are refillable and interchangeable. You build the system around what you need rather than buying into a predetermined idea of what a notebook should contain. The standard size is tall and narrow, roughly half the width of an A4 notebook. It fits in a jacket pocket and goes everywhere.


Mine are both that size. One is a rich brown and relatively new. The other is olive green and has been with me long enough to show it. The leather has darkened and softened at the corners, and it is creased where it folds. It looks old and beat up, and I love it. On the closure, an elastic hangs a small yosegi charm, a piece of traditional Japanese woodwork, which my wife brought back from Tokyo. It's the first thing my hand finds when I reach for it.


Most photographers I know lead with the camera bag when they talk about what they carry. I think about it differently. The most interesting things in my kit have nothing to do with photography. They don't capture light or store images. What they do is hold the thinking that happens before any of that starts.


\"side


The olive green cover holds two notebooks. The brainstorming notebook is where projects begin. Visual ideas, directional thinking, concept queues, and questions I need to work through before I show up anywhere with a camera. By the time I'm on location, that thinking is already behind me. The camera is the last step in a process that starts on paper. The debrief journal lives alongside it. After every project, I write down what worked and what didn't. It came from a suggestion by the amazing photographer Chris Buck. It's not comfortable to read back through. That's the point. The distance between what I set out to make and what I actually made is where the work improves, and you can't close that distance without looking at it.


The brown cover holds a commonplace book, a personal journal, and a habit tracker. The commonplace book is an old idea, a place to collect things that interest you, writing, images, references, fragments that don't have a home yet but feel worth keeping. Mine pulls from everything, not just photography. It's where outside influences live while I digest them. The personal journal and habit tracker sit alongside it because that arrangement has always made more sense to me than keeping those things separate. A photographer's personal life and creative practice affect each other, whether or not you acknowledge it.


None of this operates outside a client's brief. It operates inside it. Most of the work I take on comes with defined parameters, a brand's visual language, a campaign with specific needs, or an editorial assignment with clear direction. The notebook is where I work out how to do more within those parameters, not around them. How to find visual interest inside the constraints. How to get to what a brief is actually asking for and push from there.


The prep that happens before I pick up a camera is what makes the work on set feel considered. That's true whether I have two hours or two weeks.


When someone hires me, they're not hiring a camera. What they're getting is everything that happened before I picked one up. That process lives inside of these two worn leather covers. 




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Let's Go Buffalo!


\"Buffalo


ourteen years without a playoff game. Fourteen years of watching other cities celebrate while we rebuilt, retooled, and convinced ourselves next season was the one. On Sunday night, down two goals to Boston with eight minutes left, KeyBank Center didn't go quiet. It got louder. Four straight goals later, the building came apart.


I watched it the same way many people in this city did. With disbelief, and then something that felt a lot like exhaling. This week I've been going back through the archive. Portraits of men who wore the jersey. Men who gave the fans of this city something to hold onto long before Sunday night.


Rob Ray


The Rob Ray portrait came out of a pro bono project with a local agency, connecting Buffalo sports figures to a pitbull rescue. Small budget, small crew, big subject.


Rob Ray spent thirteen seasons in Buffalo. He fought everyone, often, and found so many creative ways to shed his jersey mid-fight that the NHL eventually wrote a rule specifically to stop him. There is one player in the history of this league with a rule bearing his name. That's the man who showed up to my studio.


Brian Gionta


I had about twelve hours notice on this one.


Sports Illustrated called. Team USA was going to announce Brian Gionta as captain of the Olympic hockey team during the World Junior Championships, which that year were being held in Buffalo. Could I photograph him? Tomorrow?


Yes. Obviously yes.


Gionta is from Rochester. He came up watching the same hockey we all watched in Western New York. And here he was, being handed the captaincy for the United States, in our city, during a tournament that had taken over every bar and rink in the region.


Two very different photographs. One black and white, close, no room to hide. The other lit with the cool blue of a man carrying a country into the Olympics. Made years apart, for different clients and different purposes.


Game 2 is tonight. Let's go Buffalo!



\"Us

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